Grassmasters | Gospel Grass

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Country: Bluegrass Spiritual: Traditional Gospel Moods: Spiritual
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Gospel Grass

by Grassmasters

Gospel and Bluegrass as we now know them, both came to exist around the same time, in the era of the Great Depression. Their respective roots date further back in American musical history.
Genre: Country: Bluegrass
Release Date: 

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Tracks

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1. Walking In Jerusalem
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3:46 album only
2. O Sacred Head, Now Wounded
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4:26 album only
3. I'll Fly Away
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3:54 album only
4. Peace In the Valley
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2:57 album only
5. I Am A Pilgrim
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2:56 album only
6. I Saw the Light
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2:22 album only
7. I Believe
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2:23 album only
8. Ezekiel Saw the Wheel
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1:36 album only
9. John the Revelator
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4:26 album only
10. I Am Weary
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3:14 album only
11. Swing Low, Sweet Chariot
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2:02 album only
12. Mary Did You Know
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3:13 album only
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ABOUT THIS ALBUM


Album Notes
Bluegrass music with its characteristic fusion of country, acoustic instruments and high energy, has wound its way through contemporary Rock, Jazz, R&B and Gospel. This series is designed to come full circle. Following the folk process and its evolution, we return to the roots of those influences and play one of the most heartfelt and free form styles of American musical expression. This hand-picked group of extraordinary players has professional ties with Bill Monroe, The Everly Brothers, James Taylor, Ricky Scaggs and many others including regular appearances on the Grand Ol\' Opry stage.

These interpretations bring home the essence of what makes music in life such a gratifying experience. This collection of Gospel classics has one main objective . . . delivering uplift and hope. Featuring Daniel O\'Lannerghty, Charlie Chadwick, David Spicher, Billy Hullett, Tammy Rogers, Hoot Hester, Kenny Sears, Andrea Zonn, Tommy White, Fred Newell, Vic Jordan, with vocal appearances by Margie Cates, Gus Gaches, Stephen Hill, Michael Allen, Ally Jay, Jennifer Ivester, Connye Florance, & Kelsey Lockhart. Hallelujah!


Reviews


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Joe Ross

One of the 15-album grassmasters series
What an ambitious project from a new kid on the bluegrass block, two-year-old Synergy Entertainment in New York! The Grass Series boasts a total collection of 15 albums that tapped professional Nashville-based artists to cover music from other genres. Produced by Donald Marrow, their intent is to present rock, pop, gospel and kid’s music in an acoustic bluegrass format. I recommend starting with the “Best ‘uv Grass” 14-song sampler (just over 40 minutes) that has hand-picked favorite tracks from each album in the collection.

The “Grassmasters” hired for the session work have some impressive talent. There are also a few pickers who could’ve been more proficient in the bluegrass idiom. Tommy White (Dobro) is a master musician who appears on all 15 albums. On a majority are Billy Hullett (guitars), Tammy Rogers (fiddle, mandolin), Hoot Hester (fiddle, mandolin), Fred Newell (mandolin), Vic Jordan (banjo), Daniel O’Lannerghty or Charlie Chadwick (bass). Andrea Zonn fiddles on a third of them, and she provides some short-lived smooth vocalizing on two albums. Where there are multiple players of the same instrument or various vocalists, liner notes don’t clearly indicate who is on what cut. Every once in awhile, the moon and stars align and a few special renditions jump out at you. More often, however, the goal of producing a large volume of material in a short period of time seems to have led to problematic issues with arrangement, instrumentation, or presentation. Occasionally sounding contrived and formulaic, the music loses some of its bluegrass spirit, energy and passion.

The earlier releases (StonesGrass, BeatlesGrass, EaglesGrass and FleetwoodGrass) have no vocals. These four (as well as AeroGrass) also include Bob Mater’s drums. He’s steady, but bluegrass aficionados may want this primarily instrumental music without percussion and just let the mandolin chop the backbeat. BeatlesGrass could’ve used some stronger banjo work. Interestingly, liner notes don’t provide a credit for the banjo in the mix of the DeadGrass project. Most likely Vic Jordan, he must’ve been forgotten that day.

With the exception of the 15-song KidsGrass and 14-song Best’uvGrass, the other CDs each offer twelve selections. The albums range from a low of 28 minutes (ElvisGrass) to nearly 49 minutes (EaglesGrass). While the former includes some refrains courtesy of The Jordanaires, song arrangements are short and typically only about two minutes apiece. The latter has a number of 4- and 5-minute renditions of Eagles tunes, but there are no vocals. Where’s the happy medium that provides for thoughtful, creative arrangements with both instrumental and vocal prowess? With their slogan of “Please Keep on the Grass,” this series is worth checking out if you’re in search of passable instrumental bluegrass covers of the material. If you’re into karaoke, it’s fun to sing with bluegrass accompaniment. I commend Synergy Entertainment for realizing the market potential associated with bluegrass musicians tapping material from other genres. We can expect better and better music from them as they work out a few bugs, establish their reputation, and develop stronger credibility. (Joe Ross)