Graeme R Gwin | Inseparable Devotion

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Inseparable Devotion

by Graeme R Gwin

Mystically centered compositions that relate into Indian classical dances of devotional Love, but in a way that connects with the middle-east and Israel , where it is also known that GOD is LOVE, in Love's "honorable" Meaning, relative to TRUTH.
Genre: World: Indian Classical
Release Date: 

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1. The Truest of Dreams
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2. A Raga of Joyous Dance
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Available as MP3, MP3 320, and FLAC files.

ABOUT THIS ALBUM


Album Notes

All my “album notes”…which relate to 30+ years of “SOLITARILY” inspired effort regarding my “purpose” in the Meaning of Life… are directly related to my continuing biography referred to on my “CD baby biography page”…a “solitarily lonely” journey which has required me to remain isolated from all manner of “instructive variables” that this world would have to offer regarding the many “gifts” that God has put upon me, for I knew in my heart of hearts that only the “Giver of these gifts” is able to “accurately” show me the purpose behind my being “gifted” in the many ways that I speak of. This is to those who will seek to understand the purpose in my existence, as compared to those who “assume” to know me, yet do not. Simply put, my bow of archery became an accordion, and “ONE” of my many arrows became the music of my accordion…hence my first album, “An Arrow called Music”, wherein exists my poem that relates to the bow’s transformation into the harp, and the harp’s relationship with my accordion. “Compromise” is NOT one of my “healthy values”. “Compromise” would only cause me to lose “the constructive will within my unfolding purpose”. An archer cannot compromise to allow “bends” in his arrows, lest the “principle of accuracy” be affected in a deteriorating way. My “arrows of purpose” had to remain straight and true as my responsibility alone rather than relying upon the “ideas of others” as to “how” my arrows should be straightened. I was the archer; not someone else. This is how the “Giver of the gift” required me to be so that I may come to understand the purpose in “being” gifted with this “symbol of accuracy” put upon me of God as “the Giver of the gift”. No man had put this “gift” upon me, as nor did I “gift myself”, and so I recognized this “giftedness” as being a “purpose of God” put upon me rather than as being a purpose “to my own credit”. These understandings were my “beginning” contemplations which caused me to recognize the importance of “non-compromise” so that my arrows should remain “straight and true”, relative to purpose that would “understandably” be related to the “world level”. Thus was my “journey” to be necessarily in solitary form, yet with God as my only True Friend, whereby, my “purpose in being” would; in patience; open up. My “CD Baby” biography page tells the story, yet only to a minimal degree relative to the continuation of my life’s existence.
Type Graeme R Gwin into the CD baby “search bar” to see all my 25 ARTWORKS, BIOGRAPHY Notes and “album notes” relative to each of my 25 albums.
Type into Youtube….“Graeme Gwin”…to see where I am visually conveying one of my “albums related” poems.
25 ARROWS OF PURPOSE
These are my latest Album Titles…Jesus the Only True Messiah, Thou Shalt Not Kill, Gihad(J) means Thou Shalt Not Kill, Messenger of God, Family Tree of Life, Revelation 6.2 (and the bow), Spirit of Truth, Prophessor in Archery, Marriage of Truth, Revelation 19 Defense, Revelation 6.2 and an Arrow of God, Principles of Manhood, Revelation 6.2 and the Harp, etc.
List of all my albums Graeme R Gwin
Jesus, the Only True Messiah
Gihad(J) means Thou Shalt Not Kill
Thou Shalt Not Kill
Messenger of God
Family Tree, of Life
The Meaning, of Life
Revelation 6.2 (and the bow)
Jealousy and Sabotage
Spirit of Truth
Prophessor in Archery
Marriage of Truth
Revelation 19 Defense
Revelation 6.2 and an Arrow of God
An Arrow Called Music
Feathers of Silver and Gold
Inseparable Devotion
Whispers of Knowledge
The Voice of Melody
The Well in the Desert
Three Feathers of an Arrow
The Well in the Desert and the Two Trees
Principles of Manhood
Revelation 6.2 and the Harp
SunStar of Righteousness
The Bow the Heart and the Harp
Global Warning

Relative album notes
When I was in India (1985); and specifically following the path that Jesus the Messiah walked during his earlier days before his return to Israel; I couldn’t help but feel a sense of communion with his soul’s journey, and to the extent that I felt as though being guided into the very paths that seemed to attract me into themselves as relative “to” his journey. In my “solitary” journey (and I emphasize solitary, with the exception being the above mentioned) I was certainly not looking for any “gurus” for I needed none. My Source of Inspiration and guidance was the Messiah and his words of wisdom which always seemed to be around me. “There’s nothing to fear but fear itself” (in this unknown land) seemed to be his word always with me, in discernment between wise actions and unwise actions, and so fear seemed to be removed from me in this journey where nothing was really planned by way of “pre-thought out”. In one part of my journey; the part relative to this album “Inseparable Devotion”; I found myself at a beautiful story-telling in classical dance form which portrayed a type of Romeo and Juliet True Love theme, only that the characters were Krishna and Radha in their portrayal of an inseparable Love for one another…well this is how I perceived it to be, from a point of view more accurate than the story being projected from the dancers, or even from those who were meant to clearly understand the dance, and story of their Love. Somehow I seemed to KNOW how the story was meant to be, as compared to what I was seeing, in beautiful form even so. My heart was filled with inspiration from the Messiah’s journey that I was involved in, and it was “this” that allowed me to “see” what was meant to be the “True” story of “Inseparable Devotion” as compared to the story that was being portrayed, by India’s Romeo and Juliet cross-referenced as Krishna and Radha. In “my” eye I was able to “see” more accuracy into the meaning of “Inseparable Devotion” than Shakespeare’s Romeo and Juliet, simply because my Source of Inspiration was fully with me in a truly “honorable” form of Love that allowed me to clearly “see” the Real picture of “Inseparable Devotion”, relative to how it “is” in its rarest form. Shakespeare was well away from the mark, yet this story in India was “closer” to the real meaning, although not close enough. I found it incredible to recognize (but more so “know”) how the real story is truly meant to be, relative to the meaningful purpose of True Love. Whilst I was watching this “story in dance”, I felt as though I was inside a golden light, and that I was watching the story “from” the golden light that I was in, and the book of its “real” meaning I was able to “spiritually” read whilst “watching” the story in dance. I couldn’t speak about the story I could “see”, for I couldn’t speak Hindi, to explain to the presenters that important meanings were being missed relative to how the story of Krishna and Radha is meant to be, from accuracy’s point of view. I found it unusual that I could “see” the “enlightened” story that wasn’t understood by the presenters. Somehow God allowed me to know how the story “should” be, even though it was so beautifully presented by the presenters trying to convey this story of True Love and Devotion. Somehow I knew the “real” story, and simply put, Christ; the Messiah; had enabled this to be so within the journey that I was solitarily undertaking, for no one had taught me this story, and nor have I read it. Why should I read the world’s interpretations of what is made known to me of God, except that I am made shown the “written flaws”, where corrections need be made.
My first album cover artwork relating to my album (Inseparable Devotion), was one of Krishna and Radha “portraying” inseparable devotion to one another, but I later decided to replace this cover artwork with the one that now exists (the bow and the harp) for my story that relates to the bow and the harp (which is able to be applied to the Krishna and Radha Love story) is more to the point of “Inseparable Devotion” as a meaning of True Love that cannot be divided from its transcended meaning, and also that the “previous” album cover artwork could too easily be misunderstood; or too easily be misrepresented; regarding the simplicity of “my” meaning for using the Krishna and Radha artwork in an innocent way that was not intended on promoting “religious undertones” of preference. The journey that I was involved in (as spoken of in the beginning) simply allowed me to “see” the Love story of Krishna and Radha from a more accurate point of view than the “general Indian thinking” of those who seek to portray this story. Simply put, Truth allows me to “see” what the story tellers of Radha and Krishna cannot “see”, and so I leave my album notes (below forwarded) as they are, for it was in the journey of the Messiah that I was shown what I was clearly shown.
I thought I should include the above-mentioned tiny part of my journey in India, for people seem to be interested in this album.
The above is a recent addition (1 March 2016) to my album notes below.


These “ARE” my album notes for this music album, and this music album has come about as being directly related to these album notes
The Sun of Righteousness shines Peace and Righteousness upon All nations, as does the Knowledge of God extend into all religions that seek this Truth; beyond the limitations that religions put upon the Knowledge of God, in some cases for their own benefit. Truth does not divide God into religions, as nor does God divide Truth into religions; Truth being “of” God, beyond what man considers Truth to be.
tracks 1 & 3 played on harmonium (piano accordion)
track 2 played on a "5 string guitar" which I tuned to sound as close as I could to a “sitar”, and so I called the instrument a “guitar-sitar”... which came about because a string broke and I did not have a spare at the time, and from then on, the instrument remained the same, which to me, had a far more heartly sound than with the conventional 6 strings. The story to this particular track (2) is (and this is a SERIOUS message to India, because I “see” the Honor of Love’s virtues being left behind because of the cunning promotional seduction of sexualization)... I see THE WHOLE OF INDIA AS BEING A FEMALE CALLED RADHA (Radha & Krishna is India’s True love story, like Romeo & Juliet, one could say), and this is my song to her, in response to the feminine beauty of heart that she speaks to me of, through her virtuous Love that I recognize within her classical dancing that “others dance on her behalf,” yet I am not relating to bollywood’s sexualized classical dance fusion, for “AS I SEE THINGS TO BE” from Love’s honorable perspective, Radha’s “classical dance” is more so focused upon Love’s “Heavenly” ideals with the heart… OR AT LEAST IT IS MEANT TO BE… as compared to bollywood’s “sexualized” classical dance fusion that will eventually cause Indian women to wonder… “What has happened to True Love, and our virtues that we held in high esteem unto the purity of marriage… how have we cast aside True Love “honorable” dance for “our dance” that has become “sexualized”… and, what has happened to the beauty of our dance which was danced in honor of the Heavenly ideals of Love, beyond lustful presentation”. I find it as an insult against my heart that bollywood is cunningly seeking to replace the “honorable” meaning of Love with sexualized dance that contradicts the “honorable” meaning that is MEANT TO BE within Indian “classical” dance. Those who promote bollywood do not understand Truth’s “honorable” Meaning of Love, and this is said “IN” the Spirit of Truth, for “IN” the Spirit of Truth, bollywood is “seen” for what it really is, relative to its ignorance of the “honorable” ideals that are (MEANT TO BE) within Indian classical dance. Truth KNOWS what Indian classical dance is MEANT TO BE representing, whether the promoters and choreographers of Indian classical dance understand this or not. True Love KNOWS “its own story”, whether Indian classical dance understands this or not, and I will tell you now that Indian classical dance does NOT clearly understand True Love’s story…though it at least “tries” to understand it , as compared to bollywood’s seduction, that to me, insults the True ideals that live within my heart, wherefrom I know the ideals of True Love… that Indian classical dance is TRYING to portray, to the degree that it is able. And how do I know these things that the world has not taught me? Answer…the Spirit of Truth…by which ALL religions are known in what they “SEEK” to know, rather than what they “do” know. How would I know these things of India unless I were shown of the Holy Spirit of God, and so there is no one more certain than myself that it is thanks to Christ this knowledge has been put upon me, not of myself nor of the world, but of the Holy Spirit of God Which allows me to “see” India… from “Truth’s” point of view.
If love falls back away from the heart, rather than continue to rise toward the Crown; the Crown which put forward Radha’s dance from the Heavenly ideals of Love; then Radha will later become sad that her heart’s ideals of Love seem to have become lost among the thorns of the world. When lust tries to take the place of Love, heartly ideals of dance will fall toward “sexual promotion in dance”, at the expense of Love’s honorable ideals that Heavenly ideals taught Radha to understand in honor, so that she may portray this in dance. This is how I “see” Radha’s dance is MEANT to be, as compared to the world’s “many dances” that do not portray the ideals of True Love in such a beautiful way. To me, India is the “closest” to portraying the ideals of True Love that I speak of, and know “from”, in the Spirit of Truth. If I did not FIRSTLY know Christ then I could not possibly know the dance that Radha is “trying” to dance, for it is the Holy Spirit of God that shows me what Radha’s dance is “trying” to portray, in Indian classical dance, and it is the Holy Spirit of God that shows me what bollywood is up to, in trying to push Radha’s dance into the background, so that the ideals of “True Love” become clouded over. True Love knows this to be True, and thus am I insulted by what I see, for bollywood is trying to “sexualize” the honor of Love and Love’s “honorable” virtues. The promoters of bollywood’s fusion upon Indian classical dance ideals insult my “principles of manhood”…for the “principles of manhood” know that the “honorable” ideals of True Love (as known in Truth) are inseparably connected with the “honorable” Meaning of Life.
I relate “Inseparable Devotion” to my understandings of knowledge within the story, “The Well in the Desert and the Two Trees” (as being the story written within the album notes of my CD Baby album with the same title)… for to me it is this story (The Well…..Trees) of heartly inspiration that allows me to see India in the way that I do, in the above-mentioned, from True Love’s point of view that lives within me, and “from” which, my symbol artwork has direct relevance, in being able to be used as the cover artwork on this album, and whereby my albums, “Inseparable Devotion”, “The Well in the Desert” and “The Well in the Desert and the Two Trees” are able to become “as one” in their combined meaning that transcends the focus upon India, and to become a story of Heavenly Meaning, relative to the “ideals of Truth” from which “The Well in the Desert and the Two Trees” did come about, in connection with my soul’s Source of Inspiration, combined with my giftedness with the bow to bring about, the clear story of the harp’s origin, and symbol artwork… which I decided to use as this album’s cover, simply because Indian women relate to Radha and the beautiful ideal of True Love in an honorable way that compliments my deeper meaning that I attach to my poem of the harp’s origin. It is most unfortunate for those men who have not reached manhood, who are thereby envious toward the knowledge that my giftedness has presented me with, in connection with my Source of Inspiration… and what greater Source of Inspiration can there be, other than God, in Love’s Divine Glory… for Knowledge is not of man, and nor of manmade religions, but of God, unto Which, religions are “stepping stones” toward finding Truth, and Truth’s meaning of Freedom that Yeshua Messiah sought to convey in ancient Israel, before everyone turned against him…“because fear is afraid of Knowledge”. And except Yeshua “truly was” the Messiah, I would not know the deeper story of India that I speak of above, which the world has not taught me, as nor has India or its stories that I have not needed to read. Maybe the story that I portray is truer in ideals than the stories that India portrays, in her seeking to portray; in dance; the ideals of Love that I speak of that maybe she does not fully comprehend… which is why much of her is being seduced, into Bollywood’s fusion with her classical dance…. for this would not be happening, had her honor toward True Love’s virtues been True within her heart, unto the knowledge of Heavenly ideals which I speak of, in my defense toward True Love’s virtues… that I relate to in my story (and album of same name), “The Well in the Desert and the Two Trees”. Read the story and you “may” recognize what I am saying in all the above, for ALL the above is a SERIOUS message to India “from” my story “the Well in the Desert and the Two Trees”, which in fact is a story to the world as a whole. The ideals within Indian classical dance is “closest” to the “meaning” within my story, for my story allows me to “see” what is MEANT to be being portrayed; relative to True Love and devotion; within Indian classical dance. Bollywood “also” shows its presence within my story…to those who are able to see and understand.


PREVIOUS (1st) VERSION of album notes…
AN ARROW OF CONTEMPLATION UPON INDIA
Of all nations that I look upon through my arrow of contemplation, India; generally AND AS A NATION; recognizes and reveres the importance of True Love and the meaning within its marriage more so than others, and thus is their classical dancing and its associated stories a beautiful representation of Love, because their “general sincerity as a nation” toward “Love in the Divine sense of Meaning”, inspires these dances to be as such. Thus have I deliberately “first” chosen this picture as my CD cover, for the story of their devotional Love within this picture is easily able to be read by anyone, as being a story of Love (c.f. Romeo & Juliet) which is touched by Divine ideals, so much the center of beauty within Indian classical dance. Thus am I able to play this music, in its free-flowing nature, for likewise is my heart connected with Love’s honorable ideals, through which I am able to clearly relate to their stories of Love, because firstly, my Source of inspiration is God, rather than the nations of the world… which all live, because the Sun of Righteousness shines upon them with Life and Meaning.
If all nations were honorable toward Love’s honorable meaning being the connection with Heavenly ideals that are able to transform this world beyond its primitive state of so called reality, then the message of Yeshua the Messiah in ancient Israel would be more clearly understood (and by those “professors” of theology who “think” they understand his message of God and Love), in a meaning of Truth that incorporates Heavenly ideals with marriage and the honor within marriage, relative to the Meaning within True Love, in a Divine way. It is through this same Messiah; Yeshua, and his Meaning; that I am able to look upon India, and “see” its stories with my heart, because Love is not blind, as nor are my arrows of contemplation bent… for my bow is “gifted” with the spirit of accuracy, relative to True Love’s Meaning that I am seeking to portray here, by using an Indian story of Love as a clearer portrayal of “Inseparable Devotion” than the story of Romeo & Juliet which; to me as an individual; falls well short of Truth’s Divine ideals that my “arrows of contemplation” clearly understand, from accuracy’s point of view.
There are very, very few stories of what is called “True Love” in this world. To me, the story of India; as related to this CD cover; is the most accurate relative to “Divinely inspired” ideals… and thus does Love’s story extend into the beauty of Indian classical dance, in the search to be “at one” with Love. From my point of view, True Love is able to recognize this, beyond all books and gurus. To me, Israel needs a True Love story that can connect their heart with the God they know as being Love, because God “is” Love, in Love’s honorable and Holy Meaning… as is meant to be known, in the middle east. Had Yeshua not been the Messiah, I would not know these things that Yahweh has shown me of India, for I have not been taught these things by men (women), or their books, and nor from gurus or such like.







OLD album nts prior to MAR 16
INSEPARABLE DEVOTION

IMPORTANT NOTE… Beware of the occasional 'rogue' postings (if still present....eg, on Google) which use my name to misrepresent me. It is better to type my name into the… CD baby…. search bar to obtain ACCURATE details.
Graeme R Gwin / Gwin, Graeme R
(All my "album notes" are directly related to my continuing biography referred to on my CD baby “biography page”)
Type Graeme R Gwin into the CD baby “search bar” to see all my 22 ARTWORKS & biog. notes (and you may need to type Gwin Graeme R as well, because some of my artworks come under this name)
Type into Youtube…. “Graeme Gwin”… to see where I am speaking one of my CD related poems in a forest environment. (NB: the other "very similar" name posting of "same words" (if still present) is NOT mine, and nor do I have any connection with it)
22 ARROWS OF PURPOSE
These are my latest CD / MP3 Album Titles…Messenger of God, Family Tree of Life, Revelation 6.2 (and the bow), Spirit of Truth, Prophessor in Archery, Marriage of Truth, Revelation 19 Defense, Revelation 6.2 and an Arrow of God, Principles of Manhood, etc. thankyou
List of all my CDs/ MP3s Graeme R Gwin /Gwin, Graeme R
(NB… an envious saboteur has been trying to stop you from seeing some of these; and particularly their album notes; when you type into Google… Graeme R Gwin or Gwin Graeme R), for when you type my name into Google they are ALL meant to appear…as they previously did.

Messenger of God
Family Tree, of Life
Revelation 6.2 (and the bow)
Spirit of Truth
Prophessor in Archery
Marriage of Truth
Revelation 19 Defense
Revelation 6.2 and an Arrow of God
An Arrow Called Music
Feathers of Silver and Gold
Inseparable Devotion
Whispers of Knowledge
The Voice of Melody
The Well in the Desert
Three Feathers of an Arrow
The Well in the Desert and the Two Trees
Principles of Manhood
Revelation 6.2 and the Harp
SunStar of Righteousness
The Bow the Heart and the Harp
Global Warning

The Sun of Righteousness shines Peace upon All nations, as does the Knowledge of God extend into all religions that seek this Truth; beyond the limitations that religions would prefer to limit the Knowledge of God with, for their own benefit. Truth does not divide God into religions, as nor does God divide Truth into religions.
tracks 1 & 3 played on harmonium
track 2 played on a "5 string guitar" which I tuned to sound as close as I could to a “sitar”, and so I called the instrument a “guitarsitar”... which came about because a string broke and I did not have a spare at the time, and from then on, the instrument remained the same, which to me, had a far more heartly sound than with the conventional 6 strings. The story to this particular track (2) is... I see THE WHOLE OF INDIA AS BEING A FEMALE CALLED RADHA (Radha & Krishna is India’s True love story, like Romeo & Juliet, one could say), and this is my song to her, in response to the feminine beauty of heart that she speaks to me of, through her virtuous Love that I recognize within her classical dancing that “others dance on her behalf,” yet I am not relating to bollywood’s sexualized classical dance fusion, for as I see it to be from Love’s honorable perspective, Radha’s “classical dance” is more so focused upon Love’s “Heavenly” ideals with the heart… or at least it is meant to be… as compared to bollywood’s “sexualized” classical dance fusion that will eventually cause Indian women to wonder… “What has happened to True Love, and our virtues that we held in high esteem unto the purity of marriage… how have we cast aside True Love for lust… and what has happened to the beauty of our dance which was danced in honor of the Heavenly ideals of Love, beyond lust”.
If love falls back away from the heart, rather than continue to rise toward the Crown; the Crown which put forward Radha’s dance from the Heavenly ideals of Love; then Radha will later become sad that her heart’s ideals of Love seem to have become lost among the thorns of the world. When lust tries to take the place of Love, heartly ideals of dance will fall toward “sexual promotion in dance”, at the expense of Love’s honorable ideals that Heaven taught Radha to understand in honor, so that she may portray this in dance.
It is that I relate “Inseparable Devotion” to my understandings of knowledge within the story, “The Well in the Desert and the Two Trees” (as being the story upon my CD with the same title)… for to me it is this story (The Well…..Trees) of heartly inspiration that allows me to see India in the way that I do, in the above-mentioned, from True Love’s point of view that lives within me, and “from” which, my symbol artwork has direct relevance, to be able to be used as the cover artwork on this CD, and whereby, “Inseparable Devotion”, “The Well in the Desert” and “The Well in the Desert and the Two Trees” are able to become as one in their combined meaning that transcends the focus upon India, to become a story of Heavenly Meaning, relative to the ideals of Truth, from which “The Well in the Desert and the Two Trees” did come about, in connection with my heart’s Source of Inspiration, combined with my giftedness with the bow to bring about, the clear story of the harp’s origin, and symbol artwork… which I decided to use as this CD’s cover, simply because Indian women relate to Radha and the beautiful ideal of True Love in an honorable way that compliments my deeper meaning that I attach to my poem of the harp’s origin. It is most unfortunate for those men who have not reached manhood, who are hatefully jealous toward the knowledge that my giftedness has presented me with, in connection with my Source of Inspiration… and what greater Source of Inspiration can there be, than God, in Love’s Divine Glory… for Knowledge is not of man, and nor of manmade religions, but of God, unto Which, religions are “stepping stones” toward finding Truth, and Truth’s meaning of Freedom that Yeshua Messiah sought to convey in ancient Israel, before everyone turned against him…“because fear is afraid of Knowledge”. And except Yeshua was the Messiah, I would not know the deeper story of India that I speak of above, which the world has not taught me, as nor has India or its stories that I have not needed to read. Maybe the story that I portray is truer in ideals than the stories that India portrays, in her seeking to portray; in dance; the ideals of Love that I speak of that maybe she does not fully comprehend… which is why much of her is being seduced, into Bollywood’s fusion with her classical dance…. For this would not be happening, had her honor toward True Love’s virtues been True within her heart, unto the knowledge of Heavenly ideals which I speak of, in my defense toward True Love’s virtues… that I relate to in my story (and CD of same name), “The Well in the Desert and the Two Trees”.


PREVIOUS (1st) VERSION of album notes…
AN ARROW OF CONTEMPLATION UPON INDIA
Of all nations that I look upon through my arrow of contemplation, India; generally AND AS A NATION; recognizes and reveres the importance of True Love and the meaning within its marriage, and thus is their classical dancing and its associated stories a beautiful representation of Love, because their “general sincerity as a nation” toward “Love in the Divine sense of Meaning”, inspires these dances to be as such. Thus have I deliberately “first” chosen this picture as my CD cover, for the story of their devotional Love within this picture is easily able to be read by anyone, as being a story of Love (c.f. Romeo & Juliet) which is touched by Divine ideals, so much the center of beauty within Indian classical dance. Thus am I able to play this music, in its free-flowing nature, for likewise is my heart connected with Love’s honorable ideals, through which I am able to clearly relate to their stories of Love, because firstly, my Source of inspiration is God, rather than the nations of the world… which all live, because the Sun of Righteousness shines upon them with Life and Meaning.
If all nations were honorable toward Love’s honorable meaning being the connection with Heavenly ideals that are able to transform this world beyond its primitive state of so called reality, then the message of Yeshua the Messiah in ancient Israel would be more clearly understood (and by those “professors” of theology who think they understand his message of God and Love), in a meaning of Truth that incorporates Heavenly ideals with marriage and the honor within marriage, relative to the Meaning within True Love, in a Divine way. It is through this same Messiah; Yeshua, and his Meaning; that I am able to look upon India, and “see” its stories with my heart, because Love is not blind, as nor are my arrows of contemplation bent… for my bow is “gifted” with the spirit of accuracy, relative to True Love’s Meaning that I am seeking to portray here, by using an Indian story of Love as a clearer portrayal of “Inseparable Devotion” than the story of Romeo & Juliet which; to me as an individual; falls well short of Truth’s Divine ideals that my “arrows of contemplation” clearly understand, from accuracy’s point of view.
There are very, very few stories of what is called “True Love” in this world. To me, the story of India; as related to this CD cover; is the most accurate relative to “Divinely inspired” ideals… and thus does Love’s story extend into the beauty of Indian classical dance, in the search to be “at one” with Love. From my point of view, True Love is able to recognize this, beyond all books and gurus. To me, Israel needs a True Love story that can connect their heart with the God they know as being Love, because God “is” Love, in Love’s honorable and Holy Meaning… as is meant to be known, in the middle east. Had Yeshua not been the Messiah, I would not know these things that Yahweh has shown me of India, for I have not been taught these things by men (women), or their books, and nor from gurus or such like.

If anyone knows the hacker, intellectual property thief and identity thief who is trying to sabotage my CD efforts… as spoken of in the album notes of my CD: Revelation 6.2 (and the harp)… can you please alert the Australian Federal Police, Centerlink, Crimestoppers, ASIO, and the FBI and CIA (America). This also refers to the Google front page (type into Google…Revelation 6.2) and the Google entry on this page that visually incriminates (against proof to the contrary) Revelation 6.2 as being the anti-Christ, by the person who is trying to infer through this that anti-Christ is relative to my posting.. this being also a part of his act to sabotage my efforts.





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