Cathy Jean | Tear Me Apart Remix

Go To Artist Page

Recommended if You Like
Ann Wilson Janis Joplin Melissa Etheridge

More Artists From
United States - Maryland

Other Genres You Will Love
Blues: Blues-Rock Blues: Blues Vocals Moods: Solo Female Artist
There are no items in your wishlist.

Tear Me Apart Remix

by Cathy Jean

Cathy Jean demonstrates her unique vocal prowess and her love of, and feel for, the blues. She can rock out and be sweet and sensual. A promising debut. Remixed by Bob Dawson
Genre: Blues: Blues-Rock
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
available for download only
Share to Google +1

Tracks

Available as MP3, MP3 320, and FLAC files.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

Sorry, there has been a problem playing the clip.

  song title
share
time
download
1. Trouble No More
Share this song!
X
3:47 $0.99
2. Hello Little Boy
Share this song!
X
2:42 $0.99
3. Ain't That Lovin' You
Share this song!
X
3:17 $0.99
4. That's All Right
Share this song!
X
3:45 $0.99
5. Baby, Get Lost
Share this song!
X
2:45 $0.99
6. Rock This House
Share this song!
X
2:40 $0.99
7. One Good Man
Share this song!
X
6:04 $0.99
8. Mama, Talk to Your Daughter
Share this song!
X
2:06 $0.99
9. I'm a Man
Share this song!
X
3:50 $0.99
10. Who Do You Love
Share this song!
X
3:24 $0.99
11. Sweet Blood Call
Share this song!
X
4:09 $0.99
12. Rollin' and Tumblin'
Share this song!
X
3:39 $0.99
13. You the Kind of Woman
Share this song!
X
4:50 $0.99
14. Do Nothing 'till You Hear from Me
Share this song!
X
2:40 $0.99
15. Chatter
Share this song!
X
1:24 $0.99
preview all songs

ABOUT THIS ALBUM


Album Notes
Deep in the quagmire of mainstream pop culture, the blues continue to bubble, and it's purists such as vocalist Cathy Jean who keep the genre percolating. "Tear Me Apart" is a solid mixture of melancholy melodies, balls-to-the-walls blues rockers, and impassioned ballads. Recorded in what sounds like totally live-in-the-studio fashion (very few overdubs are detectable), Cathy Jean's debut twists and turns through a 14-song mountain of blues standards that would make the Swiss Alps envious. And yet, no matter who she borrows from, her voice is a beautiful instrument that serves her needs perfectly-- soulful and soaring, sultry and sexy, and subtly vulnerable at just the right moments. More importantly (and more thoroughly than anyone who comes immediately to mind), CJ inserts her persona and preoccupations into these cover versions; and her takes on classic tracks such as "I'm A Man" (re-written from a female slant) and "One Good Man" makes the former her own and gives new life to the tepid latter. She makes "Who Do You Love" a moving, varied song, as opposed to the schlock electric blues George Thorogood squeezed a hit from. From the spirited, up tempo romp of "Hello Little Boy" to the temperature-rising torch of "Sweet Blood Call," right on through the busy organ and big vocal pyrotechnics of "Rollin' & Tumblin'," "Tear Me Apart" does a marvelous job raising blood pressure. And on the swaying "Baby Get Lost," she piques the libido with, "I got so many men they're standing in line." Hmmmm... where do I take a number? On "Tear Me Apart," this lady doesn't just sing the blues, she feels 'em. And when that voice works each end of her angelic register (and every note in between), you can't help but feel 'em right along with her. That Cathy Jean has absorbed the obvious influences the blues has to offer while escaping their cliches already says a great deal about how tough this woman is. --MUSIC MONTHLY MAGAZINE, USA

Listening to the album "Tear Me Apart", you become aware of one thing: Cathy Jean is a most versatile and inventive artist for a woman still on the right side of thirty. On this debut set she covers a wide range of songs and sounds, which each test her abilities in various styles of blues, jazz, and jump. This whole album is interesting and entertaining, and doesn't lose anything by repeated playing. Cathy Jean knows how to pace herself, be it over a 2 1/2 minute rockin' number, or a 5 1/2 minute blues cut about needing "One Good Man". Of all the fine material contained on the set, perhaps it's "That's All Right", a bare bones acapella number which best indicates the cloth she is cut from.This gal isn't afraid to go out there and lay it all on the line, and let the listeners decide. Others have compared her to Janis Joplin. There is indeed a similarity, Joplinesque phrasing does creep in, but this is no copyist. Just as her cover of the Billie Holiday classic "Do Nothing 'Til You Hear From Me" is similar in approach to Lady Day's version, but by no means an impersonation. What we are hearing is the application of the best aspects of a past talent, put to good use by a new talent, and that's always been the case in most art forms. Cathy Jean is a real star in the waiting. Very deserving of recognition and success. Equally important on this album are the fine musicians in the backing band. There are some wonderful solos and nice touches from all involved, never overshadowing but certainly enhancing the vocals. Recordings made "live in the studio" appear to be in vogue at the
moment. This album is such a collection, cut over a three day period in '95, but it works. The band comes together with each
other and with Cathy Jean. Her comment, "that was fine", at the close of the first number, is a real understatement if ever there was one! Featuring little post-recording tampering, you get an amazingly fresh feel which draws you into it. You can't help but like this attractive blonde from Baltimore, who has and wears more rings than Ringo Starr!! --DENMARK BLUES MAGAZINE


Reviews


to write a review