"The acoustic guitar resonates a warm, wooden tone that soothingly blends with his naturally textured voice. It's Elias' soaring romantic melodies and heartfelt laments that make him one of the best kept secrets of the Barbary Coast. " - Eric Shea, Listen.com
"David Elias could sing the dictionary and we'd all be rapt in attention, hanging on each softly delivered syllable... Singer-songwriter of genuine sensitivity, David Elias presents 13 tracks shrouded in warmth, backed by acoustic guitar. These coffeehouse-style solo performances, with occasional fiddle, mandolin, and harmonica, exhibit a delicate beauty, demonstrating a depth of feeling, a sense of compassion and melancholy... Brilliant, Essential." - Les Reynolds
"This cd is a wonderful collection of david's earlier works that has struck a chord in my soul that I will forever be thankful to him for." - Al Wagner, guitar instructor, BC
"This cd is a wonderful collection of david's earlier works that has struck a chord in my soul that I will forever be thankful to him for." - Riff Gibson, Ragins Smolder Review
"We (Bettina and I) heard David a couple of times and always loved his music. But "Lost in the Green" stands out. If I would ask to keep 10 of our records (some 800) this would be part of it. The magic of this records comes from a lot of feeling
which gets well transported to the listener." - Uwe Steinmueller
"David's 1996 CD, "Lost in the Green", is another folk gem - guitar and vocal, with occasional harmonica and fiddle. His voice, unassuming and passing wisdom in stride - his guitar, interestingly EQ'd in several different ways, all touched with his Travis dynamic touch and beautiful voicings......The opening track, "Time to Sleep Corrina", is another great example of Elias' choice of lyric in him profoundly poetic reflections, 'coriander through the weeds, dust sunflowers through the breeze, ragin waters seek to please - it's all for nothin now, catacombs and columbine, push the pedal, realign, fathers of our tidy time show all for nothin now.' Great record. " - Don Kimenker, Founder EarBuzz.com
"There's not a more wonderful sound in the world than a talented singer/songwriter and his guitar. Anyone who ever heard the late, great Townes Van Zandt knows that. David Elias' excellent "Lost in the Green" CD is a truly inspired display of singing, songwriting and guitar picking. The arrangements are spare, but I wouldn't have it any other way. David's very strong guitar work is accompanied by a haunting fiddle on some tracks that compares favorably with Johnny Cunningham's work on Bill Morrissey's incredible "Inside" CD. And the comparisons don't stop there. For my money, no one can turn a phrase better than Bill Morrissey. Well, maybe no one other than David Elias. " - Kent Newsome, Rancho Denada
"Lost in the Green" is evidence of the very beginnings of Indie music. Recorded as multitrack and mixed by David in a spare bedroom, the songwriting and style here would become his signature approach to folk/acoustic/country/rock. These songs were written at the time that coffeehouse was just coming back into the mainstream on the west coast. At that time, David was performing these and other originals regularly at various venues in and around San Francisco.
It is the CD some have said they'd have on that desert island if they could only take a few tokens of their favorite music with them. It's simple and honest and inspired FAME reviewer Moshe B. to write: "We should all be listening to Elias". This original vintage coffeehouse style CD includes 2 cover songs by the late legendary muse Townes Van Zandt.
Legendary synth wizard and innovator Roger Powell (Todd Rundgren/Utopia, Meatloaf, Bowie) debuts on electric guitar on a track here ("Mainland").
Backing musicians include: Roger Powell, Calvin McElroy, Johnny Caulfield. Mastered by Gus Skinas, SuperAudioCenter.com
***** BIOGRAPHY **********************************************************
David’s original work and contributions as a pioneer in the unsigned artist’s world of self-produced CD’s put him in front of the folk community nationally and worldwide at a very early Internet age (1995). His songs began sprinkling across the Internet globe on various music sites including the landmark original MP3.com. Over the next 15 years there would be endless labyrinths of these "venues" as well as podcasts and radio...Who knew?
Not restricting his exposure to online outlets (breaking ground with CD Baby in 1998 and eventually Amazon, iTunes and 50+ others) David also attracted the discriminate audiophile community as an early innovator in hi-def 5.1 surround sound recordings (SACD’s “The Window”, 2003 and “Crossing”, 2005). This met with industry recognition for excellence, including the Brutus award from Positive Feedback Online for both SACD’s ("DSD Excellence") and 4 different final nominations in the Beverly Hills Surround Music Awards, including "Listener's Choice". Stereophile Magazine found "Crossing" to be "extraordinary".
David’s songwriting achieved early recognition from the likes of Billboard magazine and hundreds of reviews and comments online from fans, musicians and industry professionals. He has been compared to many great songwriters ranging from John Prine to Jim Croce to Nick Drake to Tom Petty to Dan Hicks to Arlo Guthrie to Bruce Cockburn, Paul Simon, early Dylan, Neil Young, the list goes on. His productions continue to be recognized for their outstanding articulation and impact, both lyrically, musically and sonically. He has indeed been referred to as both musician’s musician and a songwriter’s songwriter.
It is somewhat challenging to try to characterize the scope and impact of David’s work either chronologically or in a complete fashion. Working online as an independent artist for 15 years, he has been part of the dawn of many new discoveries in music and DIY approaches to sustaining art. Performing imore than 1000 shows, since 1994 and teaming up with dozens of different casts of characters from the deep roots of the Irish and Scottish to the quietude or rants of Americana and folk to the eclectic, bluegrass, rock and pop realms of those such as Jane Siberry (Issa), Sally Van Meter, Matt Flinner, and Roger Powell, David has spun many homegrown musical tales for the environment, local education and businesses, benefits galore, art shows, fairs and festivals, warehouses and lofts, beach parties, pubs and eateries, music halls and local cafes not to mention his own 7 released recordings and endless other collaborations. Perhaps it is summarized best as one fan online wrote: “…music for the heart and soul”.
• Independent singer-songwriter musician with first self-produced CD “Lost in the Green” released in 1995/96, with the initial wave of the Internet. This CD got immediate attention and play on hundreds of public and college folk programs across the US and overseas as far away as Hong Kong. Original coffeehouse acoustic sounds for both lyrical/poetical impact and musical composition and quality were associated with early Dylan, John Prine, Paul Simon, Guy Clark, Townes Van Zandt and other folk icons. David was then compared by the startup innovater Derek Sivers at CD Baby to John Prine as one of Derek's favorite folk singers.
• Second CD release “Time Forgets” went online with the initial artist subscribers to CD Baby in 1998. “Christmas Blue” from this disc became #1 on the original MP3.com Folk Rock chart in 1998. CD Baby founder Derek compared this disc to John Prine’s music as something loveable. The “Freedom on the Freeway” track received an Honorable Mention from Billboard magazine. David’s songwriting skills were also recognized by the Napa Valley Music Festival as a finalist.
• Also released in 1998, “The Blue Planet” featured a title track used in the Musician’s United to Sustain the Environment (M.U.S.E.) first compilation. This marked the beginning of many contributions to compilations and other non-profit and for profit projects including independent films such as Jason Ward’s “I Want To Blow Up Silicon Valley”. Both special and regular radio performances began during this time and continued on Bay Area stations including KSUP Santa Cruz, KPIG Watsonville, KZSU Stanford, KKUP Cupertino and KALW and KYOU in San Francisco.
• 2001 included the CD release of the ambient folk recording “Half An Hour Away” featuring an acoustic trio (guitar, mandolin, flute/tenor sax) known as David Elias & The Great Unknown. The title track of this song would also be included on the release of the Peninsula Scottish Fiddlers’ second CD. David toured Scotland with the 18-piece Fiddlers orchestra that year performing 14 shows as a supporting guitarist and featured songwriter.
• Working early with Hi-Def recording in the beginning of Sony’s development of the Super Audio CD (SACD) David ultimately released the world’s first hybrid multichannel (5.1) SACD in 2003. “The Window” was a final nominee at the Beverly Hills Surround Music Awards that year in the Emerging Artist category. That same year Pink Floyd’s remixed and remastered “Dark Side of the Moon” was recognized as the best new surround hi-res recording. Over 4000 SACD titles would follow from various labels in recognition of this new high definition format.
”The Window” has been recognized by audiophile experts as a reference quality recording for its superior sonic merits. It also has been awarded for its folk music value. As Stuart Robinson from High Fidelity Review commented: “Every great recording requires great music, and that’s what this disc is all about.”
Recorded live at Immersive Studios in Boulder and released without edits or overdubs, it features numerous luminary backing artists including Sally Van Meter, John Magnie (Subdudes), Ross Martin (Tony Furtado), Matt Flinner, Eric Thorin (Open Road Bluegrass, Drew Emmitt) and Marc Dalio (Erin McKeown).
“The Window” has been compared to folk and bluegrass icons’ work such as Jorma Kaukonen’s “Blue Country Heart” also a 5.1 SACD which was nominated for a Grammy in 2002. “The Window” has received longstanding recognition in the audiophile community for its songs, performances and audio qualities.
• Continuing to record in the Hi-Def domain using Direct Stream Digital (DSD), an acoustic trio consisting of Charlie Natzke (guitar/backing vocal), Chris Kee (upright bass) and David recorded a live studio set entitled “David Elias & XING” (pronounced “crossing”) for an iTunes promotion in 2005. This 50-minute, 11-track podcast was named by iTunes as “Tracks to Watch” and received tremendous support and plays online. It went on to be printed as a CD as a result of the online success.
• In 2005 David was invited to join Jane Siberry (now Issa) onstage as a backing guitarist in the Newport Folk Festival. David would open shows for Jane over the next two years at numerous locations throughout California, including the Great American Music Hall, as well as performances in Texas. He also appeared live with Jane on radio in Austin, TX (KGSR with Jody Denberg) as well as KUSP in Santa Cruz, CA.
• As he was being voted “Best Songwriter” in 2005 by the International Online Musicians Awards (IOMA) David created the larger ensemble (up to 8-piece) of David Elias & XING (pronounced “crossing”) for his live performances. Using these local SF Bay Area musicians as well as most of the artists appearing on “The Window”, a second hybrid 5.1 SACD of original music called “Crossing” was produced and recorded at Slipperworld Studios in La Honda, CA.
Recorded to DSD by Charlie Natzke and mixed in Boulder by Gus Skinas (formerly of Sony SACD Project and founder SuperAudioCenter.com) “Crossing” received final nominations in three different categories in the 2003 Surround Music Awards: a) Listener’s Choice; b) Best Made-For-Surround Title; c) Best Non-Orchestral Mix.
”Crossing” received the same level of admiration for songwriting and Hi-Def excellence as “The Window”, described as an “extraordinary recording” by Stereophile Magazine in 2006.
• Shortly after relocating to Hawaii in 2008, David released a limited set of recordings featuring new lyrical songs written and performed on ukulele.
• New News in the near-term horizon (late 2008, early 2009)includes:
- Live CD with the large band David Elias & The CasualTees, recorded to DSD by Gus Skinas in hi-def and mixed/mastered by Charlie Natzke at Slipperworld Studios in La Honda, California. This project was recorded at the San Gregorio General Store over successive nights and features new Elias material on 10-tracks. Musicians backing David as The CasualTees are: Charlie Natzke, John Havard, Scott Beynon, Ken Owen, Roger Powell, David Phillips, Gary McArthur, and Reid Dennis. *** RELEASED IN FEB. 2009! *****
- Hi-Def (HD)downloads in both stereo and 5.1 surround sound of both David Elias SACD’s from iTrax.com. *** ONLINE NOW FOR HD STREAMING AND SURROUND DOWNLOADS ****
- Award-winning "Crossing" has been added to the impressive libraries of online radio at www.pandora.com -- check it out!
- Last 2 projects printed with Oasis ("Crossing" and "Live in San Gregorio") both had singles selected for Oasis Radio Sampler in Acoustic and Pop Genres.
- In late 2009, the award-winning SACD "The Window" became one of the world's very first DSD Disc downloads. With the ability to be played on various equipment including the Sony Playstation3, the ultra high fidelity (HD) quality of the original Sonoma recorded and mastered "Window" tracks can be downloaded and played in their native format. Audiophiles in particular can finally hear the ambient quality of these recording (stereo only) sessions featuring Sally Van Meter, Matt Flinner, Eric Thorin, John Magnie, Ross Martin and Marc Dalio. DSD Disc downloads are available at www.davidelias.com. *** An extra bonus track has been added to this DSD Disc version of "The Window". It is "Vision of Her" also in native DSD recorded//mastered on the Sonoma featuring Chris Kee and Charlie Natzke.