Atongo Zimba | Savannah Breeze

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Ghana

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World: African World: African- West Moods: Mood: Party Music
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Savannah Breeze

by Atongo Zimba

21st century Afro-fusion from the savannahs of northern Ghana: a very tasty and danceable mix of traditional African music with funk, pop and electronic dancebeats.
Genre: World: African
Release Date: 

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Tracks

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1. Bédi Bédi
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5:10 $0.99
2. Gidi Gidi
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4:37 $0.99
3. Balanoré
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5:50 $0.99
4. No Beer in Heaven
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4:34 $0.99
5. Bangbalabo
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5:04 $0.99
6. Zo Ndorizo
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5:37 $0.99
7. Ti Baha
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5:03 $0.99
8. Azoroga
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5:09 $0.99
9. Sana Menga
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4:10 $0.99
10. Mangaré Zahame
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5:11 $0.99
11. Tuawa
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5:07 $0.99
12. Onikpa Shwarp Remix
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7:25 $0.99
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ABOUT THIS ALBUM


Album Notes
Atongo Zimba was born in the savannahs of northern Ghana in 1967. His grandfather taught him how to build and play the koliko or molo, a two-stringed calabash lute and the first songs he learned were rooted firmly in tradition, dealing with everyday life in the countryside of northern Ghana's Bolgatanga region.
Being a child of his time, he was also exposed to African popular music on the radio and like many of his contemporaries; he was enthralled by the sounds of Fela Kuti’s afrobeat.
It was to have a seminal influence on his musical development and Afrobeat inspired him so much, he decided to leave his hometown and explore the musical idioms of the surrounding regions.
The songs on Savannah Breeze (HIP003) are sung in a variety of languages: Atongo’s native language of Frafra, Pidgin English and in other West African languages of Hausa, Twi and Ga. The lyrics remain true to the roots of his savannah upbringing, dealing with simple everyday themes. The musical production however marks out Savannah Breeze as modern Afro-fusion. Producer and arranger Sultan Makendé (aka Dave Yowell), who co-produced the legendary Captain Yaba album in the late 1990s, came up with a funky modern African sound which fused modern electronic instruments with the acoustic roots of the African Sahel. Savannah Breeze builds on the musical ideas and grooves he pioneered together with percussionist Francis Fuster (of Hugh Masekela fame). Working with musicians steeped in jazz, funk and African music, Savannah Breeze moves effortlessly through a variety of grooves available to the contemporary musician – funk here, jazz there, a searing griot solo. Atongos’s own repertoire has also been informed by his countless encounters with musicians from a variety of traditions. His cover version of the polka classic "No Beer In Heaven" is a major hit in Ghana! Atongo Zimba loves to play music and it shows. And indeed, what catches your ear throughout, is that distinctive voice, alternately praising, and cajoling, poking fun, criticizing, and caressing


Reviews


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deepak singh

Complements
Atongo Zimba has left an impression of Afrobeats in my first ever experience that now I am mad about collecting most of it...

I seldom heard such completeness and fluency in music, plus his voice is just ..... ahhh! running out of adjectives here ... :)

Critic-al

Spectacular
i had never heard of Atongo Zimba until now. his songs are very unique and classy. it has roots in traditiobnal northern music byut also composes of funky, pop and jazzy music. What an album. PHENONIMAL!!!!! a classic representation of Africa and lively Ghana.