Danny Caron | Jazz and Blues

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Jazz: Hammond Organ Blues: Soul-Blues Moods: Featuring Guitar
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Jazz and Blues

by Danny Caron

Ace guitarist Danny Caron's third CD: He burns through a set of soul drenched Organ Jazz, Blues and Gospel-with a special guest appearance from Maria Muldaur! Very cool!
Genre: Jazz: Hammond Organ
Release Date: 

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1. Limehouse Blues
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3:47 $0.99
2. Deep River
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5:35 $0.99
3. I Don't Want to Know
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4:23 $0.99
4. Spiritual
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7:09 $0.99
5. Blues Alley
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4:53 $0.99
6. Girl Talk
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5:02 $0.99
7. Freddie Freeloader
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6:45 $0.99
8. Water from an Ancient Well
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6:07 $0.99
9. Nuages
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5:30 $0.99
10. It Ain't Necessarily So
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7:27 $0.99
11. I'm Just a Lucky So and So
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12. Set Down and Rest Awhile
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ABOUT THIS ALBUM


Album Notes
Danny Caron has just released his 3rd solo CD "Jazz and Blues". Danny's beautiful guitar tones and stylings ring clearly throughout this collection of jazz and blues tunes, from the soulful organ trio jazz and gospel inflected tracks, like 'Limehouse Blues' and 'Deep River' (featuring Wayne De La Cruz on Hammond B3 and Kent Bryson on the drums), to more adventurous piano quartet numbers such as the beautiful Spiritual by John Coltrane-(featuring the superb piano work of John R Burr, and great rhythm section with Deszon Claiborne (drums) and John Wiitala (bass)). Also-there is a very special vocal appearance from good friend Maria Muldaur, singing John Martyn's great song "I Don't Wanna Know" which probably sums up a lot of the world's collective consciousness at this very moment-"I Don't Wanna Know About Evil, I only Want To Know About Love!" -Amen. Kudos to Ruth Davies (bass) and Bobby Cochran (drums), presently Elvin Bishops crack rhythm section, for making that one funky good!
Beautiful performances from John Hanes (drums), Ruth Davies and John R Burr make Dollar Brand's (aka Abdullah Ibrahim) "Water From An Ancient Well", and the old spiritual "Set Down and Rest Awhile" into great numbers. This is a great CD and all of Danny's fans will love it, as well as music lovers everywhere.

BIOSPHERE
Originally out of Silver Spring, Maryland, Danny moved to Austin, Texas and cut his teeth on the Crawfish circuit playing with singer-pianist Marcia Ball. He then worked with Zydeco king Clifton Chenier and his Red Hot Louisiana Band with whom he recorded the Grammy Award winning Album "I'm Here" in 1980. Relocating to the San Francisco Bay Area in 1981 he continued to freelance and eventually teamed up with the legendary singer and pianist Charles Brown.

Danny served as guitarist and musical director for Charles Brown from 1987 until Brown's death in 1999. He has played on numerous CD's and sessions with Charles Brown, Clifton Chenier, Bonnie Raitt, John Lee Hooker, Van Morrison, Steve Miller, Ruth Brown, Etta Jones, John Clayton, Teddy Edwards, Gerald Wilson, Donald Fagen, Dr. John, Little Milton Campbell, John Hammond Jr. and many others.

*Danny is the featured guitarist on the Van Morrison produced John Lee Hooker album, "Don't Look Back" which won two Grammy Awards - one for Best Traditional Blues Recording, and the other for Best Collaboration, Van Morrison and John Lee Hooker.

He keeps up a busy schedule touring and performing most recently with Tom Rigney and Flambeau and also with Steve Miller, Plas Johnson, Barbara Morrison, Henry Butler, Jon Cleary, Maria Muldaur and others. He is presently teaching courses at The Jazzschool in Berkeley California.
WWW.DANNYCARON.COM
Danny composed the film score to the motion picture 'johns' starring David Arquette and Lukas Haas.He and Charles Brown composed the title tune, "The Promised Land" featured on Danny's 2008 CD "How Sweet It Is".

DANNY CARON SELECTED DISCOGRAPHY
*New CD:
"JAZZ AND BLUES" 2012 BUY NOW!
*2nd SOLO RELEASE!!*********
"HOW SWEET IT IS"-DANNY CARON RECORDS 2008
*1st SOLO RELEASE!!********
"GOOD HANDS"-DANNY CARON RECORDS 2003
*************
previous recordings:
With CLIFTON CHENIER AND HIS RED HOT LOUISIANA BAND:
ALLIGATOR RECORDS
"I'M HERE" (GRAMMY AWARD: BEST TRADITIONAL BLUES ALBUM, 1980)


With JOHN LEE HOOKER:

POINTBLANK RECORDS (VIRGIN)
"CHILL OUT"
"DONT LOOK BACK" Produced by Van Morrison, with Van Morrison, Charles Brown.
(Double Grammy Awards for Blues Album and Collaboration 1999)


CD's WITH CHARLES BROWN (Musical Director on all sessions: Danny Caron) :

1990-1999
ROUNDER RECORDS: CHARLES BROWN
"ALL MY LIFE" With Dr. John and Ruth Brown
(Grammy Nomination 92)
"SOMEONE TO LOVE" with Bonnie Raitt
(Grammy Nomination 93)
"LUCKY SO AND SO"
"COOL CHRISTMAS BLUES"

VERVE RECORDS: CHARLES BROWN
"THESE BLUES"
"THE HONEYDRIPPER" with Etta Jones
"SO GOES LOVE" with Teddy Edwards, John Clayton, Gerald Wilson, Paul Humphries

MUSE RECORDS : CHARLES BROWN
"BLUES AND OTHER LOVE SONGS" with Houston Person

WARNER BROTHERS RECORDS : CHARLES BROWN
"NEW YORK ROCK AND SOUL REVIEW" with Donald Fagen

A & M RECORDS : CHARLES BROWN
"A VERY SPECIAL CHRISTMAS" with Bonnie Raitt and Charles Brown


With John Hammond Junior:
(Point Blank)
"TROUBLE NO MORE" with Charles Brown, Little Charlie and the Nightcats, others

With Hadda Brooks:
(Point Blank)
"STAIRWAY TO THE STARS"


With Maria Muldaur
"MEET ME WHERE THEY PLAY THE BLUES"-Telarc Records 2001
"SWINGING IN THE RAIN"-CHILDRENS ALBUM 2002
"ANIMAL CRACKERS:SHIRLEY TEMPLE TRIBUTE" 2003
"A WOMAN ALONE WITH THE BLUES:SONGS OF PEGGY LEE" Telarc Records 2003
"HEART OF MINE-LOVE SONGS OF BOB DYLAN" Telarc, 2007

With Barbara Morrison
"LIVE AT THE 9:20 SPECIAL"

Living Blues Magazine Review
DANNY CARON
How Sweet It Is
Danny Caron Records 002

Few blues guitarists are as versatile as Danny Caron. During his 1987-1999 tenure as Charles Brown’s musical director, the Oakland-based musician emulated the jazz imbued styles of Johnny and Oscar Moore, Brown’s cohorts more than four decades earlier in The Three Blazers. Yet Caron did not mimic the Moore brothers. His sweetly ringing tone and declarative phrasing are more reminiscent of B.B. King’s. Nods to Wes Montgomery, George Benson, and other modern jazz masters also crop up in Caron’s playing. He projects, however, a commanding, highly distinctive, at times humor-laced personality on the instrument that is more than the sum of its parts.
How Sweet It Is, Caron’s second self-released CD, is primarily an instrumental set in which he covers a number of stylistic bases. Two tracks recall his early 1980’s stint with Clifton Chenier: Fernest Arceneux’s rocking hard riffing Zydeco Boogaloo and the Buckwheat swamp blues ballad One For The Road. There’s no accordion on these tracks, although rubboard scratcher Lloyd Meadows augments a rhythm section comprising organist Jim Pugh (of The Robert Cray Band), pianist John R. Burr, bassist Steve Evans, and drummer Paul Revelli. Hammond B3 organist Wayne De La Cruz and drummer Kent Bryson back Caron on The Grand Lake Shuffle, a Caron-penned blues shuffle with a bridge, as well as on Pee Wee Ellis’ funky The Chicken, Jack McDuff’s Rock Candy and Harold Vick’s Our Miss Brooks. Caron also serves up exquisitely lyrical readings of the standard ballads Body and Soul and Detour Ahead.
Barbara Morrison, the criminally underrated Southern California vocalist who is as comfortable singing blues with Johnny Otis as she is doing standards with The Clayton-Hamilton Jazz Orchestra offers sensitive readings of Little Willie John’s I Need Your Love So Bad and a ballad titled The Promised Land that was written by Caron and Charles Brown. Brown himself is featured singing and playing piano on E.S.P. Blues, a melancholy slow blues original about playing the horses, an addiction that severely stunted his career from the early 50”s until Caron came to the rescue many years later. The laidback performance, to which Caron contributes two stunning solo choruses, comes as a welcome addition to Brown’s extensive discography.
--LEE HILDEBRAND



Reviews


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Bob Putignano

“A Little More Jazz than Blues, and it’s all very tasty”
MUSIC
“Jazz + Blues” is the perfect title for Danny’s third album. Actually all of his recordings nimbly shift between the two genres. A dozen tracks comprise “Jazz + Blues” eleven are covers, one is written by Caron, and there’s one vocal tune that features Maria Muldaur singing on a John Martyn song. Perusing the song credits it’s easy to ascertain that this album is tilted more towards jazz with covers by Coltrane, Miles, Django, Ellington, plus two spirituals with some blues makes this latest edition to Caron’s discography a solid addition.
The album opens bluesy with “Limehouse Blues” (performed in a B3 trio ;) it’s a breezy affair too with Caron swiftly vamping over Wayne De La Cruz’ B3 and Kent Bryson’s drums with gorgeous tone and creativity. Arranged by Caron the spiritual “Deep River”utilizes the same trio as track one, but this one’s a tasty ballad that oozes with grace and style. The B3 trio exits as Maria Muldaur lends her vocals on John Martyn’s “I Don’t Want To Know” (as a quartet with Ruth Davies (bass) and Bobby
Cochran (drums), from Elvin Bishop’s rhythm section, and B3/pianist John R. Burr) and it’s a gem, Caron’s guitar bites harder here with the addition of fuzz effects and Muldaur’s vocals work magic on this wisely selected cover that sumptuously simmers and slowly burns. Coltrane’s “Spiritual” is more cerebral than the three opening songs where Caron takes us on a heady ride and shows off his exquisite and explor- ative muses that paint colors from the entire spectrum, John Burr’s piano solo also stands out. Caron’s lone addition “Blues Alley (for R.L.J.)” as in Robert Lockwood Junior, is a shuffling and swinging blues tune where the B3 trio returns, and Caron’s having a ball soloing his butt off and bending strings tastefully, where everyone’s right in that magic pocket. Neal Hefti and Bobby Troup’s classic “Girl Talk” has been often covered, but it’s especially deli- cious here. From the historic “Kind of Blue” album Miles Davis’ “Freddie Freeloader” gets rearranged styl- ishly with a sultry vamp from the B3 grooves of De La Cruz, and Caron’s comps and solos are also seductively
sweet and sharp. South African breezes flow on Abdullah Ibrahim’s (also known as Dollar Brand) “Water From an Ancient Well.” Danny takes on Django’s “Nuages”in a B3 trio that’s also a good fit on “Jazz + Blues.” From the pens of the Gershwin’s there’s a delectable “It Ain’t Necessarily So,” that’s pretty bluesy too with some tender licks from Caron’s guitar.Via the Charles Brown songbook (which was also the title track from Danny’s prior boss) is Duke Ellington’s “I’m Just a Lucky So and So”here performed with the B3 trio yet it’s different than the Charles Brown version (no Wardell Quezergue arrangements here) but it’s probably a reverent tip of the hat to the man Caron road with and arranged for during Brown’s later years, sweet. This classy album concludes with a spiri- tual reading of “Gonna Set Down and Rest Awhile,”but it’s far from tender as Danny cuts through it with fuzzed-out tone, the entire ensemble coagulates especially Burr’s flavorful piano fills and B3, it’s a near perfect closing selec- tion to “Jazz + Blues.”
Words that come to mind when
thinking about Danny Caron’s bluesy and jazzy guitar playing is his fluidity and dexterity that also evokes adven- ture, plus his tone offers what many guitarists would kill for. It was no wonder that the great Charles Brown utilized his services for so many years. Closing thought: Danny’s debut solo album “Good Hands” was released
in ’03, his previous “How Sweet It Is” came along in ’08. I find that waiting four years is just too long for “Jazz + Blues.” So come on Danny keep the good tunes coming, and please don’t let us wait too long for the next one, but thank you for “Jazz + Blues.”
Bob Putignano www.SoundsofBlue. com
THE SOUNDS Danny Caron “Jazz + Blues” www.DannyCaron.com
“A Little More Jazz than Blues, and it’s all very tasty”
OFBLUE By BOB PUTIGNANO