Boa | Get There

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Rock: Progressive Rock Pop: British Pop Moods: Type: Soundtrack
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Get There

by Boa

BOA is Jasmine Rodgers,Steve Rodgers,Alex Caird, and Lee Sullivan. With Influences ranging from Janes Addiction, Byork, Coil, Led Zeppelin, Jeff Buckley through to Nusrat Fateh Ali Khan, their music reflects the diversity of the current Rock scene.
Genre: Rock: Progressive Rock
Release Date: 

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  Song Share Time Download
1. Angry
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3:42 $1.40
2. Get There
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4:33 $1.40
3. Wasted
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3:52 $1.40
4. Believe Me
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2:51 $1.40
5. Courage
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5:08 $1.40
6. A Girl
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4:40 $1.40
7. Daylight
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5:23 $1.40
8. America
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4:08 $1.40
9. Older
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3:17 $1.40
10. Passport
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5:10 $1.40
11. Stand By
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5:18 $1.40
12. On the Wall
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3:08 $1.40
Available as MP3, MP3 320, and FLAC files.


Album Notes
Boa have finally accomplished what they set out to achieve.

Originally, this was just a simple wish like all bands to record the next set of songs that all musicians feel compelled to write. However, like all bands again, Boa met with a series of delays and eventually decided that doing it on their own would be the best course of action.

As a result, a record label, Boa Recordings was set up and Get There was recorded, mastered and is out on the 1st. We wish to thank all of you for waiting so patiently and supporting us so marvellously.

Thanks should be made also to Gabriella Nonino, our webmaster, Kevin Wood, our co-producer, and Todd Culberhouse our friend. Thanks also to Stephen Budd management and Paul Reeve.

The album is then mixed and mastered and finally titled Get There!

BOA record the new album in Southampton, England. The album is entirely self-funded and the band set up a record label, Boa Recordings.

bôa were scheduled to record their second album for Pioneer but due to a series of re-shufflings in the record company the album has been delayed for the moment. bôa, however have enjoyed writing more and more songs, only stopping for a break in June when Alex went to Australia for a couple of months travelling and Jasmine went to the Far East.
In September bôa supported Bad Company on their UK tour playing in Newcastle, Glasgow, Manchester, London, Birmingham,Sheffield, Nottingham and York. The tour was brilliant and bôa are back in gigging mode and planning many for the next year!

bôa's debut US album "Twilight" was released on March 27th 2001. bôa played a mini-tour of Los Angeles in April and hope soon to perform a promotional tour. They are well on the way to completing a second album. The future looks bright....

Paul Turrell
Sadly, after much soul-searching, Paul has deciced to leave the band in order to pursue other interests. We wish him all the best and ask you all to wish him congratulations for his wedding to Jai-un and further congratulations for their forthcoming little one!

In August, bôa were tempted away from songwriting for a moment when they were invited to play at the Animefest in Dallas, Texas where they were treated to a fantastic audience and good Texan Beer, all in all a good one.

Ben left bôa to concentrate on his other band, "Moth", in which he plays with his wife, Tina.

bôa signed a worldwide publishing contract with Pioneer-USA. They were also invited to play at the Otakon anime convention in Baltimore city where they were extremely well-received on August 4th and had a wonderful time. It was also an opportunity for them to finally meet many of their fans in America including several with thom they have been in touch via this web site.

Despite to this day owing money to bôa, Polystar finally did something to help rather than hinder the band when they secured the use of the song "Duvet" as the theme tune to Serial Experiments' anime "Lain". This led to DJ Wasei remixing "Duvet". The show won several awards in Japan and has become hugely popular with anime fans around the world, most notably the USA. This web site suddenly became inundated with notes of appreciation for the song "Duvet". Paul and Alex wrote to Pioneer-USA, distributors of Lain, and discovered they too had received many enquiries about bôa.

Meanwhile, bôa were working with producer Stuart Epps and recorded some new material including an acoustic version of "Duvet" and the song "Drinking". The "Tall Snake E.P." was released in Japan featuring all three versions of "Duvet" and two songs ("Little Miss" and "Two Steps") than had been intended as B-sides of further promotional singles in Japan that Polystar had failed to release.

The bôa album was finally released by Polystar in the second half of the year under the dubious title "Race of a Thousand Camels" (inspired by a dream of Jasmine and a computer game written by Paul). Jasmine and Steve went to Japan to promote the release with some TV and radio appearances though the rest of the band were not invited by Polystar. Polystar also failed to fulfil contractual obligations to release the album in America and Europe. The song "Duvet" was released as a single.

Production of the bôa album was delayed by Polystar but the remainder was recorded in September at "Monnow Valley Studios" with producer Neil Walsh. It was mixed at PWL studios (Manchester) in November by Neil Walsh and Jason Barren.

A relatively quiet year for bôa in which they received considerable interest from British record companies but no actual offers of deals. Salvation came in the unlikely form of an offer of a deal from Japanese company, Polystar Records, which bôa signed.

In December, bôa went into Red Bus Studios, London with producer Darren Allison (who has also worked with Skunk Anansie and The Divine Comedy) and recorded three songs: "Twilight", "Deeply" and "Elephant".

This was a good year for bôa - they played many successful gigs including a short tour of the South of England which ended in two performances at the Glastonbury festival, where they were chosen as the focus of a TV documentary about the festival that was shown on the London art/music magazine show, "Shift".

The members of bôa were so pleased with the way the band was going that Jasmine delayed studying for a degree, Alex dropped out of his and Paul quit his full time job as a computer salesman (he didn't like it much anyway!) and moved to the spiritual home of bôa, the incredible town of New Malden.

After several months of intensive songwriting and practicing, bôa played their first gig at "The Forum" in London. The gig was the first of many great live successes (and a few early disasters!)

In summer 1994, Ed left the band to concentrate on his studies, but remains a good friend of the rest of bôa to this day. After a couple of drummers were tried out but, for one reason or another, didn't work out, bôa found themselves with a gig to play and no drummer. Alex persuaded the drummer of yet another ex-band, "Chapter 6", Lee Sullivan, to help out. Lee's debut was a great success and he soon became bôa's permanent drummer.

Ed's laid back feel had worked perfectly with bôa's early funk songs. However, Lee brought a more powerful, rocky feel to the band and the songs naturally followed suit. Consequently, saxophone became somewhat surplus to requirement and Ben switched to guitar.

bôa was formed in 1993 by original drummer, Ed Herten. Ed had played in several bands including "Delirious Groove", from whom he recruited Paul Turrell (keyboards) and "Draggin' Bones", from whom he recruited Alex Caird (bass). Ed had also been to school with Steve Rodgers, who soon joined bôa on guitar and vocals.

"Fran", an early song penned by Ed and Paul, had a chorus which lent itself to a female vocal. Steve's sister, Jasmine Rodgers, then just 16 years old, was persuaded to record a vocal on an early recording. This happened a number of times until Jasmine was eventually persuaded to become a full member of the group.

bôa actually started out as a funk band and soon recruited Ben Henderson, who had played in the band "Doctor Sky" with Alex, on saxophone.


to write a review

Axel Máni Hólmgeirsson

Love this album, great songs and a great follow to Twilight. Boa are one of my favorite bands.
Just purely love Wasted, can't get enough of it.


This album is great. Normally I don't listen to much music, and when I do I mainly just listen to metal music. This is totally different from what I usually listen to, but this is just too good to be ignored.
Now I'll just have to find Twilight...


Wow. What can be said? I enjoyed their first CD, Twilight, but Get There is such a stronger album. They sound more together, more mature, and just plain better than they ever have. Despite a couple weaker entries (I wasn't too impressed with "A Girl" or "Older"), the album as a whole is so much stronger than their first, and even many other artists. They have a distinct folk/pop/rock sound, and on top of that they're great people, and I hope they get the attention they deserve!


Excellent music
Their fist album, Twilight, serves as a stepping-stone to this one. The band has a more integrated sound, which can be seen in the way parts are mixed with care and are well balanced. I particularly like the bass' presence, direction and support without overshadowing the Jasmine's vocals. The quality of the performances is great. I was dissapointed that Steve didn't get to sing in any of the songs, I liked Two Steps from Tall Snake EP. Favorite pieces: Get There, Daylight, and Passport.


Well worth the wait
After listening to "Twilight" I tried to get hold of "Get There" which proved to be quite hard. It was sold out and only a few dealers offered a new or used copy for outrageous prices. So I was glad when CD Baby mailed me about the re-release several months later. It was well worth the wait and every cent invested.

In comparison to "Twilight," "Get There" sounds more self-contained, complete. The music is more on the full and heavy side, although a few songs on "Twilight" were more aggressive. On "Twilight," some tracks had breaks and hooks that actually broke things and made listening somewhat hard. This is not the case with "Get There." It's far from being easy listening in the bad sense or simple, but while being complex things remain more fluid. The production is more polished and sound quality is better overall, although I wished Jasmine's great voice had been mixed to be a bit more prominent in a few cases.

For those who don't know Boa yet: These are complex, tightly woven rock songs. Some have a grungy wah-wah guitar wall of sound while others are more fragile. A few songs evolve by getting increasingly intense, a maelstrom -- for lack of a better analogy, I'd say somewhat like a few tracks on Pearl Jam's first album. Boa has a stunning female singer with a distinctive voice who can do anything between "nice and sweet" and "sharp razor." As for the atmosphere, I agree with one of the other posters here that it's more "brown" than "blue."


absolutely amazing
this cd is boa's latest offering, and its absolutely great, jasmines amazing vocals and the great melodies make some truely great and memorable songs.

get there has a heavier sound than twilight but its just as good, reviews cant actually express how good this band is and this album in particular. just buy the cd and see for yourself.

if you dont buy this cd, you'd be a fool.

also check out twilight, boa's previous album, also amazing, if not better.

Get there - GET IT!


I love it!
Get There is a welcome breeze. I have Twilight as well, and I love this CD too. It really grew on me, I never get tired of hearing either CD. I find the lyrics and melodies much more touching and heartfelt in this one, and the ones in Twilight are a little more poetic. The songs in this album are a little more straightforward, although I have a penchant for the elusive and beautifully harmonized "Daylight". Way to go! 5 stars....


If Twilight is soft and "blue colored", GetThere is deeper and "brown colored".
OutThere is like a glass of good Rhum, seems to be hard on the toungue but become warm and friendly soon as it fall inside your body.
Every song is good shaped and performed and the style is coerent to thier previous works.
A must have!


How brilliant boa are.
This cd is truely a masterpiece. Just as I expected Boa have still managed to keep their beautiful sound, as some bands lose their charm after the early material. Boa have never lost an ounce of charm. Beautiful music, from beautiful people.

Do yourself a favour and buy this cd!

Brittany Clark

I'm so Happy It's Here
I'm a huge fan of BoA ever since I heard the single "Duvet" in the anime Lain (I'm not into anime though). The CD is a bit pricey but well worth it. The style is so comforting but energizing at the same time and I have converted most of my friends to BoA fans as well.
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