Grassmasters | Dead Grass

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Country: Bluegrass Folk: Alternative Folk Moods: Type: Acoustic
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Dead Grass

by Grassmasters

When you consider the extraordinary range of musical styles that the Grateful Dead embraced, they were never shy about their traditional American musical roots.
Genre: Country: Bluegrass
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  Song Share Time Download
1. Friend of the Devil
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3:34 album only
2. Mississippi Half Step
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3:55 album only
3. A Touch of Grey
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4:04 album only
4. Scarlet Begonias
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3:09 album only
5. Casey Jones
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3:17 album only
6. Dire Wolf
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3:22 album only
7. Cold Rain and Snow
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2:28 album only
8. Truckin'
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4:14 album only
9. Cumberland Blues
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3:05 album only
10. Pride of Cucamonga
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2:59 album only
11. Ripple
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3:39 album only
12. The Music Never Stopped
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3:19 album only


Album Notes
Bluegrass music with its characteristic fusion of country, acoustic instruments and high energy, has wound its way through contemporary Rock, Jazz, R&B and Gospel. This series is designed to come full circle. Following the folk process and its evolution, we return to the roots of those influences and pay tribute to one of the most heartfelt and free form styles of American musical expression. This hand-picked group of extraordinary players has professional ties with Bill Monroe, Ricky Scaggs, The Everly Brothers, Leon Russell, and many others including regular appearances on the Grand Ol\' Opry stage. These interpretations bring home the essence of what makes music in life such a gratifying experience. This compilation moves through the extensive career of the Grateful Dead. Featuring Charlie Chadwick, Daniel O\'Lannerghty, Vic Jordan, Tammy Rogers, Tommy White, Hoot Hester, Bill Hullett, Fred Newell, Kenny Sears, and many others, with special vocal appearances by Margie Cates & Her Boys.


to write a review

Joe Ross

One of the 15-album grassmaster series
What an ambitious project from a new kid on the bluegrass block, two-year-old Synergy Entertainment in New York! The Grass Series boasts a total collection of 15 albums that tapped professional Nashville-based artists to cover music from other genres. Produced by Donald Marrow, their intent is to present rock, pop, gospel and kid’s music in an acoustic bluegrass format. I recommend starting with the “Best ‘uv Grass” 14-song sampler (just over 40 minutes) that has hand-picked favorite tracks from each album in the collection.

The “Grassmasters” hired for the session work have some impressive talent. There are also a few pickers who could’ve been more proficient in the bluegrass idiom. Tommy White (Dobro) is a master musician who appears on all 15 albums. On a majority are Billy Hullett (guitars), Tammy Rogers (fiddle, mandolin), Hoot Hester (fiddle, mandolin), Fred Newell (mandolin), Vic Jordan (banjo), Daniel O’Lannerghty or Charlie Chadwick (bass). Andrea Zonn fiddles on a third of them, and she provides some short-lived smooth vocalizing on two albums. Where there are multiple players of the same instrument or various vocalists, liner notes don’t clearly indicate who is on what cut. Every once in awhile, the moon and stars align and a few special renditions jump out at you. More often, however, the goal of producing a large volume of material in a short period of time seems to have led to problematic issues with arrangement, instrumentation, or presentation. Occasionally sounding contrived and formulaic, the music loses some of its bluegrass spirit, energy and passion.

The earlier releases (StonesGrass, BeatlesGrass, EaglesGrass and FleetwoodGrass) have no vocals. These four (as well as AeroGrass) also include Bob Mater’s drums. He’s steady, but bluegrass aficionados may want this primarily instrumental music without percussion and just let the mandolin chop the backbeat. BeatlesGrass could’ve used some stronger banjo work. Interestingly, liner notes don’t provide a credit for the banjo in the mix of the DeadGrass project. Most likely Vic Jordan, he must’ve been forgotten that day.

With the exception of the 15-song KidsGrass and 14-song Best’uvGrass, the other CDs each offer twelve selections. The albums range from a low of 28 minutes (ElvisGrass) to nearly 49 minutes (EaglesGrass). While the former includes some refrains courtesy of The Jordanaires, song arrangements are short and typically only about two minutes apiece. The latter has a number of 4- and 5-minute renditions of Eagles tunes, but there are no vocals. Where’s the happy medium that provides for thoughtful, creative arrangements with both instrumental and vocal prowess? With their slogan of “Please Keep on the Grass,” this series is worth checking out if you’re in search of passable instrumental bluegrass covers of the material. If you’re into karaoke, it’s fun to sing with bluegrass accompaniment. I commend Synergy Entertainment for realizing the market potential associated with bluegrass musicians tapping material from other genres. We can expect better and better music from them as they work out a few bugs, establish their reputation, and develop stronger credibility. (Joe Ross)

Comparing The Grass Series to the CMH Label’s “Pickin’ On” Series, it appears that the former stays closer to a traditional bluegrass sound with no electric instruments, and little percussion as noted above. Also, the “Pickin’ On” series features musicians from a greater geographic area than just Nashville. Their consistency in quality may be more variable whereas the “Grass Series” has a constant of the same producer and core group of top Nashville session musicians (with special guests as needed for each production’s specific needs).

All things considered, here are a few observations on this specific album, only one in the entire 15-CD Grass Series:

** DeadGrass at 41 minutes is the only project with Kenny Sears sawing his fiddle, and the group is supplemented with special guests on guitar, harmonica, bass, and dulcimer. Five vocalists provide a touch of singing (e.g. “A Touch of Grey”). There are no extended improvisational interludes, and the arrangements become quite formulaic with very even meter.