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Zen Boy & Karma Girl : Who They Are and How They Came To Be
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Acoustic folk duo with some outer space leanings.
Genre: Rock: Soft Rock
Release Date: 2006
Who They Are and How They Came To Be
Zen Boy & Karma Girl
Record Label: Zen Boy & Karma Girl
  • Download Album (MP3) - $9.99
  • Buy CD - $10.00
Preview Song Name Time Format Price Select
Copy 3:20 $0.99
Two Monkeys 2:47 $0.99
There Won't Be 3:23 $0.99
Keys 3:22 $0.99
Yeah Yeah 4:27 $0.99
Wonder Woman 4:47 $0.99
And I Lost 3:43 $0.99
Madison 3:28 $0.99
Love, Love, Love 4:24 $0.99
Life of the Party 2:27 $0.99
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Album Notes

A CRASH-LANDING! A DAMAGED SPACESHIP! Intergalactic superheroes Zen Boy & Karma Girl are stuck on Earth, hoping to lay low until they can fix their ship and return home. The duo query their super-computer ZBKG-1000: What's the best job for two superheroes to live a quiet life of earthly obscurity? Several days and thousands of calculations later, ZBKG-1000 delivers its determination on the fate of Zen Boy & Karma Girl: "Folk singers."

Whether you believe Zen Boy & Karma Girl’s claim that they’re intergalactic superheroes marooned on Earth, they certainly do seem like visitors from another musical planet. Incisive and witty lyrics, charming and memorable melodies, delicate and graceful harmonies, all coming together in a tasteful folk setting with subtle ethereal touches – it just seems so alien these days...

Zen Boy & Karma Girl’s music could be defined as a colorful combination of the gentle two-part harmonies of Simon & Garfunkel, the cheeky lyrical observations of The Moldy Peaches, the earthy mysticism of Donovan, and the quiet contemplation of The Innocence Mission.

And what about that “superhero thing”? Zen Boy & Karma Girl aren’t talking, but it seems like they’re having fun with it. After all, who doesn’t want to be a superhero?

REVIEWS for Who They Are and How They Came To Be:

... gentle folk music with sweet harmonies, easy melodies and lyrics with a tweaked wit ... their own unique California folk sound ...
(Terry Roland, Phantom Tollbooth)

... The duo's hippie-leaning pieces are executed well ... gentle psychedelia and quiet acoustic strumming ... 'Love, Love, Love' is the aural equivalent of a vegetarian picnic in a sunny meadow ... 'Yeah Yeah' has a playful simplicity that's a touch like The Beatles ... these hippies excel at darker material: 'There Won't Be' is a sing-along pub song that uses its catchy refrain to mask lyrics as downhearted as the Delta blues, and 'Keys' is gorgeously sad, stark minor-key fingerpicking highlighting a heartbreaking vocal melody ... 'And I Lost' is brooding and dark, recalling a more polished version of Leonard Cohen at his best ... good stuff and exquisitely sung ...
(Matthew Johnson, Grave Concerns)

... Folk music for the mp3 generation ... tremendous songwriting and storytelling ... Zen Boy & Karma Girl spin gold with melody, render helpless with delicious harmonies and cause a smirk and thought with provocative off-kilter lyrics ...
(Adam Mico, Apequake)

... 10 clean and gentle vocal harmony-laced tracks ... ear-catching and built on a solid, time-tested frame ...
(Simon McCormack, Alibi)

... a cool, quirky folk duo ... great instrumental touches that reminded me of Brian Wilson's studio tinkerings. 'Yeah Yeah' and 'There Won't Be' will become cemented in your brain due to their memorably catchy, sing-along choruses ... it reminded me of soundtrack music movies like Juno ... they should make sure the music moguls in Hollywood hear their stuff. Their music is as good as you will find and might make them enough royalty money to get their spacecraft fixed...
(Craig Yerkes, San Diego Troubadour)

... I like the lightweight pop aspect of this album ... 'There Won't Be' is one of the happiest blues songs I've heard, and 'Copy' is a rather quirky love song, and both are typical of the album ...
(Carl F. Gauze, Ink 19)

... Behind the superhero masks and the spandex, there is musical talent that the music industry has not seen. 'Two Monkeys' is a standout track, and 'There Won't Be' sounds like something you would sing while drinking, except they sound much better singing it than the local bar patrons ...
(Fred Castano, The Coast Dispatch)

... utterly magical music ... an overstuffed couch for the ears: a big comfy spot you never want to leave. The absolutely lovely songs all have gorgeous melodies, some of them breathtakingly so. The instrumentation is a warm interweaving of acoustic and electronic. But the hinge that everything swings along is the blending of two voices, the most decadent vocal harmonies heard in years. There are moments on this album that the two voices become one, a single instrument floating above the music ... What it comes down to is the music, and on that score, Zen Boy & Karma Girl just might be superheroes.
(Jim Trageser, North County Times)

Self-described "visitors from another musical planet," this Boy and Girl have a superhero shtick that could be kryptonite for their prospects, except for one thing – they're good. There's a classic Simon & Garfunkel vibe that runs through each song, but the duo's archly configured lyrics and personae make this an alternative act that's entertaining. 'Copy' is a winner, and 'Two Monkeys' and 'There Won't Be' have their charms as well. This is an intimate and entertaining record.
(Music Connection Magazine, "Demo Critique")

... 'Wonder Woman' is a really pretty, folksy song from the point of view of...well, Steve Trevor, I suppose. The lead singer is wondering why Wonder Woman, who is awesome enough to hang out with Superman and Batman, is willing to be with him ... one of the only (superhero songs) I actually like on its own merits ...
(Jen-From-Japan, DC Comics Fan)

... Who the hell needs a record label these days? Obviously not these two, who've managed to put out a slick CD all by themselves ... word-of-mouth praise will follow accordingly – voila! ... Don't let the tight pants fool you, they're folkies in disguise ...
(Kent Manthie, Reviewer Mag)

... At first glance, the animation on the cover might lead you to believe this intergalactic duo is a comedy club favorite. In fact, the music held within this pressed plastic is an amazing array of songwriting and brilliant vocal harmonies. The fact that they have an ingenious story to go along with their alter egos just makes it cooler. From the witty ('There Won’t Be') to the heartfelt ('And I Lost'), there is something that would appeal to almost everyone. The reason any good duo becomes a duo is the fact that they complement each other and this could not be more true than with Zen Boy & Karma Girl ...
(Monk, Independents Only)

... a nice, classic folk album ... 'Two Monkeys' is beautiful ... 'There Won't Be' is a peppy Irish pub-style drinking song, and 'Yeah Yeah' is a chipper, harmonious venture into the gentle world of folk ... mellow, but charming ...
(Andy Scheffler, Cord Magazine)

... the music is warm to the touch ... a pleasant, straightforward charm, though with a pithy undercurrent ... a well-tended, nip-and-tuck approach...
(David, Left of the Dial Magazine)

... crisp, lush sound ... nice soft-rock/alt.folk music, with interesting sounds and perfectly pitched vocal harmonies ...
(Jeremy Mutant, The Chicken Fish Speaks)

... light touches of indie pop sweetness ... their songs are good and they have plenty of talent in the vocal and guitar department ...
(J-Sin, Smother.net)

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REVIEWS

Great Music: An Alien Concept?
author: Cosmica
Finally!!! I’ve been here on Earth for almost four years and I have been awaiting the arrival of one of my fellow beings. I didn’t know they’d be sending two, but I’m glad you’re here, Zen Boy & Karma Girl, in more ways than one. Coincidence, maybe, but I’ve been wasting my time here on Earth as a music critic. And I do mean “critic,” as in “critical.” In the four years that I have been here, I have been amazed by the mass amount of garbage coming out of the recording industry. That is until now. It took one of my own (or in this case, two of my own) to make music that is easy on the ears. Zen Boy & Karma Girl has a throwback sound, yes. (I have been studying music history since I have arrived, and when I listen to this album, I hear the ‘60s, a time when music was good and songs were written to say something meaningful. From what I have learned, it seems that popular music started its downward spiral in the early ‘80s with the likes of Kajagoogoo and Bryan Adams. While there have been a handful of good artists since the '80s, they are few and far between. It seems as though the music industry traded quality of music for commercial value. Britney Spears and Ashlee Simpson: need I say more?) Zen Boy & Karma Girl is quality music, not only paying homage to sounds of the ‘60s, but transcending that sound into a modern collection of songs that you can hum, sing, tap along to and enjoy the ride. Some of the lyrics are thought-provoking; for example, we wonder who this “Madison” is: where is she? why is she gone? what’s wrong with her? And when Zen Boy sings, “looking for the things you lost, it’s like holding onto rain, things you cherish always perish, it’s always been the same, but something else remains,” it goes to the heart. We have all lost something or someone and letting go is the hardest part, but it must be done eventually. Other songs, like “Copy” and “There Won’t Be,” are fun to sing along with, and you keep singing long after you’ve turned off the CD. The lyrics are clever, and the tunes catchy, well-written and well-performed. “Wonder Woman” is just another love song…. maybe. The tragedy of this love is that one person is a superhero, the other just an ordinary Joe. Will it work out for these mismatched lovers? “Two Monkeys” and “Keys” are slow, sad and well-written. The chord changes, words and harmonies are enough to make you want to cry. But it’s a good cry and one that you’ve been wanting to have for a while. “Yeah Yeah” is fun. Try to figure out the characters who say “Yeah Yeah,” but listen close. This song is probably the one that will get Zen Boy & Karma Girl into the good graces of PETA. “Love, Love, Love” could’ve been just another song about heartbreak. But the play on words and the phrasing draws you in. At times it feels spooky, at times it feels familiar. The melody is mesmerizing. The CD closes with “Life of the Party,” which is reminiscent of an early Beatles tune. The close two-part harmonies are similar to Paul and John in “If I Fell.” You can’t help but feel bad for the sap in love with “the life of the party” and hope he/she doesn’t sit alone in the car waiting for too long. Zen Boy & Karma Girl’s Who They Are and How They Came To Be is an album that your planet has been longing for. It is simple, complicated, pretty, weary, happy and sad. Yes, Zen Boy & Karma Girl’s sound may remind you of the ‘60s. This is a good thing. Like or leave it, I have to say that a really good CD has been released here on your strange planet! Hope you earthlings embrace Zen Boy & Karma Girl and give this one a listen. Granted, you won’t see Paris Hilton dancing on tabletops to it and it probably won’t be nominated for a Grammy, but these facts speak volumes. Zen Boy & Karma Girl’s musical effort is a good example of what music is supposed to be about. I guess it took a couple of aliens/superheroes to bring back the alien concept of good music.
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Zen Boy & Karma Girl Make Stellar Music Together
author: Diane Meholick
It’s lucky for us earthlings that Zen Boy & Karma Girl crash landed here, and luckier still that their super-computer ZBKG-1000 told them to become folk singers. Because if their CD “Who They Are and How They Came To Be” tells us anything, it is that Zen Boy & Karma Girl can make stellar music. This CD is pure folk and harkens back to the early days of Joan Baez and Simon & Garfunkel. The instrumentation is clean and straightforward, consisting mainly of incredible guitar work with a dash of mesmerizing space age sounds thrown in, giving the songs both an earthly and ethereal quality. Although they haven’t been on the planet for very long, Zen Boy & Karma Girl have absorbed human life. Consider these lines from “There Won’t Be,” one of the CD’s most insightful tunes: “There won’t be no money today. Bureaucrats and businessmen pissed it all away.” Or: “Words don’t make no difference this time. The only words worth saying were spoken by the mime.” The duo tackles human relationships in these songs and their observations are right on. How about this image: “You pipsqueak little squirt. Crawling in the dirt. Your feelings all been hurt. What a tragedy. And love, love, love, won’t save you now.” And what of human failings? “I am only a copy. I’m fuzzy and I’m gray. I am only a product of recent DNA. Everyone’s so serious. I just want to play. I am only a copy of what the original say.” Zen Boy & Karma Girl have beautiful singing voices that blend perfectly together and do justice to these songs. Earth’s music aficionados can only hope that this duo hangs around on earth for a long time to come, continuing to make music in the fine folk tradition. www.dianemeholick.com
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