Xavier Palacios | Schubert Lieder, Vol. 1 (10 Favorites) [Accompaniments for Low Voice with Transpositions]

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Schubert Lieder, Vol. 1 (10 favorites) Accompaniments for Low Voice with Transpositions/Xavier Palacios

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Classical: Vocal Music Classical: Art songs Moods: Type: Vocal
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Schubert Lieder, Vol. 1 (10 Favorites) [Accompaniments for Low Voice with Transpositions]

by Xavier Palacios

Schubert Lieder Vol.1 Piano Accompaniments for Low Voice with transpositions by Xavier Palacios offers high quality backing tracks for the classical singer to suit your voice perfectly and to follow the evolution of your vocal range or needs.
Genre: Classical: Vocal Music
Release Date: 

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Tracks

Available as MP3, MP3 320, and FLAC files.

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1. Ave Maria "Ellens gesang III" in A flat Major, D 839
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5:57 $0.99
2. Ave Maria "Ellens gesang III" in G Major, D 839
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5:57 $0.99
3. Ave Maria "Ellens gesang III" in F Major, D 839
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5:57 $0.99
4. An die Musik in C Major, D 547
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2:36 $0.99
5. An die Musik in B flat Major, D 547
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2:36 $0.99
6. An Silvia in F Major, D 891
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2:46 $0.99
7. Der Tod und das Mädchen in D Minor (original key), D 531
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2:52 $0.99
8. Die Forelle in B flat Major, D 550
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1:57 $0.99
9. Die Forelle in A Major, D 550
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1:57 $0.99
10. Die Forelle in A flat Major, D 550
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1:57 $0.99
11. Du bist die Ruh in C Major, D 776
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4:19 $0.99
12. Du bist die Ruh in B flat Major, D 776
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4:19 $0.99
13. Erlkönig in E Minor, D 328
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4:10 $0.99
14. Erlkönig in E flat Minor, D 328
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4:10 $0.99
15. Gretchen am Spinnrade in C Minor, D 118
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3:39 $0.99
16. Gretchen am Spinnrade in B Flat Minor, D 118
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3:46 $0.99
17. Gretchen am Spinnrade in A Minor, D 118
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3:46 $0.99
18. Heidenröslein in E Major, D 257
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1:34 $0.99
19. Heidenröslein in D Major, D 257
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1:34 $0.99
20. Schwanengesang D 957 : Ständchen, in C Minor
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3:37 $0.99
21. Schwanengesang D 957 : Ständchen, in B Minor
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3:37 $0.99
22. Schwanengesang D 957 : Ständchen, in B flat Minor
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3:37 $0.99
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ABOUT THIS ALBUM


Album Notes
You can use freely these piano accompaniments for either private or public rehearshal or concert performance (with the singer). You can use them for for radio broadcast if you mention that all accompaniments are by Xavier Palacios. For Tv broadcast you will need to ask a written permission to Xavier Palacios (The artist and Producer).
Xavier Palacios studied at the Ecole Normale de Musique de Paris de Paris with Antonio Ruiz Pipo, a pupil of Alfred Cortot, and Billy Eidi, a renowned accompanist of French song. He also studied Musical analysis with Ginette keller, a pupil of Nadia Boulanger. He has given many recitals in France and has been the assistant and accompanist of Laurence Russel Albert (Pushkin Prize, Metropolitan Opera) for a few years.

This first volume of Schubert Lieder Accompaniments with transpositions for Low Voice contains 10 Schubert favorite songs with various transpositions to suit your voice perfectly. It has been carefully worked out. Particular care has been given to phrasing, breathing , as well as rendering the atmosphere of the song, allowing the singer to sing freely, but also putting him on "the right track" for phrasing, tempo and musical content. We also recommend that the singer rehearshes without the accompaniment as well. But these Schubert Lieder Vol 1 backing tracks (or karaoke, a term that should not apply to the classical genre)will give him the necessary tools to give a consistent interpretation of Schubert Lieder, that he should be able to convey to another accompanist.

Vocal range : the keys used for the transpositions are determined by usage of renowned recording artists, and by usage of authoritative editions. The classification High-Medium-Low favoured by these editions varies sometimes : the key chosen for ,a transposition for, say, "Low Voice" in a given edition can be different from the key in another "Low Voice" edition. We try to provide as many transpositions as the authoritative Editions do.

We use 5 vocal ranges instead of 3 : High, Medium-High, Medium, Medium-Low, and Low.
The "Medium Low" and "Low" albums apply to "True low Voices" , Mezzos, Baritones, Contraltos and Bass-Baritones. The High, Medium-High and Medium apply to sopranos -From Coloratura to Dramatic Sopranos-, to light Mezzos (Mezzo Leggero), and from Tenors to Light Baritones. Our "Medium Voice " classification can sometimes suit young Baritones, or Young Mezzos,, and even Young Sopranos, they should in that case follow the advice of their teacher.

For Male Voices : High Voice : Top note(s) G4 or higher
Medium High : Top note(s) F#4
Medium : Top note(s) F4
Medium-Low : Top note(s) E4
Low : Top note(s) Eb4 or Lower.

For Female Voices : High Voice : Top note(s) G5 or higher
Medium High : Top note(s) F#5
Medium : Top note(s) F5
Medium-Low : Top note E5
Low : Top note(s) Eb5 or Lower.

Of course this classification applies to the notes found in the music. To secure singing these notes properly, the singer should be able to sing one tone or one tone and a half Higher, and one tone or one tone and a half lower for the lowest notes.

Last, but not least, Vocal range is only one aspect of Voice classification. Choose your repertoire following the "nature" of your Voice, or your "Voice type" if you like, and the advice of your teacher.


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