Harris Eisenstadt | Canada Day Octet

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United States - NY - New York City

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Jazz: Avant-Garde Jazz Jazz: Modern Big Band Moods: Featuring Drums
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Canada Day Octet

by Harris Eisenstadt

Eisenstadt expands his highly-acclaimed Canada Day to an octet
Genre: Jazz: Avant-Garde Jazz
Release Date: 

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  Song Share Time Download
1. The Ombudsman 1
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14:21 album only
2. The Ombudsman 2
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9:00 album only
3. The Ombudsman 3
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9:27 album only
4. The Ombudsman 4
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7:52 album only
5. Ballad for 10.6.7
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5:51 album only


Album Notes
"Harris Eisenstadt, a drummer and composer originally from Toronto, takes a fixer’s approach to music making, looking for ways to fit the pieces together. He works along jazz’s progressive fringe but doesn’t generally set out to make a ruckus. In his own music especially, he often seems intent on extracting consonance from dissonance or forging ungainliness into grace." (nate Chinen, The New York Times). Critics have called him "one of the new generation's leading composers" (Troy Collins, AllAboutJazz.com), "strong proof that jazz is still young and growing," (Greg Burk, L.A. Weekly), "vital and increasingly influential" (Glenn Astarita, jazzreview.com) and "one of the most creative and skilled musician/composers incorporating traditional material to create new and vital improvised music" (Robert Iannapollo, AllAboutJazz-New York). The Village Voice's Jim Macnie adds, "He's perpetually building new ensembles to suit the variety of music he hears in his head—that's what composers do."

One of only a handful of drummers equally well-known for his work as a composer, Eisenstadt is among the most versatile and prolific musicians of his generation. His eclectic resume includes studies with some of the most respected names in both improvised music and West African drumming, and performances in genres ranging from film and theater to poetry and dance to contemporary classical and opera. Most active in jazz and improvised music, as both an in-demand sideman and a bandleader, he has performed all over the globe, earned commissions from organizations such as Meet The Composer and the American Composers Forum, and appeared on more than 35 recordings over the past decade.


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