England in 1819 | Alma

Go To Artist Page

Recommended if You Like
Elbow Radiohead Sigur Ros

More Artists From
United States - United States

Other Genres You Will Love
Rock: Experimental Rock Rock: Shoegaze Moods: Mood: Dreamy
There are no items in your wishlist.


by England in 1819

Beautiful haunting melodies, breath-of-fresh-air chord progressions --- sized up and spread out in the post-rock vein. Atmosphere and thoughtfulness build to massive ending-anthems.
Genre: Rock: Experimental Rock
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
cd in stock order now
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Air That We Once Breathed
Share this song!
3:35 $0.99
2. Blue Ribbon
Share this song!
5:59 $0.99
3. Chaplin Speaks
Share this song!
4:39 $0.99
4. Littil Batur
Share this song!
2:26 $0.99
5. Skyscraper
Share this song!
5:48 $0.99
6. Waterfall
Share this song!
5:15 $0.99
7. Emily Jane
Share this song!
1:54 $0.99
8. The Elephant
Share this song!
5:21 $0.99
9. To Sea in a Sieve
Share this song!
2:19 $0.99
10. Alma
Share this song!
7:26 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
“Alma, ebbs and flows in the most beautiful way, gathering momentum while inspiring feelings of comfort.” - Magnet Magazine

“One of the most promising albums we’ve heard this year.” - Direct Current Music

“Andrew is apparently a man with melodies coming out of his ears. Alma is an album rich in textures. It features beautiful intricate melodies and interesting lyrics as well as Andrew’s super soothing vocal style…Lush cool tracks…Serene, intricate, and intelligent…TOP PICK!” - Babysue

“I already thought England in 1819 was pretty great, but England in 1819 live was an incredibly different story. They were amazing…Zuly’s operatic vocals meshed with Andrew’s melancholy crooning was one of the most beautiful things I had ever heard. Their wide array of instruments wasn’t to be overlooked either. England in 1819 is a theatre in Heaven. Their music is the battle song…like nothing I’ve ever heard, and it’s incredible…” - Blisterpackzine

“Baton Rouge, Lousiana sextet England in 1819 truly blew me away when I first heard them…The band, which features a classically trained opera singer accompanied by French horn, oboe, glockenspiel, bass, drums, percussion, and guitar, has quickly won me over with their ability to bring the best aspects of both melodic, ambient rock and classical compositions and blend them into something chilling and beautiful”. - Blue Indian

Andrew reflects on England in 1819's music:

Emily (Interviewer) :

It’s nice to see that the profoundness of the music matches that of the artists, and the deepness resonates with its fans. I think it’s better to write from the very core of your soul. Anyone can write a pop hit, a happy, catchy little beat, but it takes real emotion to write a sad song, you know? Music, or even more broadly, art is perhaps the best way to channel emotions, especially when those emotions are negative. It’s like Ernest Hemingway said, “There’s no trick to writing. You just sit a typewriter and bleed.”

That being said, how do you feel about that in relation to your music? You talk about a “wasted encore” in “Trophy Sixty-One.” If the piano is how you channel your soul, do you think one day you’ll eventually just end up scraping your soul for more inspiration?

Andrew (England in 1819):

I do know what you mean.

I would say first that is exactly what I do. I sit at the piano and bleed. I think some of that is the difference between words and music. Words in my mind, are more limiting. To me, a feeling, an emotion…can be more closely replicated and conveyed through music than through words. It’s often hard to describe exactly how you might be feeling…exactly what emotion is within you. In the same way, I find myself at a loss when I try to describe the feelings and emotions conveyed through music. Words and language, to me, are better for creating scenes, use with imagery, or telling a story. Music is better for conveying emotion.

Of course, it’s much more complicated than that. And there are people who do amazing work with purposefully emotionless music and powerful words…and that itself is a statement, and can affect people in very strong ways. For me, it’s just that the emotion comes out in the music.

“Do I think one day I’ll just end up scraping my soul for more inspiration?”

Would it cause me too much pain to re-live and have to re-spin what I’ve already let out? Or that it would be bad for the listener, who has already lived through these stories with me, and wants something fresh?

I think I’ll just keep letting out whatever is down there. It very well may be positive things one day. Until then I don’t mind the negative things.

I heard Matt Berninger (of The National) talking about this. He was saying how people had criticized his new album for being too dark and a bit negative, and he was asked how he felt about singing sad songs. His response was that – the topic might be sad…but he wrote the songs as a release, and that in itself is positive, cathartic…and is a pleasurable way to write.

I think that describes almost perfectly the feelings I have about writing sad songs. A sad topic doesn’t necessarily have to become a negative experience for the singer, the band…or the listener. I try to include positive ways of thinking about all of the things I sing about…so that at the end of the day…there is some sort of message. We aren’t just left in a bleak world, but rather inspired for change, with a sense of hope and purpose.


to write a review