Ari Hoenig | The Painter

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Jazz: Traditional Jazz Combo Jazz: Free Jazz Moods: Featuring Drums
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The Painter

by Ari Hoenig

Modern Agressive Straight Ahead Jazz. This record Ari's brand new first release as a band leader. It features Jacques Swartz Bart - Tenor, Jean Michel Pilc - Piano Matt Penman - Bass and Ari Hoenig - Drums
Genre: Jazz: Traditional Jazz Combo
Release Date: 

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1. I Mean You
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7:38 $0.99
2. The Painter
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7:55 $0.99
3. For Tracy
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5:00 $0.99
4. Condemnation
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9:26 $0.99
5. Remembering
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10:58 $0.99
6. Birdless
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9:08 $0.99
7. Pilc-ing Around
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6:13 $0.99
8. Summertime
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16:29 $0.99
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ABOUT THIS ALBUM


Album Notes
As a drummer, Ari Hoenig's success has been unprecedented. Growing up in Philadelphia, his parent's influence exposed Ari to a variety of alternative musical experiences. His father is a conductor and classical singer, his mother a violinist and pianist. Accordingly, at six years of age, Ari began studying the violin and piano. He began playing drums at age twelve and by age fourteen, he was honing his skills with other young jazz musicians at Philly clubs such as Ortlieb's Jazz Haus.

Ari attended the prestigious University of North Texas for three years, where he studied with Ed Soph while playing with the "One O'Clock" Lab Band. Wanting to be closer to New York City, in 1995 Ari transferred to William Patterson College in northern New Jersey. He soon found himself playing for legendary Philadelphia organist Shirley Scott and working regularly in New York City.

Shortly thereafter, Ari moved into Brooklyn, and since, has found himself playing extensively with variety of groups, including Jean Michel Pilc Trio, Kenny Werner Trio, Chris Potter Underground, Kurt Rosenwinkel Group, Joshua Redman Elastic band, Jazz Mandolin Project and bands led by Wayne Krantz, Mike Stern, Richard Bona, Pat Martino, Dave Leibman, and Bojan Z. He has also shared the stage with such artists as Herbie Hancock, Ivan Linz, Wynton Marsalis, Toots Theilmans, Dave Holland, Joe Lovano, Pat Metheny, and Gerry Mulligan.

The Ari Hoenig Quartet was formed at the end of 2002 while playing steadily every Monday night at the New York Village jazz club Fat Cat. The band featured Jacques Schwarz-Bart, on tenor sax, Jean Michel Pilc on piano and Matt Penman on bass. They released two records on the Smalls Records label: "The Painter" (2004) and the DVD "Kinetic Hues" (2005)

Both records received rave reviews and Fanfare Magazine listed "The Painter" as one of the top 5 records of 2004. Interviews and articles featuring Ari himself have appeared in numerous publications, including Jazz Times, Modern Drummer, Jazzman, Bateria, Citizen Jazz, Philadelphia City Paper, All About Jazz, Philadelphia Weekly, Rim Shot, Drummer, Jazziz, Relix and Downbeat, which included Ari in the article "13 Drummers for the Future." Ari's quartet was filmed live at Fat Cat by Arte (French) television as part of a concert series "Jazz in New York." They appeared on the show "After Hours" on MSNBC and toured extensively worldwide, drawing strong audiences and critical acclaim wherever they played.

In 2006 Ari signed a multi record deal with Dreyfus Records and released his first record for them, "Inversations." Inversations features Jean Michel Pilc, Johannes Weidenmueller. The fall of 2006 kicked off a long CD release tour, taking the group through Spain, Italy, and Finland, as well as various cities in the U.S.

Currently Ari leads two bands which both play his original music. Ari's Quartet, a.k.a. "Punk Bop," features Will Vinson on alto, Jonathan Kreisberg or Gilad Hekselman on guitar, and Matt Penman on bass. Ari looks forward to his next Dreyfus release on which "Punk Bop" will be joined by Chris Potter on tenor. Ari's other group is a trio that he co-leads with longtime partner pianist Jean Michel Pilc. After playing in each other's trios for some time, Ari and Jean Michel formed the Hoenig Pilc Project in 2006 to meld their two trios into a single, uniquely bold musical statement. Ari plays often with these two groups at his regular Monday night gig at Smalls in the Village. He also uses this gig to present other side projects and experiments he is working on at the time.

Both of Ari's self-produced solo drum CDs, "Time Travels" (2000) and "The Life Of A Day" (2002), document his exploratory nature. They represent an ambitious tribute to the melodic possibilities of the drum set. Ari continues to build on the concepts of these two records by playing largely improvised solo concerts using a regular four piece drum kit and no percussion. In January and Febuary of 2007, Ari played solo drum concerts in the Opera House in Leon France; in New York City's 55 Bar; and for a live broadcast on Philadelphia radio station WRTI.

Ari is also a composer, arranger, and pianist/keyboardist. His compositions and arrangements are included in the repertoires and recordings of Kenny Werner, Jean Michel Pilc, Jazz Mandolin Project, the R & B band "Good Results," and Bojan Z's group. In 2005, in affiliation with the National Endowment for the Arts, Ari was awarded a "Meet the Composer" grant to perform his compositions with his own group.

As an educator, Ari teaches privatly at the New School for Social Research in New York. He gives clinics and lectures at music schools and universities worldwide, and writes a regular educational column for Modern Drummer magazine. In collaboration with bassist Johannes Weidenmueller, Ari has finished a book on metric modulations due out in 2007(Mel Bay Publishing).


Reviews


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Franz A Matzner

An album of exceptional quality performed by a close-knit group of phenomenally
The Painter (Smalls Records 2004)
Few drummers assume the role of composer—and with rare exception when they do, the results often sacrifice the finer points of melodic and harmonic development in favor of arrangements focused on complex tempo changes, dynamic shifts, unusual rhythmic structures, and of course, extra-long drum solos. While such pieces often successfully—and justifiably—illustrate overlooked and under-appreciated aspects of drumming, they are also likely to lack broad appeal. As exhibited on The Painter, however, virtuoso instrumentalist, bandleader, arranger, and composer Ari Hoenig is an exception. Hoenig has developed an unusual capacity to create compositions as memorable for their depth as their exploration of the percussive idiom.
Consisting of six original tunes and two standards, The Painter was recorded live at Fat Cat in New York last September and successfully captures the remarkable energy and highly developed rapport shared by bandmates Hoenig, Jean-Michel Pilc (piano), Jacques Schwartz-Bart (tenor sax), and Matt Penman (bass). The album opens with an inventive rendition of Monk’s “I Mean You,” before turning to the six Hoenig pieces. The leader contributes a continuously inventive stream of rhythmic ideas throughout, mixing bravura displays with nuanced support of the band.
Highlights include the elaborate title track, which showcases Hoenig’s ability to combine sticks and brushes to extract an incredible range of sounds from his set; the introspective “Remembering”; Jacques-Schwartz-Bart’s intensely personal performance on his co-authored “Condemnation”; and an unusual, poignant arrangement of “Summertime.”
An album of exceptional quality performed by a close-knit group of phenomenally talented, deeply passionate musicians, The Painter is a must. See them live to experience the intensity, listen at home to discover the subtlety.
~ Franz A. Matzner allaboutjazz.com

Jazz Fan

Whats at The Core of Modern Jazz? Who are the new innovators?
This cd is special. It captures the past, lives in the present and suggests the future of MODERN JAZZ
How is it special? Listen to the IDEAS and the ENERGY level. Its odvious that this is an artist's dedication AND life's work IN ACTION!There is alot to listen for here. It is also a rare connection between creative GIANTS. Think Dizzy and Charlie BUT 2005. I believe it is an example of the NEW music that is being created. If you want to hear whats BOILING underneath the surface of the NYC jazz scene, something thats at the CORE of modern improv and pushing the Art forward, get this cd and find out. Check out "for Tracy" its rare that you hear a drummer with such sensitivity. Maybe its ESP? SUPPORT this music and hear it live. You will be MOVED and INSPIRED!