Ari Van Vliet | Atahualpa Yupanqui instrumental

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Classical: Traditional Latin: Latin Folk Moods: Solo Instrumental
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Atahualpa Yupanqui instrumental

by Ari Van Vliet

The instrumental repertoire of the Argentine folklore is reflected in the music of the latin-american tradition such as chacarera, milonga, carnavalito, zamba and gato. The cd represents this tradition in the concert style of the classical guitar.
Genre: Classical: Traditional
Release Date: 

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Tracks

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time
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1. La Tristecita - Zamba
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3:31 $0.99
2. Recauda Tus Prendas - Vidala
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2:24 $0.99
3. La Del Campo - Chacarera
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2:06 $0.99
4. Paisano Errante - Milonga
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4:11 $0.99
5. Lloran Las Ramas Del Viento - Cancion
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3:28 $0.99
6. Zamba Del Grillo
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2:36 $0.99
7. El Tulumbano - Gato
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2:04 $0.99
8. De Los Angelitos - Chacarera
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2:40 $0.99
9. El Indio Y La Queña - Cancion
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3:52 $0.99
10. El Bien Perdido - Chacarera
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3:47 $0.99
11. El Rescoldeado - Gato
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1:54 $0.99
12. La Humilde - Chacarera
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3:29 $0.99
13. Huajra - Carnevalito
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3:41 $0.99
14. Sacha Puma - Escondido
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2:17 $0.99
15. Melodia De Adios - Cancion
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3:07 $0.99
16. Danza Rustica
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2:18 $0.99
17. Trionfo
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2:20 $0.99
18. La Amorosa - Zamba
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2:56 $0.99
19. Milonga Triste
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2:58 $0.99
20. La Milonga Perdida
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3:25 $0.99
21. Duermete Changuito - Cancion
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2:58 $0.99
22. La Cruz Del Sur - Malambo
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3:17 $0.99
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ABOUT THIS ALBUM


Album Notes
Guitarist Ari van Vliet studied with his friend and teacher Antonio Pereira Arias at the Royal Conservatory n The Hague. In the tradition of Segovia he mastered the lyrical interpretation of guitar music. He presents his beloved instrument in recitals with several programmes in concerts and on CD. This album is a programme with music for guitar solo from the instrumental repertoire of the South-American folklorist-guitarist Atahualpa Yupanqui. In Argentine music boisturous rhythms are in contrast to intense emotions, cheerfulness and subtlety, being undertoned by deep melancholy. The music of the chacarera and the milonga, the zamba and the carnavalito, resonate in the infinite splendour of the Southamerican countryside. The contours of the Latin-American tradition and every emotion of this music are outlined in this recital.


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