Big Clayton | Boogie Woogie Man

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Albert Ammons Pete Johnson Pinetop Perkins

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United States - Missouri

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Jazz: Boogie-Woogie Blues: Piano Blues Moods: Mood: Upbeat
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Boogie Woogie Man

by Big Clayton

Music that brings joy to your soul, a smile to your face, and a dance to your feet. This exciting music will keep you going.
Genre: Jazz: Boogie-Woogie
Release Date: 

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  Song Share Time Download
1. Amazing Grace, Big Style
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9:54 $0.99
2. Big C Boogie
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4:58 $0.99
3. No Dimes
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4:35 $0.99
4. Old School Rock 'n' Roll
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7:22 $0.99
5. Stepping Out
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8:17 $0.99
6. Striding Along
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3:55 $0.99
7. The 9 to 5 Bounce
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5:10 $0.99
8. Tickling the Ivories
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5:56 $0.99
9. Walking the Landing
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4:57 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
Piano extraordinaire and virtuoso "Big Clayton" tours nationally, is seen on national TV, and is heard on national radio along with being a performer at the Branson Landing, located in the heart of the music capital, in Branson Missouri. With Branson seeing over 8 millions of visitors a years, and him playing at the coveted location of The Landing with the $7.5 million dollar fountain show, Big C has made his mark in music. Like many of the greats before him, Clayton is quickly stopping people in their tracks as his amazing music draws their attention. Although Big Clayton can perform just about any style of music, his Gospel, Boogie Woogie & Blues are the heart of who he is.

Big Clayton, has been playing piano and entertaining crowds for over 20 years. Like many greats, Big Clayton was schooled through Gospel music at church. Although Big Clayton has never taken any musical lessons and can not read music, his improvisational skills on the piano far exceeds any standard. His ability to reach many age groups has gained him the nickname of "America's Piano Player".


to write a review

Katie Lambert

Living Blues Magazine - Feb, 2012 Review
Big Clayton
Boogie Woogie Man

With over 20 years of experience, self-taught pianist Clayton Watson debuts with an impressive collection of boogie-woogie, stride, and early rock ‘n’ roll piano, showcasing the instrument’s foundational role in early popular music, as well as Big Clayton’s command of hip-shaking boogie and mesmerizing improvisation. Boogie Woogie Man is almost entirely instrumental, and the simplicity of a solitary piano on every track emphasizes Clayton’s skill.
Big C Boogie is probably the most purely boogie-woogie track, alluding to innovators like Albert Ammons and even Pinetop Smith. He gets right to the heart of the sound—an infectious groove with exuberant melodies and fills in the treble. No Dimes goes to Chicago, and Clayton sings a little. But it is his command of the piano style that is his strength.
It appears Clayton is deliberately teaching listeners about piano boogie: many of his titles are clear about what he’s attempting. On Striding Along he offers a mid-tempo stride number that suggests innovators like James P. Johnson and Willie “The Lion” Smith, without getting lost in the expressiveness of the approach.
Amazing Grace, Big Style, and Stepping Out keep a boogie flavor while toying with a West Coast attitude. The former is especially jazzy and improvisational, kicking the album off with nearly ten minutes of dynamic, elegant sound.
Clayton’s forays into early rock ‘n’ roll will educate anybody who wonders exactly how the genre made folks get up and shake things. Old School Rock ‘n’ Roll and Tickling the Ivories each flaunt a boogie-woogie bass line that magnifies exciting piano riffs that tickle and repeat.
The album strolls away on Walking the Landing, inspired by Clayton’s time as a regular on the Branson Landing. The track has a laidback tempo and a New Orleans feel. The melody trickles and leaps all around the beat staying loose and comfortable. It’s a friendly way to say good-bye—fitting after such a devoted and frank articulation of boogie-woogie’s early avatars.
If you’re looking for fresh yet timeless piano CD, definitely check out Boogie Woogie Man