Kerry Baham, piano | W.A. Mozart Piano Sonatas: K. 330, K. 333, K. 279

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Classical: Traditional Classical: Sonata Moods: Featuring Piano
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W.A. Mozart Piano Sonatas: K. 330, K. 333, K. 279

by Kerry Baham, piano

The light and charming sonatas of Mozart played with brilliance and ease by an award-winning pianist.
Genre: Classical: Traditional
Release Date: 

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Tracks

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1. Mozart: sonata, K. 330 in C Major, Al;legro moderato
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5:39 $0.99
2. Andante cantabile
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6:29 $0.99
3. Allegretto
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4:59 $0.99
4. Mozart: Sonata, K. 333 in B-Flat Major, Allegro
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6:44 $0.99
5. Andante cantabile
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8:01 $0.99
6. Allegretto grazioso
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6:00 $0.99
7. Mozart: Sonata, K. 279 in C Major, Allegro
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4:47 $0.99
8. Andante
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6:24 $0.99
9. Allegro
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3:04 $0.99
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ABOUT THIS ALBUM


Album Notes
Kerry Baham, a native of Hammond, Louisiana, received his early musical training from David Evenson, a student of the acclaimed virtuoso, Jorge Bolet. Mr. Baham has won numerous awards at top competitions around the United States, including The Collegiate Artist and the Wideman International Piano Competition.

After studying at the prestigious Mozarteum Conservatory in Salzburg, Austria, he attended graduate school at the University of North Texas as a teaching fellow under the tutelage of Jack Roberts. Upon completion of the Master's degree at UNT, Mr. Baham was named a Doctoral Scholar. He is an active accompanist as well as soloist and has collaborated with winners of the Metropolitan Opera Auditions in the United States and Europe. Currently, Mr. Baham resides in Texas with his wife Kim and their two daughters Samantha and Alex.


Reviews


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Jason McCleod

crystalline playing with understanding
The Mozart playing on this CD demonstrates a crystalline technique coupled with a firm grasp of the performance practice techniques of the classical period. Of particular note is the exquiste melodic balance achieved in the slow movements. This is Mozart playing at its best.

Jason McCleod

crystalline playing with understanding
The Mozart playing on this CD demonstrates a crystalline technique coupled with a firm grasp of the performance practice techniques of the classical period. Of particular note is the exquiste melodic balance achieved in the slow movements. This is Mozart playing at its best.