David Pipe | Liszt and Brahms: Original Works and Transcriptions for Organ

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Classical: Organ Classical: Brahms Moods: Type: Instrumental
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Liszt and Brahms: Original Works and Transcriptions for Organ

by David Pipe

Original works and new transcriptions for organ of masterworks of two of the great Romantic composer, dramatically realised on the organ of York Minster.
Genre: Classical: Organ
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1. Prelude and Fugue in G Minor, Woo10: Prelude
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3:32 $0.99
2. Prelude and Fugue in G Minor, Woo10: Fugue
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4:14 $0.99
3. Funerailles S. 173
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12:36 $0.99
4. Consolation in D-Flat Major, S. 172
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4:10 $0.99
5. Fantasie Und Fuge Uber Das Thema B-a-C-H, S. 260: Fantasie
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5:31 $0.99
6. Fantasie Und Fuge Uber Das Thema B-a-C-H, S. 260: Fuge
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10:27 $0.99
7. Chorale Prelude and Fugue On "O Traurigkeit, O Herzeleid!" Woo7: Prelude
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1:59 $0.99
8. Chorale Prelude and Fugue On "O Traurigkeit, O Herzeleid!" Woo7: Fugue
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5:59 $0.99
9. Il Penseroso, S. 161
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4:26 $0.99
10. Ave Maria Von Arcadelt, S. 659
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6:57 $0.99
11. Symphony No. 4 in E Minor, Op. 98: IV. Allegro Energico E Passionato
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11:11 $0.99
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ABOUT THIS ALBUM


Album Notes
SFZ MUSIC, the independent label for HIS MAJESTYS SAGBUTTS & CORNETTS, are pleased to announce their latest release, the debut recording of one of Britain’s most exciting young organists. David Pipe is the Assistant Director of Music of York Minster and is rapidly forging a reputation for exciting, ground-breaking recital programmes.

This recording brings together two of the giants of the 19th Century organ repertoire with the splendour of York Minster’s famous romantic instrument. Two classically inspired pairs of preludes and fugues by Brahms feature alongside Pipe’s own arrangement of the monumental final movement of Brahms’ 4th Symphony. Pipe also provides an arrangement of Liszt’s Il penseroso from Années de Pèlerinage: Nicolas Kynaston’s arrangement of Funérailles and Jean Guillou’s arrangement of the monumental Fantasia and Fugue on the name of BACH complete the programme, alongside two delightful miniatures. All the arrangements are brilliantly idiomatic and translate perfectly to the organ: Pipe’s virtuosic performances and the mighty gothic power of the Minster instrument combine to stunning effect.


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