Maximianno Cobra | Mozart - Opera Overtures Album III

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Classical: Mozart Kids/Family: Educational Moods: Instrumental
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Mozart - Opera Overtures Album III

by Maximianno Cobra

“A new universe of harmonies, polyphonies and woodwind clarity that cannot be heard with standard tempi. Gravitas and humour are at the core of Cobra’s Shakespearean conception of Mozart’s overtures. Simply astounding.”
Genre: Classical: Mozart
Release Date: 

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Tracks

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1. The Abduction From The Seraglio, K. 384: Act I - "Overture"
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10:20 $0.99
2. The Abduction From The Seraglio, K. 384: Act I - "ach Ich Liebte, War So Glûcklich (konstanze)"
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8:01 $0.99
3. The Abduction From The Seraglio, K. 384: Act I - "welcher Wechsel Herrscht In Meiner Seele (konstanze)"
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11:48 $0.99
4. The Abduction From The Seraglio, K. 384: Act I - "martern Aller Arten (konstanze)"
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12:17 $0.99
5. The Impresario K. 486: Act I - "Overture"
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6:55 $0.99
6. The Abduction From The Seraglio K. 384 - Dts
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10:19 album only
7. The Abduction From The Seraglio - Aria Konstanze N°1 - K. 384 - Dts
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8:02 album only
8. The Abduction From The Seraglio - Aria Konstanze N°2 - K. 384 - Dts
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11:46 album only
9. The Abduction From The Seraglio - Aria Konstanze N°3 - K. 384 - Dts
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12:18 album only
10. The Impresario K. 486 - Dts
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6:56 album only
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ABOUT THIS ALBUM


Album Notes
TEMPUS Collection - Classical Music - Audiophile Recordings - CD / DVD / HD-DVD. Together with Maximianno Cobra, both TEMPUS Collection and HODIE audio staff conceived a multi-microphone sound-recording system on a 96 channel-console for both multi-microphone direct recording. The final recording/mixing process requires a long post-production work. Entirely subject to the latest audio technology, this novel conception of music-multimedia interaction also relies on thorough musicological research and detailed critical edition.

- AWARD WINNING RECORD LABEL AND ARTISTS -
- ICA - Anthological Recording Award -
- IAG - "Must" Hi-Fi Recording Award -

“A new universe of harmonies, polyphonies and woodwind clarity that cannot be heard with standard tempi. Gravitas and humour are at the core of Cobra’s Shakespearean conception of Mozart’s overtures. Simply astounding.”


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