Cançonièr | The Black Dragon

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Classical: Medieval World: Eastern European Moods: Type: Acoustic
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The Black Dragon

by Cançonièr

Music from the time and place of the infamous Vlad Dracula (15th-century).
Genre: Classical: Medieval
Release Date: 

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Tracks

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time
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1. Von ainem wutrich der hies Trakle
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4:04 $0.99
2. Wol auf wir wellen slafen
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3:35 $0.99
3. Mit ganzem Willen
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3:32 $0.99
4. Volek sirolmtudotlon
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3:13 $0.99
5. Azt gondoltam, eso esik
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3:42 $0.99
6. Instrumental on Azt gondoltam
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2:17 $0.99
7. Dragaicuta
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2:24 $0.99
8. Esteli imadsag
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3:04 $0.99
9. Ugrcinska Ruchenitsa
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3:15 $0.99
10. La danse du cleves
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1:54 $0.99
11. Lamentatio Sanctae Matris Ecclesiae
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3:42 $0.99
12. Amoroso
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4:16 $0.99
13. Voulgarikon
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6:13 $0.99
14. Kyrie echechraxa
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3:30 $0.99
15. Taksim
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5:49 $0.99
16. Salvator Noster
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3:23 $0.99
17. Von ainem wutrich
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3:53 $0.99
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ABOUT THIS ALBUM


Album Notes
The fifteenth century was a time of remarkable change in music, as musical conventions and practices evolved from medieval to early Renaissance styles. It also was a time of major transitions in art, religion, politics, and technology. During this century, Constantinople fell to the Ottoman Turks, the printing press was invented, the Tudors took the crown of England, the Moors were expelled from southern Spain, Christopher Columbus sailed, Leonardo da Vinci was born and began to work, the Renaissance in Italy bloomed in full, and for a few years, a man who would become infamous ruled a small country called Wallachia in what is now southern Romania.

He was called Vlad Dracula (c.1431 – 1476). His father, Vlad II, adopted the name Dracul (“Dragon”) when he joined the Order of the Dragon, a chivalric order dedicated to crusading against the Turks in the Balkans. His son took the name Dracula, or “Son of the Dragon.” Dracula was, of course, partially the inspiration for Bram Stoker’s iconic anti-hero, though he was no vampire, but rather sought to repel the Ottomans by any means necessary, including brutal forms of torture and execution.

This album explores the rich musical cultures of Vlad's time, from both Eastern and Western Europe. Featuring Michel Beheim’s German poem about Vlad’s deeds, Italian dances and German songs, music of the Byzantine court, Balkan folk songs, Turkish classical music, the Lamentation for the Fall of Constantinople by Guillaume Dufay, and more!

Annette Bauer: recorders, bells, voice, percussion, lute
Phoebe Jevtovic: voice
Shira Kammen: vielle, harp, voice
Tim Rayborn: voice, percussion, citole, lauta, tromba marina, ‘ud, psaltery, symphonie


Reviews


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Randon Myles

Brilliant!
They have a unique ability to bring this music to life. I was fortunate enough to see them perform this song cycle live!