The Zoo Human Project | Naissance

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The ZHP on Facebook The ZHP on Twitter The ZHP on YouTube Official Website Apple iTunes

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United States - California - LA

Other Genres You Will Love
Rock: Acoustic Folk: Folk-Rock Moods: Type: Acoustic
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Naissance

by The Zoo Human Project

Exemplifying the American melting pot, this band mixes neo-folksy acoustic guitar w/ funky world percussion, layering female soul & male rock vocals into a fusion that invites the listener to a California dream of body-moving music & intimate storytelling
Genre: Rock: Acoustic
Release Date: 

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Tracks

Available in: MP3, MP3-320, and FLAC file types.

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time
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1. NWT
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4:20 $0.99
2. Duality
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3:51 $0.99
3. Unsettled
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4:02 $0.99
4. Naissance
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2:39 $0.99
5. Travesty
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4:46 $0.99
6. Seizure
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3:08 $0.99
7. Not The Way
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4:08 $0.99
8. Spotlight
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3:42 $0.99
9. Better Late
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5:49 $0.99
10. Let Me In
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4:46 $0.99
11. Welcome Home
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3:32 $0.99
12. Gravity
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8:29 $0.99
13. Outtakes
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3:00 $0.99
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ABOUT THIS ALBUM


Album Notes
Life obstacles have proven to be a propelling force behind the acoustic rock/soul trio, The Zoo Human Project. Jen Cordero, a Biology graduate from USC, ditched dental school after her father and grandfather died suddenly. Derek Martinez, a Recording Arts graduate from USC, lost his mother to Leiomyosarcoma - the rare cancer giant that affects only 4 in 1,000,000 people. Kevin Sakamoto, a college student halfway finished with his Computer Science degree, is plagued with epileptic seizures and has several tumors in his brain.

Yet what first appears as blocks turn out to be mere stepping stones - objects that lift them higher to strive for more. These three individuals are blessed with the single unifying thread of music, the universal language that tells stories of love over fear, success after failure, and triumph beyond adversity. Their Zoo is woven from three minds and one heart, pulsing with life and ambition;

From one side, Jen Cordero has the vocal prowess of Christina Aguilera and the rhythmic strums of Ani DiFranco. She delivers an alluring stream of soulful richness, searching and poignant, without an ounce of restraint.

On the other side, Derek Martinez weaves reflections of our world into his poetry and a simplistic intensity into his instrumental foundation. Teetering somewhere between Vedder and Matthews, his melodies are the vessels with which he strives to unsurface hope and truth.

And completing the trio with an arsenal of rhythmic equipment, Kevin Sakamoto brings the Project an array of percussive textures and nuances - all of which complement, yet steer, and ultimately drive their tunes into new and creative directions.

The combination of these three fibers woven thickly becomes the rope that is The Zoo Human Project. They encompass music of tensile acoustic strength, yet flexible enough to infuse many different sonic flavors. But what is their goal?

The Zoo Human Project invites YOU to step outside of your boundaries and move beyond your obstacles. If you did, what would YOUR Zoo be like?


Reviews


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Anthony "Tony" Garcia

Auditory Tendril
Straight from the outset, "Naissance" reaches out a tantalizing auditory tendril, beckoning the listener to come closer and listen. "NWT" is a toe-tapping, head-bobbing song guaranteed to have you singing along with the addictive chorus after only the first time hearing it. The lyrics (in trademark ZHP style) are both stylistically excellent and delivered with gusto, not just on "NWT" but throughout the entire album.

The flagship song of the album, "Naissance", opens with a sugar-sweet guitar, accompanied by Kevin Sakamoto's skilled percussion. Soon, both Jen and Derek join in with their Yin-Yang-like vocal combinations, and before long, the listener is held tight in the hands of the song, jonesing like an addict for every coming syllable.

Just like on their previous album, "Innominata", The Zoo Human Project weaves a musical tapestry unlike any other ever before; the only way to better experience the power and grace of the songs is to go see them performed live.

Michael Beetley

Classic Sound
I've listened through the CD oh, maybe a dozen or so times in the couple of weeks since I received it, so you might guess, I kinda like it! ;-)

There are a number of tracks that I'd call "traditional ZHP" (i.e., they are reminiscent of the material on Innominata), but to my mind, that's a good thing. I mean, if hearing one tune from you at Uncommon Ground was enough to bring me to a second show and to buy a CD, I must think it's good. And with more experience, I'd say you're honing that "classic" sound.

But there are a few tracks in there that introduce some new sounds, and these are also quite strong. Whether it's the Barenaked Ladies-esque refrain in "Unsettled," the haunting ukulele accompaniment of "Naissance" (I assume that was the goal, and it worked!), or the piano stylings of, um, whoever handles the keys on "Let Me In" (it being your song, is that you, Jen?), I'm quite impressed with the new directions being introduced here. And that's not even to mention the intriguing "Seizure" (though what's up with the "lyrics" on the bonus insert?).

Very nice work, folks. Very nice work indeed. Keep going, keep growing (that's dangerously close to the Moody Blues), and get your butts back to Chicago!