Ellen Vanderslice | Let's Pretend

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Jazz: Jazz Vocals Jazz: Retro Swing Moods: Solo Female Artist
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Let's Pretend

by Ellen Vanderslice

Ellen Vanderslice sings eleven selections from the Ellen Vanderslice songbook, plus with one Gershwin tune. Accompaniment by Tony Pacini, Greg Goebel, Phil Baker, Neil Masson, Mike Horsfall, Lee Wuthenow, and Chris Miller.
Genre: Jazz: Jazz Vocals
Release Date: 

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Tracks

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1. Let's Pretend (Feat. Tony Pacini & Lee Wuthenow)
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5:30 $0.99
2. Living a Dream (Feat. Tony Pacini & Mike Horsfall)
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2:36 $0.99
3. Down at the Goodwill (Feat. Tony Pacini & Chris Miller)
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3:46 $0.99
4. One Little Kiss (Feat. Mike Horsfall & Tony Pacini)
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3:19 $0.99
5. One More Time to Say Goodbye (Feat. Greg Goebel & Lee Wuthenow)
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4:21 $0.99
6. They Can't Take That Away From Me (Feat. Greg Goebel, Mike Horsfall & Lee Wuthenow)
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4:07 album only
7. The Probability of Love (Feat. Greg Goebel, Mike Horsfall & Lee Wuthenow)
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4:59 $0.99
8. Come On Back, Anytime (Feat. Tony Pacini & Lee Wuthenow)
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4:18 $0.99
9. I'm Not Susceptible to Love (Feat. Greg Goebel & Lee Wuthenow)
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4:41 $0.99
10. Why Am I the Last to Know? (Feat. Tony Pacini & Chris Miller)
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3:07 $0.99
11. All That's Missing Is You (Feat. Tony Pacini & Lee Wuthenow)
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4:33 $0.99
12. Sweet Elusive One (Feat. Tony Pacini & Lee Wuthenow)
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3:16 $0.99
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ABOUT THIS ALBUM


Album Notes
Let's Pretend is the long-awaited album featuring Ellen herself singing from the Ellen Vanderslice Songbook. Eleven selections by this talented singer-songwriter are included on the CD, along with one Gershwin tune. Ellen is accompanied by some of Portland's finest jazz talent: Tony Pacini and Greg Goebel take turns at the piano; Phil Baker covers bass and produced the album; Mike Horsfall, who co-wrote much of the music, plays vibes; Neil Masson plays drums; the inimitable Lee Wuthenow is featured on tenor sax; and Chris Miller sits in on steel guitar on "Down at the Goodwill" and "Why Am I the Last to Know?" Recorded with great pleasure at Dead Aunt Thelma's Studio in Portland, Oregon in the spring and summer of 2010; Mike Moore was the recording engineer.


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