DEADWOOD REVIVAL: This Old World

Deadwood Revival

This Old World

© 2006 Deadwood Revival (766433112221)

CD IN STOCK. ORDER NOW. Will ship immediately.

(About MP3 downloads at CD Baby)

Powerful male/female duo blend original Americana, roots and folk with an old time influence

try this

albums you will love

genres you will love

By Location

Recommended if you like ...

notes

Powerhouse duo, Jason Mogi and Kim Trenerry have done it again with their new album " This Old World". A beautiful blend of original tunes, a few traditionals and an amazing version of a Bob Dylan tune, this album is quite the collection...one that can be listened to over and over again.

Jason and Kim have been playing music together for over 10 years. Their music is always played from the heart...each tune a soul filled expression. Their harmonies are impeccable, powerful and a major part of their "sound". For all these reasons and the fact that these are real folks playing real music, Deadwood Revival has been getting much deserved recognition.

reviews

Please log in to review this album.

  • Goosebumps!
    author: Rudy Minnaert "Country Eagle" The Netherlands

    Amezing good music. The harmony between the instruments and the voices are amazing. this is the kind of music we hear to little on the radio. Nowedays it must be country pop but they have no respect for the roots of country music. This is the kind of music with brings you back to the basis and beginning of the good country/folk music. I am graceful to Deadwood revival for making there awesome music. Country Eagle

  • Amazing!
    author: Nicole

    LOVE this band. Wonderful sound, REAL music! We heard them the night we got engaged, and they're playing our wedding this fall! Her voice is just amazing - can't say enough good things!

  • feeling good music
    author: Pete!

    A great CD that makes you feel good! This is what music is meant to be like. True music craftsmanship that has americana written all over it. Magical harmonies and melodies filled with stories that take you away, at least for a little while, from todays stressful times. Thanks DWR, you are appreciated!

  • we can't get enough!
    author: north oregon coastie

    this is the second album we purchased from DwR and we are officially addicted! Roscoe Stomp really puts us in a good mood...you can't help but to smile when you listen! we love them so much we booked them for our wedding day reception!

  • Fun,Adventurous and True to Their Roots
    author: Frank Gutch, Jr., Folk and Acoustic Music Exchange

    If you like old-timey, there's enough here to turn your head. Of course, if you're a purist, keep an open mind because Deadwood Revival has the spark of a Goose Creek [The Corn Won't Grow (So Rock & Roll] or Cydney Robinson, whose take is maybe a step further toward modern extreme hillbilly music (you have to hear her to understand) but still in the ballpark. That spark, while hard to put into words, works the music until you can't help but move, even if it's just on the inside. Take the Grand Ole Opry-style Secret or Roscoe Stomp (and we're talking thirties and forties here). Crank a little treble up and you can almost see the clog dancin' and boot stompin', Jason Mogi laying super fine banjo licks over Kim Trenerry's bouncy acoustic rhythm, voices singing into one of those huge gawdawful crystal mikes they used in those days. It's a musical vision. The Goose Creek-sounding Bound To Go really could follow up The Corn Won't Grow (So Rock & Roll) on any compilation, having that infectious rhythm (not unlike the song which goes "Every time I go to town, folks keep kickin' my dog around", whatever song that is) and when laid beneath the "aw shucks" voices makes you want to sing along and maybe even do one of those corny shuffle dances. Mogi's solo banjo takes a short ride on Down To the Wire, as good a ride as given on the best of Pete Wernick's old-time recordings. Too short at 1:04, it is a superb preface to Trenerry's modern folk rocking "Shake the Barnhouse Down" which serves up some excellent harmonies and picking. Vocally, Mogi and Trenerry acquit themselves beautifully, but never so much as when they harmonize. There is something about the thin old-timey Mogi voice when it blends with Trenerry's which makes it even better, and vice-versa. Instrumentally, they rock. Trenerry is a fine bass player (though they have added Ches Ferguson on bass since the album was released) and has a touch on the acoustic guitar. Mogi's guitar is top-notch and his banjo is one of the most unique out there. Let's put it this way. If I was booking a folk festival, or was even looking for an acoustic act for a rock festival, I wouldn't hesitate to book DwR. You can tell from the first note of this album that they are crowd-pleasers. They're fun, adventurous and yet true to their roots. They're . They would be something to see. And chances are that if you haven't bought this CD by then, you will buy it then. They're that good.

  • This Old World Should Be In Your Collection
    author: Tom Duckenmiller, Sing OUT!

    DEADWOOD REVIVAL This Old World Deadwood Revival Deadwood Revival is comprised of guitarist and banjo player Jason Mogi and guitarist, percussionist and bassist Kim Trenerry. Both members sing and they are joined by fiddler Ellie Holzemer on two selections. Kim and Jason began performing in the mid- 1990s in Atlanta, and eventually heading to the Pacific Northwest for some new direction. As with many young formerly-electric players, Jerry Garcia was a major influence in their adoption of a more homegrown acoustic sound. Jason took up the banjo and Kim began playing bass. As a banjo player myself, I approach any conversion to the five string with suspicion. When I noted the inclusion of "Sandy Boys" on This Old World, I immediately selected that tune to determine the quality of Jason's approach. I was knocked out by the sheer drive of his simple playing style in combination with spare guitar, percussion and strong, clear vocals. I quickly proceeded to the first selection and wasn't disappointed. The CD begins with "Bound to Go" written by Jason and based on "Feather Bed" by master banjoist Stephen Wade. The combination of solid vocal harmonies with the banjo and fiddle created just the right soundtrack for my late spring afternoon writing session on the back porch. "Ain't the Buyin' Kind" by Kim follows with its irresistible melody and lyrics about traveling and finding moments of priceless beauty. Later in the CD the duo tackles Blind Willie Johnson's "Fully Saved Today" which they learned from the playing of Frank Lee. Usually with a duo, one or the other is better suited for lead and the other harmony. Kim and Jason are both very strong solo vocalists as this selection demonstrates with their call-and-response treatment. Deadwood Revival reminds me of the early recordings of Robin and Linda Williams and the classic LPs from Fraser and Debolt. If you fancy strong soulful vocals with well played back-up This Old World should be in your collection

  • Best all-around cd I've bought in years!
    author: Tom Agostine

    It is rare to find a CD that is so good it is impossible to pick a favorite song. Here it is! Each song is excellent, an individual, strong and full of character, making this CD one you can listen to over and over again. And it just keeps getting better each time! Jason and Kim's extreme talents have been well documented, so I will not be redundant. My testimonial to the greatness of this CD is this: I often play music in my Woodworking classes. Students who love music, are age 14-18 from over 20 nationalities. Musically, a very tough crowd to please.This Old World is hands down the most requested CD, and yes, I do let students bring in their own music. Proof that music played and sung this well is appreciated by anyone who appreciates good music. This is a truly remarkable CD!

  • Oh, Deadwood Revival, we salute you!
    author: Tom Petersen, Victory Review

    One of the hottest bands on Northwest Acoustic scene is back with their second release, and it’s fully as good as the smash debut we loved a couple years ago. Though only a duo, they won the Northwest String Summit band competition because they can pick like nobody’s business. They have also mastered the Gillian Welch trick of infusing their originals with key lyrical and musical phrases from the folk and country canon, instantly evoking other times and places while moving into new territory. Kim Trenerry has one of the most distinctive voices going, a piercing country-soul call that works to shattering effect on the frisky “Ain’t the Buyin’ Kind” and gives a loving lilt to the loping “Lucky Day.” Jason Mogi’s own light sandy baritone turns out to be perfect for back-up and and the fascinating “Old Bar.” The pair show their breadth with the thoroughly modern raver “Shake the Barnhouse Down,” which is almost like one of those Big & Rich country raps, and a cover of Blind Willie Johnson’s gospel shout “Fully Saved Today.” The latter begins a four song set of covers to close the record, and it’s like a great record within- a-record. If what Dennis James of Truckstop Souvenir says is true – that a band’s covers are the windows on its soul – then Deadwood Revival’s soul is true America. Run these up the flagpole: “The Farmer Is The Man.” Dylan’s “You Ain’t Goin’ Nowhere.” The traditional “Sandy Boys.” Oh, Deadwood Revival, we salute you!

  • Magnificent Vocal Blend and Banjo Brilliance
    author: Steve Derebey, Washington Bluegrass Assn

    The most amazing thing about this duo is their ability to sound much bigger than two people playing two instruments. Between the two of them, they actually play many instruments and sometimes it sounds like they’re playing them all at once! Kim Trenerry (Guitar (incredible!) Vocals (awesome) Bass) and Jason Mogi (Banjo-incredible! Slide banjo (a new one on me and very cool!) Vocals, Guitar, and Harmonica) call home Port Angeles, WA., just up the road from me and have been playing together for about 10 years. Eight out of the twelve selections on this wonderful CD are original and reflect the diverse musical background which brought these two fine musicians together. They have a magnificent vocal blend anchored by Kim’s powerful voice complemented by the softer yet perfect pitch of Jason Mogi. Jason does some incredible things with the banjo, getting sounds out of the instrument that are unique and captivating in his use of a slide on his banjo in “Roscoe Stomp”. They both let loose in a rousing rendition of gospel favorite, “Fully Saved Today”. Jason wowed me again with his banjo brilliance using a fretless “gourd banjo” on his original instrumental “Down to the Wire”. This is just simply a GREAT CD, with mostly original music written and performed by two very talented people. Don’t miss this one!

  • It's a revival of the best kind!
    author: Ali Markus, West Coast Performer Magazine,

    Jason Mogi and Kim Trenerry (Deadwood Revival) have a vocal chemistry that draws listeners in. They could make any nonsense a pleasing waltz or a raucous romp with the right harmonic twist. Their blend has a gratifying timbre, and their instincts are perfectly in sync. That's not to say the lyrics take second string, especially with lines like, "You wanna get to heaven after foolin' 'round in hell." Deadwood Revival swoops in with a large sound that belies their two-piece setup. Their broad range emphasizes their remarkable talent for making the right choices. "This Old Bar" demonstrates the purity of their intentions in a simple harmonica solo, pulling all the right strings without virtuosic show. Mogi's clawhammer has a confidence that speaks to his past as a drummer. Often he slips into the blues, turning Trenerry into a scorching songstress. It's a rare ability to pull off a hoedown and a seduction at the same time, and it bodes well for the future of the Revival. The choice of cover songs on This Old World reveals the extent to which Deadwood Revival is steeped in the folk tradition. A smattering of old time banjo ("Sandy Boys"), spiritual ("Fully Saved Today"), folk staple ("The Farmer is the Man") and the inevitable - and unusually rendered - Dylan ("You Ain't Goin' Nowhere"), the selections span the history, most likely, of their own musical foundation. The striking feature here is how much these covers sound like original Deadwood Revival works - meaning it's a revival of the best kind. (Self-released) -Ali Markus

  • Fresh New Old Time Music
    author: Jack Bohl

    The original songs sound traditional, the covers are fresh reinterpretations, and it's all spiced with acoustic Grateful Dead flavor (except Jason and Kim are great singers). In fact, the vocals, and harmonies in particular, are the main delights here. This CD also captures the feeling of their exuberant live performances.

  • love it - a must have
    author: Kesten Davis

    This is a long awaited second cd. Finally I have more of their wonderful harmony!

  • love this duo
    author: JenD

    Freakin' awesome. I can't not shake a little booty whenever I put a Deadwood CD on. Even the sad songs warm my heart. Their voices match beautifully and underneath the good pickin' guitars is a gentle love that just makes me feel good. Nice. Thanks for bein' around and I'm so glad I live in your neck of the woods 'cause that means I get to go out and see you play once in a while. - Jen D. Seattle.

  • Healthy vigor, gusto & enthusiasm into a new presentation of ‘old world’ inspire
    author: Joe Ross

    Playing Time – 46:09 -- “This Old World” hastens back to less hectic and stressful days when music was primarily made on the porch or around the fireplace. The cover of Deadwood Revival’s second CD sets the stage with a historic 1887 photo of Port Angeles, Wa. back when the town was striving for the social and political perfection of Utopia. Originally meeting in Atlanta, Ga. in the mid-1990s, Jason Mogi and Kim Trenerry discovered that their ideas and interests were harmonious. The duo also realized they had a powerful vocal blend accompanied with their guitar and harmonica. They decided to head to the Pacific Northwest in search of that nearly perfect lifestyle where the cows all like to milk themselves. Now, the duo also incorporates banjo, bass and percussion into their music, and Jason has taken to building banjos. With their travelin’ shoes on and instruments in tow, Deadwood Revival opens this set with “Bound To Go,” a tale of embarkation from this old world to the other side. The liner notes acknowledge banjo-player and song-carrier Stephen Wade for some inspiration. Cross-eyed Rosie’s Ellie Holzemer provides some skipping fiddle to the original opener, and she appears again with vocals and fiddle in “Lucky Day,” another Deadwood Revival original. In fact, their eight originals are embossed with some eclectic folk, blues, old-time and even classic country flavors. “Down to the Wire” is the most rustic and rawboned offering – an instrumental featuring a gourd banjo built by Jay Moschella. Then, “Shake the Barnhouse Down” forgoes banjo altogether for a guitar-centric groove that is a contemporary rendering of Saturday night in a small Tennessee mountain town. For banjo groove, the traditional “Sandy Boys” is just the ticket with additional lyrics from Mogi. There is also clawhammer and slide banjo featured in “Roscoe Stomp,” Jason's homage to Roscoe Holcomb. Covers come from Blind Willie Johnson (Church I’m Fully Saved Today), Fiddlin’ John Carson (The Farmer is the Man), and Bob Dylan (You Ain’t Goin’ Nowhere). Blind Willie’s forte was his ability to powerfully fuse sacred and bluegrass songs. While I am more familiar with and have more of a penchant for the New Lost City Rambler’s up-tempo rendition of “The Farmer is the Man,” Deadwood Revival’s bluesy version is quaint and pleasant. It’s a sentiment that rings true today – “The lawyer hangs around while the butcher cuts a pound / But the farmer is the man who feeds them all.” Finally, in the Dylan cover, Jason and Kim’s vocal interplay would make their offering a sure crowd-pleaser at the coffee houses, bars, clubs, parties, markets, concerts, festivals they perform at. In fact, their music has cross-market potential that has allowed them to find gigs at folk, old-time, roots and bluegrass venues. On “This Old World,” old-time and folk sensibilities are being forged into evocative new world music. Deadwood Revival isn’t trying to make something out of nothing. Rather, they’re on the leading edge of the resurgence and revitalized interest in old-time music. They’re infusing healthy vigor, gusto and enthusiasm into their new presentation of ‘old world’ inspired music. I also sense that they’re striving for some Utopian vision and idealism in the music too. (Joe Ross, staff writer, Bluegrass Now)

  • A powerful sophomore effort! You'll love this disc!
    author: John Molinari

    This Old World finds Deadwood Revival firing on all four air cooled cylinders. Jason and Kim continue where they left off with their self titled debut. Crisp vocals accompanied by tight instrumentation make this disc a joyous journey through pure Old Time Americana. From the poignancy of Ain't the Buying Kind and You Ain't Goin' Nowhere to the foot tapping exuberance of Roscoe Stomp and Shake the Barnhouse Down, this disc truly satisfies.

email

Please log in to email this artist.