Ludwig van Beethoven
Trio in B-flat Major, Op. 11
1. I. Allegro con brio [8:22]
2. II. Adagio [4:53]
3. III. Tema: Pria ch'io l'impegno. Allegretto [6:41]
Trio in A Minor, Op. 114
4. I. Allegro [8:09]
5. II. Adagio [8:21]
6. III. Andantino grazioso [5:03]
7. IV. Allegro [4:53]
Ernst von Dohnányi
Sextet in C Major, Op. 37
8. I. Allegro appassionato [11:19]
9. II. Intermezzo: Adagio [6:08]
10. III. Allegro con sentimento [6:57]
11. IV. Finale: Allegro vivace, giocoso [5:30]
"...the recording is ideal...and the playing is uniformly lovely... The performance of the Brahms, the emotional heart of the program, stresses its autumnal characteristics over the blood-and-guts that some read into this work. Cohler plays some exquisite pianissimos... and the ensemble overall is uncannily, highly nuanced. This version definitely takes its place on my shelf along with the other great stereo recordings of the Trio: Leister/Donderer/Eschenbach (DG), Wright/Eskin/Kalish (Nonesuch, LP), and Shifrin/Carr/Golub (Arabesque)...."
"I know of no finer recording of the Beethoven, and this one stands with the best classic versions of the Brahms."
JONATHAN COHLER is recognized throughout the world as “an absolute master of the clarinet” (International Clarinet Association’s Clarinet Magazine). Through his performances around the world and on record, he has thrilled an ever widening audience with his incredible musicianship and total technical command. His technical feats have been hailed as “superhuman” and Fanfare Magazine has placed him in the pantheon of legendary musicians: “one thinks of Dinu Lipatti.”
A highly acclaimed recording artist, his recordings have received numerous accolades and awards including nomination for the INDIE Award, the Outstanding Recording mark of the American Record Guide, BBC Music Magazine’s Best CDs of The Year selection, and top ratings from many magazines and record guides including Penguin Guide, BBC Music Magazine, and Listener Magazine, which wrote, “Cohler possesses such musical integrity and taste that everything he touches seems like the last word”. Gramophone lauded Mr. Cohler’s expression of “the poetry that lesser artists miss.”
He has toured the United States, Canada, Europe, Japan, Taiwan, China, Venezuela, Brazil, Argentina, Chile, Peru, Mexico and Cuba, and performed at many festivals including those of Tanglewood, Aspen, Domaine Forget, Campos do Jordao, Rockport, Newport, Martha’s Vineyard and the Hamptons. He has been a frequently invited performer at the International Clarinet Association’s annual ClarinetFest and many other clarinet festivals around the world. He has been featured on the prestigious Dame Myra Hess Memorial Concert Series in Chicago.
In addition to his work as soloist, Jonathan Cohler is an active chamber musician, chamber music coach, adjudicator, conductor, and pedagogue. He collaborates frequently with many well-known musicians and ensembles including members of the Emerson String Quartet, the Muir String Quartet, the Claremont Trio, the Lark Quartet, the Moscow Conservatory Trio, the Amadeus Trio, the New Jersey Chamber Music Society, the Boston Chamber Music Society, the Wavehill Trio, Boris Berezovsky, Ilya Kaler, Andres Diaz, Charles Neidich, Randall Hodgkinson, Judith Gordon, Andrew Mark, Janice Weber and Rasa Vitkauskaite.
This season featured the release of two CDs, Rhapsodie Française (Ongaku 024-121), with multiple award winning Lithuanian pianist Rasa Vitkauskaite, and Jonathan Cohler & Claremont Trio (Ongaku -024-122) with the award winning piano trio Claremont Trio. They plan to release several additional CDs together in the coming seasons.
Jonathan Cohler is also one of the most sought after chamber music coaches in the country. Numerous groups that he has coached have won top prizes in the National Fischoff Chamber Music Competition, the Coleman Chamber Music Competition, and the International Chamber Music Ensemble Competition of the Chamber Music Foundation of New England among others.
He has adjudicated numerous competitions in the United States and abroad including the Concours de Musique du Canada, the Young Artist Competition of the International Clarinet Association, the Russian-American Music Association Competition, and numerous others at festivals and conservatories around the world.
Jonathan Cohler is the Music Director of the Massachusetts Philharmonic Orchestra, Assistant Conductor of the Youth Philharmonic Orchestra of the New England Conservatory and Artistic Director of the International Woodwind Festival in Boston. For ten years, he was the Music Director of the Brockton Symphony Orchestra, and he formerly conducted both the Boston Youth Symphony Orchestra and the Empire State Youth Symphony Orchestra in Albany, New York. He is also in demand as a guest conductor around the world with orchestras such as the world renowned Simon Bolivar Orchestra of Caracas, Venezuela.
Mr. Cohler is also a world renowned teacher. His students hold positions in major orchestras all around the world, and have won top prizes at numerous international competitions including the Concours de Genève, the Young Artists Competition of the International Clarinet Association, the Audi Mozart Competition (Rovereto, Italy), and Jeunesses Musicales. They have received fellowships to festivals such as Tanglewood, Aspen, Pacific Music Festival, National Repertory Orchestra, Verbier, Salzburg, and many others. In addition to being on the faculty at three schools, Mr. Cohler teaches regularly at festivals, conservatories and universities around the world, and holds several honorary positions.
Jonathan Cohler’s clarinet teachers include legendary Boston Symphony Orchestra clarinetist Pasquale Cardillo, Harold Wright, Karl Leister, Charles Neidich and Frank Martin. He graduated with high honors in physics from Harvard University. He is a member of the clarinet, chamber music and conducting faculties of the Longy School of Music in Cambridge, The Boston Conservatory, and the New England Conservatory in Boston.
Jonathan Cohler is a Vandoren, Rossi, and Gao artist.
For more information, see his web site at http://jonathancohler.com/.
Widely regarded as the premier piano trio of its generation, the Claremont Trio is sought after for its thrillingly virtuosic and richly communicative performances. First winners of the Kalichstein-Laredo-Robinson International Trio Award and the only piano trio ever to win the Young Concert Artists International Auditions, the Claremonts are consistently lauded for their "aesthetic maturity, interpretive depth, and exuberance" (Palm Beach Daily News). To celebrate their 10th anniversary season, the trio returns to New York's Carnegie Hall and Washington D.C's Kennedy Center, and appears in more than 60 halls throughout the country.
Equally passionate about the standard repertoire and the music of our time, the Claremonts launch the 2008-2009 season with the release of two CDs, spanning music from Beethoven to Mason Bates. "American Trios" on Tria Records will be the first disc to present both of Leon Kirchner’s piano trios and will honor his 90th birthday this year. The disc also features Paul Schoenfield’s “Café Music”, Ellen Zwilich’s “Trio”, and Mason Bates’ “String Band” (written for the Claremont Trio in 2002). The group's second 2008 CD, to be released by Ongaku Records, is a collaborative project with clarinetist Jonathan Cohler including works by Beethoven, Brahms, and Dohnanyi.
The Trio maintains a strong New York presence this season, performing at Carnegie Hall, Symphony Space, Merkin Hall, and Miller Theatre. Their extensive countrywide tour encompasses major venues in Washington D. C., Boston, Seattle, Phoenix, Anchorage, Syracuse, Columbus, and Puerto Rico as well as universities including Duke, Kansas State and SUNY Purchase. Deeply committed to expanding the trio repertoire, the Trio will present the world premiere performance of a work by Nico Muhly at Washington D.C.’s Kennedy Center and will also premiere a new piece written for them by Howard Frazin. They will perform Mason Bates’ new work, “Red River” (2007) for piano trio, clarinet, and electronics and perform in special concerts celebrating Leon Kirchner’s 90th and Elliott Carter’s 100th birthdays.
Believing that education on all levels is essential to the future of classical music, the Claremont Trio is extensively involved in teaching the next generation of musicians and music lovers. Sought after for their effectiveness in the classroom as well as on the concert stage, the Trio will conduct educational outreach activities and master classes in more than ten states this season, including a mini-residency at the Peabody Conservatory's Preparatory Division and master classes at the University of Washington. In recent years, the Claremonts have led master classes at the Eastman School of Music, Boston Conservatory, Purchase College at SUNY, Middlebury College, University of Wisconsin at Oshkosh, Longy School of Music, and Gettysburg College's Sunderman Conservatory.
Highlights of the Trio’s 2007-08 season included a complete cycle of Brahms and Schumann trios at Boston’s Isabella Stewart Gardner Museum and summer appearances at the Saratoga, Mostly Mozart, Bard, Rockport, and Hamptons festivals. During the main season, they performed under the auspices of New York’s Peggy Rockefeller concerts, the Rhode Island Chamber Music Concerts, Memphis’ Concerts International, St. Paul’s Music in the Park, University of Kansas’ Lied Center, Middlebury College, and the chamber music societies of Honolulu, Buffalo, Tulsa, and Williamsburg.
In recent seasons, the Trio has toured throughout the United States in its major concert halls and on the series of prestigious chamber music societies. They have performed at Avery Fisher Hall and Alice Tully Hall in New York's Lincoln Center; the UCLA Center for the Performing Arts; Stanford Lively Arts; the La Jolla Music Society; the Performing Arts Center at SUNY Purchase; the Kravis Center for the Performing Arts; and Wolf Trap. They have been featured guests of the chamber music societies of Detroit, Cincinnati, Kansas City, Louisville, and San Antonio. During summers, the Claremont Trio has appeared at the Caramoor, Ravinia, Norfolk, Moab, Cape Cod Chamber Music, and Great Lakes festivals. The Trio also has performed at the American Academy in Rome, and in 2002 they traveled to Bosnia, Serbia, and Slovenia as part of a stimulating cultural exchange co-sponsored by the U.S. State Department and Carnegie Hall.
The Claremont Trio frequently performs the Beethoven Triple Concerto with orchestras such as the Utah Symphony, Virginia Symphony, and Pacific Symphony. They have collaborated with Peter Martins, director of the New York City Ballet, on a ballet based on Paul Schoenfield's "Cafe Music". They have also been privileged to perform with many distinguished guest artists including Toby Appel, Joseph Kalichstein, Martha Katz, Jaime Laredo, Ida Kavafian, Nokuthula Ngwenyama, Sharon Robinson, and Richard Young. The Claremont Trio has commissioned new works for piano trio by Daniel Kellogg, Mason Bates, and Hillary Zipper, and this year they will embark on a project with the innovative composer and violinist Daniel Bernard Roumain.
The Claremont Trio’s debut CD of Mendelssohn trios was released on the Arabesque label in 2004 to overwhelming critical acclaim. Gramophone magazine praised the disc for giving "large-scale performances with a sweeping, romantic sense of space and strong dramatic contrasts," while Strings celebrated the Trio’s ability to "find a cool equilibrium between industry and frivolity where an elegant, totally Mendelssohnian sexiness resides." The group’s second disc of Shostakovich and Arensky trios was released on Tria Records in 2006 in honor of the 100th anniversary of Shostakovich’s birth.
The Claremont Trio has been featured on both Japanese and American television and is also heard frequently in interviews on radio stations throughout the U.S. and abroad, including Australia’s ABC, New York’s WQXR, Boston’s WGBH, Chicago’s WFMT, Salt Lake City’s KBYU, and Columbia University’s WKCR. In 2006, they added a new feature to their website – a blog describing their adventures on the road. Through this online tour diary the members of the trio reach out to friends and music lovers of all ages around the world, offering a window into their lives as traveling musicians.
Twin sisters Emily Bruskin (violin) and Julia Bruskin (cello) formed the Trio with Donna Kwong (piano) in 1999 at The Juilliard School. The Claremonts are based in New York City near their namesake: Claremont Avenue.
For more information about the Claremont Trio and to read their blog, please visit www.claremonttrio.com.