Elias Haslanger | Dream Story

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Jazz: Post-Bop Jazz: Neo-Bop Moods: Featuring Saxophone
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Dream Story

by Elias Haslanger

The most recent modern jazz CD from Elias Haslanger, Dream Story features an exciting, all original program with an all-star line up of musicians. Some of Haslanger's best writing and playing to date.
Genre: Jazz: Post-Bop
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1. Eternal & Absolute
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5:55 album only
2. Simple Melodies
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5:36 album only
3. Interloper
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5:38 album only
4. One Heart, One Mind
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8:06 album only
5. The Change Within
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7:33 album only
6. Watch Your Step
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5:56 album only
7. Dream Story
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8:49 album only
8. Street Beat
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4:50 album only
9. Remember When
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7:31 album only
10. In Search of Beauty
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7:49 album only
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ABOUT THIS ALBUM


Album Notes
Over the span of his 25-year music career, native Texan and Austin resident Elias Haslanger has carved a unique and distinguished place in jazz history as a saxophonist, composer, and band leader, whose playing and writing has drawn comparisons to John Coltrane, Sonny Rollins, Ben Webster, and Wayne Shorter. He has performed, recorded, and toured with many world-class artists including Ellis Marsalis, Maynard Ferguson, Asleep at the Wheel, Alejandro Escovedo, The Four Tops, and The Temptations, among many others.

Elias has performed around the United States and Europe at clubs like Snug Harbor in New Orleans, Jazz Alley in Seattle, The Elephant in Austin, and The Blue Note in New York. He has also served as a guest artist/lecturer at universities around the nation. Mentored by the legendary saxophonists Harvey Pittel and Dick Oatts, Elias began to explore the instrument’s vast potential by studying saxophone at the University of Texas and then at the Manhattan School of Music. His interest in writing music culminated in a Master’s Degree in Composition at Texas State University (TSU) in San Marcos.

In 1996, Elias recorded his second CD as a leader entitled For the Moment, which received substantial national airplay, reaching #11 on the Gavin Jazz charts and #14 on the Jazziz Radioactive chart. Herb Wong from JazzTimes magazine wrote, “Haslanger is clearly in the forefront of the young, new, fresh players. He has respect for tradition as well as being himself. He is a merger of the past and the future.” Elias was awarded “Best Horn Player” by the Austin Chronicle in 1997, as well as the Jazz Instrumental Soloist College Outstanding Performance for the 20th Annual Downbeat Student Music Awards. In 1998 TSU awarded Elias the Mitte Scholarship for academic achievement, and Elias began to teach music theory and composition at the university.

That same year, Elias collaborated with the patriarch of the modern jazz scene, Ellis Marsalis, to release Kicks Are for Kids, of which DownBeat magazine writer Michael Point wrote, “Haslanger is now a full grown talent, both as a composer and instrumentalist whose future has almost unlimited potential and should be regarded in national terms.”

Kicks Are for Kids won praise from fans and critics around the world, and the recording was recognized as one of the top five jazz records of the year by Rick Mitchell of the Houston Chronicle, while the Austin Chronicle’s writers Jay Trachtenberg and Christopher Hess voted it the #1 and #3 best records of all Austin artists. DownBeat’s writer Michael Point voted Kicks Are for Kids as one of the top ten best CDs to come out of Austin in the 90′s, and it reached #4 on the Gavin Jazz charts with 180 radio stations around the country playing it. Elias was also awarded “Best Jazz Group” by the Austin Chronicle later that year. During this time, Elias continued to teach theory, saxophone, and composition at TSU before moving to Brooklyn, New York in 2000.

While living in Brooklyn, Elias was contacted by jazz trumpeter and musical icon Maynard Ferguson and invited to tour the United States as part of his Big Bop Nouveau band. As the featured tenor soloist in the band, Elias held the same chair Wayne Shorter had held many years earlier, and the experience touring with Maynard helped to shape Elias’s philosophy as a band leader and performer.

Since returning to his hometown of Austin in 2004, Elias has kept an active performing and recording schedule, including releasing the 2006 recording Dream Story and performing weekly engagements in Austin, Dallas, Houston, San Antonio, and New Orleans. Elias recently celebrated the release of his 5th CD as a leader, Church on Monday, featuring Texas jazz icon Dr. James Polk, the former musical director for Ray Charles.

Says Jay Trachtenberg from the Austin Chronicle about Church on Monday, “Haslanger has consistently demonstrated a penchant for ageless chestnuts, and this session is no exception. His version of “On a Clear Day” is simply divine, fashioning a creamy, satin-smooth tone that harkens back to an earlier era of big-toned tenor men. Four stars.”

Elias and the band, which also features guitar virtuoso Jake Langley, hold a residency at Austin’s famous Continental Club Gallery every Monday at 8:30 pm. The CD is currently in rotation on radio stations around the country and is receiving positive reviews from writers and fans across the globe.

Says Glenn Astarita of AllAboutJazz.com, “Simply put, Haslanger is a major talent who could find his way into the upper echelons of jazz with a judicious marketing push and smaller gaps between recordings.”
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Elias embeds the best of classical influences--from Ricard Strauss to Sergei Rachmaninoff; of rock and pop legends--from Nat King Cole to the Beatles; of the profound and powerful heritages of jazz greats--Duke Ellington to John Coltrane.

Performance credits: Ellis Marsalis, Maynard Ferguson, Harry Connick, Jr., Martin Banks, Wynton Marsalis, Alejandro Escovedo, Bob Dorough, Roy Hargrove, Wes Anderson, Andre Hayward, Russell Gunn, Lew Soloff, Frank Foster, Clark Terry, Russell Malone, Marvin “Smitty” Smith, Jesse Davis, Steve Turre, Al Grey, Peter Martin, Donald Edwards, Allen Farnham, Roland Guerin, Fred Sanders, Edwin Livingston, JJ Johnson, Pete Rodriguez, Bruce Saunders, Ephraim Owens, Kirk Whalum, Peter Stoltzman, Thomas Heflin, Ron Westray, The Temptations, The Four Tops, Joe LoCasio, Tony Campise, Asleep at the Wheel, Mitch Watkins, Bob Meyer, Jae Sinnett, Marvin Stamm, James Polk, and countless others. Elias has opened for the legendary McCoy Tyner and jazz greats Kenny Garrett and Terence Blanchard.


Reviews


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Glenn Astarita - All About Jazz

Simply put, Haslanger is a major talent who could find his way into the upper ec
Austin, Texas-based saxophonist Elias Haslanger’s 1998 outing Kicks are for Kids was a favorite among critics. With this long-awaited followup, the artist once again shows that he is a force to be reckoned with. Sporting a strong compositional pen and a brawny, yet fluid tenor sax sound, Haslangler leads his sextet through a sequence of vibrant works awash with tuneful content. He’s an acute improviser who embellishes the finer points of John Coltrane and other luminaries with gobs of nicely laid out solo spots, marked by his clarity of thought and deft expressionism.

On “Simple Melodies,” Haslanger executes a stout and gutsy gospel inflected jazz-blues motif marked by hard-blowing lines and the band’s staggered funk-rock pulse. Then on “Interloper,” he generates a bronzy tonal palate atop an anthem-like theme, radiantly colored by drummer J.J. Johnson’s soft mallet work. In other areas, the band excels within sprightly swing/bop vamps, sanguine balladry and climactic crescendos. And with “Street Beat,” Haslanger soldiers forward atop his rhythm section’s military-style march pulse.

Simply put, Haslanger is a major talent who could find his way into the upper echelons of jazz with a judicious marketing push and smaller gaps between recordings.

Adam Conerly, United States Navy

Outstanding!
Anytime you have Eli on an album, you're in for a treat. Especially this one with its all star cast, including Pete Rodriguez, Andy Langham, and Randy Zimmerman. Congrats Eli, you the man!