BILE | Hate Radio

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Metal/Punk: Industrial Metal Rock: Industrial Rock Moods: Type: Experimental
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Metal Industrial in it's purest form, grinding guitars, huge beats, distorted vocals and otherworldly atmospheres are strangled down into stereo for the legendary New York regimes' first release since 2002's 'DEMONIC ELECTRONIC."
Genre: Metal/Punk: Industrial Metal
Release Date: 

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  song title
artist name
1. Like the Plague Bile
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4:40 $0.99
2. Take Target Out Bile
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5:21 $0.99
3. World Up Your Ass Bile
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3:06 $0.99
4. Dr Depression Bile
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3:56 $0.99
5. Who the F__k Bile
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4:56 $0.99
6. I Dont Need a Reason Bile
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4:44 $0.99
7. The Weakest One Bile
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3:13 $0.99
8. Whores of War Bile
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7:19 $0.99
9. Hate Radio Bile
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4:55 $0.99
10. The Late Great United States Bile
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5:03 $0.99
11. Your Last Minute Bile
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8:29 $0.99
12. The Banned After Bile
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8:36 $0.99
13. La Danz De Bear Bile
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3:52 $0.99
14. The Tear in the Fabric of Time Bile
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7:07 $0.99
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Album Notes
Metal Industrial in it's purest form, grinding guitars, huge beats, distorted vocals and otherworldly atmospheres are strangled down into stereo for the legendary New York regimes' first release since 2002's 'DEMONIC ELECTRONIC" and the 10 year mark for their D.I.Y. record company Bile Style Records, bringing by far their most violating body of work while
continuing with their ferocious intent and 'road less traveled' attitude the band has used as it's manifesto since their inception in 1992.

BILE was on the Mortal Kombat Soundtrack (TVT/1995)

BILE was the glow in the dark band onstage, in their first on screen cameo appearance, in the cult horror film "Strangeland" starring Dee Snyder of 80's hair band Twisted Sister fame. The "Strangeland" soundtrack (TVT/1998) features BILE's most popular song to date "In League".

BILE began in 1992 when KRZTOFF became disillusioned with playing in boring jeans and t-shirt metal bands and had an idea for the ANTI-BAND. The early BILE was compareable to "Mummenschanz meets a pissed off Ministry". "A photo negative opera under blacklight", "not for the faint at heart". The show was total and complete chaos. 3 lead singers all wearing ski masks, guitar and bass dressed as terrorists, drummers in gas masks, evil clowns, exotic dancers in S&M themed costumes, completely under blacklight, with lots of fire, smoke, extreme lighting,monster strobes and a generally nasty attitude. It was a fucking spectacle, that's for sure.

The band was designed to die a fiery death, just a short run of some fun, then move on to other projects. Yet, BILE became one of the top drawing acts in the NY area. Through the hype BILE unexpectedly was signed to Energy Records (a small NYC label with great distribution). Now the pressure was on to try and capture the intensity of the live show on tape. Which was near to impossible. But what emerged from those first studio sessions was truly a new beast. Ferocious in it's intent and groundbreaking in it's approach.

When the first album "SUCKPUMP" was released it sold 7800 copies in the first week in the NYC/Long Island area alone.

What has happened from that moment in 1994 to now has been a journey into bizarro land. Imagine everything you can think would or could happen and times it by "50".
Banned from major American cities, cancelled tours, hotels ablaze, military smoke bombs, electrocution, tornados during NYC S&M block parties, arrests, denied access abroad or re-entry, prescription drug use, wrongly attacked by the ACT UP anti-violence to gays coalition, a Cherry Coke radio commercial, deaths,.etc. And that's just the stuff we can remember off the top of our head. It's been a hard and happy road. Under the radar, and off the grid.

Although there have been many members throughout the bands bizarre history, KRZTOFF (lead vocals, lead guitar) and R.H.Bear (lead bass, vocals) have been the ones driving the tank. Now, with ex- Chemlab, KMFDM, Daniel Ash drummer, John Desalvo kicking the skins, the live show has mutated to a level it has never been before.

"Sometimes the best way to make something truly beautiful is to destroy it.
And that's not only the physical world, the spiritual world, as well as the subconscious." KRZTOFF stated on a recent radio interview.
"As soon as you get your live show sounding and looking perfect; perform it, document it, then change it.
Re-creation. Re-invention. These are the keys."
"This new cd "Hate Radio" will be worshipped by fans of BILE, at the same time alienating every other person on the planet". "It's really what I have been striving for this whole time, our own world."


to write a review

greg Zaret

Hate Radio-BILE
Bile delivers again. A sonic kick in the gut, punch in the face, and a beating that lasts for close to an hour. Strange thing, though, after it's over, you hit play again?!

T.S. Moth

This is why Bile owns your face.
After a 7 year wait Bile is back and just as good as, if not better than, ever. Hate Radio delivers everything we devoted fans have come to love about Bile, from the heaps of distortion to the jackhammer beats to the layers upon layers of dissonant atmosphere.

This album actually builds on what I loved so much about the last album, Demonic Electronic. That is, while a listener who is unfamiliar with Bile's music may just hear a bunch of "noise", a fan will be able to hear the layering of the riffs, distortion, percussion and even melody that fill these songs to the brim. The beauty of listening to Bile is hearing something new everytime you listen to an album and this album delivers that on a level not quite reached before.

If you are a Bile fan and don't own this yet, you owe it to yourself to order it now.

If you think you're ready to experience Bile, now is the time.