Allen Bruce Ray | Moonlight Meditations

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World: World Fusion New Age: Meditation Moods: Mood: Dreamy
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Moonlight Meditations

by Allen Bruce Ray

Relax and enjoy one hour of peaceful music featuring low-to-mid-range Native American-style flutes, multiple frame drums, shakers, rattles, a tongue drum, and subtle background coloration including summer "peeper" sounds.
Genre: World: World Fusion
Release Date: 

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  Song Share Time Download
1. Meditation No. 1 in F Sharp Minor: Moon Over the Mountains
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5:40 $0.70
2. Meditation No. 2 in G Minor: Globe of the Evening Sky
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6:24 $0.70
3. Meditation No. 3 in A Minor: Luna
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8:48 $0.70
4. Meditation No. 4 in B-Flat Minor: The Azure Canopy's Pale Medallion
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3:52 $0.70
5. Meditation No. 5 in B Minor: Glow At Twilight
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4:51 $0.70
6. Meditation No. 6 in C Minor: Melancholy Moon
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8:33 $0.70
7. Meditation No. 7 in D Minor: Moonlit Summer Night
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6:33 $0.70
8. Meditation No. 8 in E Minor: Natures Ghostly Lantern
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5:15 $0.70
9. Meditation No. 9 in F Minor: Night Beams
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4:41 $0.70
10. Meditation No. 10 in F Sharp Minor: Moonlight Wandering
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5:27 $0.70
Available as MP3, MP3 320, and FLAC files.


Album Notes
After a year of on-again, off-again work, I finally bring you my third release, "Moonlight Meditations". Two things that have long captured my imagination - our nearest heavenly neighbor known as Luna and the ethereal sounds of the Native American flute - are brought together here for your contemplation and enjoyment. The original idea was for a one-hour journey at a steady tempo that featured only low-to-mid-range Native American-style flutes and some simple frames drums. As the pieces found their shape, that notion expanded to include a Stephen Roberts "bass giant" B minor tongue drum, Native American shakers and rattles, and a subtle backdrop that includes sounds from a variety of VSTi software synthesizers as well as my own recordings of summer "peeper" sounds from northeast Ohio in 2010. While not strictly "meditation" music in the commonly understood sense, there is an overall peaceful mood throughout. All the tracks flow along at 60 bpm in waltz time. The pieces link to one another seamlessly, so you are encouraged to download and listen to the entire work as one continuous experience. Tracks 2, 3 (the last portion), and 4 are spontaneous improvisations done in Wonju, Korea specifically for this project. All of the others are derived from earlier improvisations performed in Chuncheon, Korea and Tres Piedras, New Mexico and can be all found in various forms on my YouTube channel.


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