Country Boys | Sing Bluegrass & Gospel - HH-1374

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Country: Bluegrass Country: Country Gospel Moods: Spiritual
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Sing Bluegrass & Gospel - HH-1374

by Country Boys

Traditional secular and Gospel bluegrass, with emphasis on 3-part harmony.
Genre: Country: Bluegrass
Release Date: 

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  Song Share Time Download
1. Redwood Hill
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2:44 $0.99
2. A Place Prepared for Me
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2:22 $0.99
3. I Shall Be At Home With Jesus
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3:01 $0.99
4. Memory of You
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3:20 $0.99
5. Little Bessie
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3:37 $0.99
6. I Will Trade the Old Cross for a Crown
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3:37 $0.99
7. Bringing Mary Home
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3:21 $0.99
8. One Kiss Away From Lonliness
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2:35 $0.99
9. Lord Don't Leave Me Here
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2:21 $0.99
10. I'll Talk It All Over With Him
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2:27 $0.99
11. Come and Sit By the River
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3:49 $0.99
12. April's Green
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3:34 $0.99
13. Some Day
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2:32 $0.99
14. When I've Traveled My Last Mile
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3:07 $0.99
15. Walking Down the Line
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1:59 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
Few people outside Surrey county, North Carolina and Grayson and Stuart counties, Virginia, will recognize the Country Boys bluegrass band. At the same time, thousands of folks who live in these counties and the surrounding area over a 50 mile radius well know and revere this talented group. Their music, leaning heavily toward the gospel side of bluegrass, has kept lovers of good traditional music following them for over 35 years.

I first encountered the Country Boys at the Independence (county seat of Grayson County, Virginia) Fiddlers Convention in 1972. I had just arrived at the site and was walking around near the stage, when this band came walking in in a “business-like” fashion. They stopped at an uncrowded area, removed their instruments from cases, and launched into an hour or so session prior to entering the contest. I was mesmerized. Although I had been following old -time/mountain/bluegrass music all my life, I had done this mostly through recordings and radio. I had not seen a great number of bands live, at least bands at the local level. This is not to say that I was not acquainted with the pioneer professional bands up to that time. I had been present at personal performances by Bill Monroe, Flatt & Scruggs and other top name bands of the 50s-60s-70s.

I couldn’t get enough of the Country Boys playing/singing in those early years - still can’t. Their performances made my scalp crawl (this physical feeling is a sizeable cut above “making the hair stand up on the back of your neck.”) Their music still does this to me, 34 years and several bandmember changes later.

The original band consisted of Donald Clifton (the only remaining founding member) on guitar,
Joe Edd King (James King’s uncle, who had a unique style encompassing elements of both old time and bluegrass) on fiddle, David Hiatt (one of the 2 or 3 best banjo pickers I’ve ever heard) on banjo, Ronnie Lyons on mandolin, and Wayne Creed (Donald’s uncle) on upright bass. All members other than Wayne contributed singing parts.

The current band consists of:

Donald Clifton - upright bass
Johnny Joyce - guitar
Tim Bowman - banjo
J. A. Midkiff - fiddle
Kevin Easter - mandolin

Over the years, a great number of pickers have played a show, or a few shows, as a member of the band . Those who have been bona fide bandmembers, playing with the group regularly for months or years, are:

Mike Hazlewood - mandolin
Sammy Shelor - banjo
Hersie McMillian - banjo
Tim Smith - fiddle
Wesley Easter - banjo

The band has played fiddlers conventions (contests), festivals, churches, private parties, and on my front porch, for the past 33 years. I have looked on, in awe, and I think maybe in a fatherly fashion, as this band has entertained people from all over the world at the various venues they have played.
This recording was not planned as a commercial venture. I simply felt that the Country Boys sound needed to be documented, on record, for the ages. Over the 60 some years that I have been deeply involved in bluegrass music, I have received more pleasure from listening to, and having personal relationships with, the members of this band than any person could hope for.

The Country Boys, to me, define the true essence of Bluegrass and Bluegrass Gospel music.

Kerry Hay
Hay Holler Records
January 2006


to write a review

Joe Ross

... and 1/2 ... A genuine, sincere & comforting approach to bluegrass and gospel
Playing Time – 44:33 -- SONGS - Redwood Hill, A Place Prepared For Me, I Shall Be At Home With Jesus, Memory Of You, Little Bessie, I Will Trade The Old Cross For A Crown, Bringing Mary Home, One Kiss Away From Loneliness, Lord Don't Leave Me Here, I'll Talk It All Over With Him , Come And Sit By The River, April's Green, Some Day, When I've Traveled My Last Mile, Walking Down The Line

It’s interesting that two recent bluegrass releases, Bill Yates’ “Country Gentlemen Tribute” (on the Mastershield label) and The Country Boys’ “Sing Bluegrass and Gospel” (on the Hay Holler label), both cover the same three songs on their respective albums. The songs in common are Redwood Hill, Little Bessie, and Walking Down The Line. Both albums actually chose “Redwood Hill” (written by Gordon Lightfoot) as their set opener. This reinforces the great impact that the seminal material of The Country Gentlemen has had on many subsequent bluegrass units. Perhaps it’s because the songs are nostalgically soothing and fit the bluegrass repertoire like a pair of old shoes. Bill Yates was directly involved with the late Charlie Waller for 18 plus years, and his entire album is a tribute to capture and recreate the former band’s sound. The Country Boys, on the other hand, are a North Carolina traditional group with over three decades of experience that simply loves the Country Gentlemen’s repertoire (they also cover “Bringing Mary Home” and “Come and Sit by the River”) while also incorporating a healthy share of bluegrass gospel. As a result, the common ground in both projects is the expression of honor, praise and respect in more ways than one.

Bill Yates spent many years playing bass for The Country Gentlemen, but on this tribute album he only sings (lead and harmony). The bass playing is left to Dave MacGlashan. To recreate the historic sound, the SPBGMA Preservation Hall of Greats member assembled some other excellent musicians too -- Mike Phipps (lead and harmony vocals), Darren Beachley (guitar, lead and harmony vocals), Dave Propst (mandolin, lead and harmony vocals), Kevin Mallow (fiddle), Scott Walker (banjo), and Mark Clifton (resophonic guitar). These guys are well-known on the eastern seaboard as members of such fine groups as Doyle Lawson & Quicksilver, The Shenandoah Blue Band, and Jay Armsworthy & Eastern Tradition. With four lead and harmony vocalists on the album, it certainly would have been nice if liner notes had indicated who is singing what. However, it is apparently Mike Phipps who provides the stellar vocalizing reminiscent of Charlie Waller’s. Mastershield Records confirmed that it is Mike Phipps singing most of the lead on the project. Yates and Friends succeed in depicting both sound and psyche of the pioneering Country Gentlemen. While some may argue that it’s the original releases that were most pivotal to the genre, it’s also beneficial to revisit that same material with a new updated cast of musicians using contemporary recording technology to recreate a sound from decades before. Another volume is hopefully in the works for future release.

The Country Boys may be best known as a regional band in their neck of the woods, but they display a solid foundation that capitalizes on their collective strengths. Their tempos are a tad more relaxed than Bill Yates’, and their presentation is more methodical. Also in comparison, The Country Boys have more flavoring of old-time mountain rusticity, primarily a function of their vocals and J. A Midkiff’s fiddling. The “Sing Bluegrass and Gospel” album also features a number of lead singers – guitarist Johnny Joyce in that primary role for six numbers including most of the Country Gentlemen covers. Bassist Don Clifton also sings lead on six songs, mostly gospel. For some pleasant variety, it’s a welcome treat to hear mandolinist Kevin Easter on “I Will Trade the Old Cross for a Crown,” and banjo-player Tim Bowman sings lead with a copious amount of enthusiasm and energy on both fast and slow songs, “I’ll Talk It All Over With Him” and “April’s Green.” The Country Boys clearly have a lot of entertainment value, and they seem very content to thrill audiences with music and ministry at fiddlers conventions, festivals, churches, private parties and front porches. While not planned as a commercial venture, The Country Boys’ album is one that will bring much pleasure and joy as we simply appreciate their genuine, sincere and comforting approach to bluegrass and gospel. While neither The Country Boys nor Bill Yates seem to be striving for great commercial success with their albums, it’s certainly heart-warming and reassuring to know that there are bluegrass groups like them. (Joe Ross)