Helmut Eisel | Klezmer At the Cotton Club

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World: Klezmer Folk: Modern Folk Moods: Type: Instrumental
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Klezmer At the Cotton Club

by Helmut Eisel

"What if Naftule Brandwein and Dave Tarras had played the Cotton Club?" We'll never know, but Eisel and company take an imaginary trip across time and space in a quirky, gentile salute to klezmer with a Brecht-like Stimmung.
Genre: World: Klezmer
Release Date: 

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Tracks

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1. St. Louis Blues Helmut Eisel & Band
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5:41 $0.77
2. Rondo Alla Klez Helmut Eisel & Band
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4:45 $0.77
3. Der Rebbe Elymelekh Helmut Eisel & Band
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5:19 $0.77
4. Devil's Food Cake Helmut Eisel & Band
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4:10 $0.77
5. Waltz for Luka Helmut Eisel & Band
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4:32 $0.77
6. Das Kalbslied (Dona Dona) Helmut Eisel & Band
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4:38 $0.77
7. Der Hemisher Bulgar Helmut Eisel & Band
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5:39 $0.77
8. Tales of a Rainbow Helmut Eisel & Band
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7:10 $0.77
9. Fun for Ungeneral (I'll Make Fun for You) Helmut Eisel & Band
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4:33 $0.77
10. Steve, Mike & the Duke (East St. Louis Toodle-Do) Helmut Eisel & Band
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4:38 $0.77
11. Lord Mo Helmut Eisel & Band
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3:53 $0.77
12. Babsi's Freilach Helmut Eisel & Band
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4:02 $0.77
13. Minnie the Moocher Helmut Eisel & Band
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5:46 $0.77
14. Joscha's Waltz Helmut Eisel & Band
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8:27 $0.77
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ABOUT THIS ALBUM


Album Notes
Helmuit Eisel and his "TalkingClarinet"

Helmut Eisel is considered to be one of the best and most interesting Klezmer-clarinetists in Europe. He developed his own style out of traditional music for wind, jazz, klezmer and classic. - Giora Feidman: “You only need to hear a few seconds and you immediately know: this is Helmut playing! And if not - it’s not him!”

Since his early childhood, Helmut Eisel was enthusiastic about the idea to tell stories, to inveigh, to comfort, to laugh and to cry with his clarinet. His grandfather Leo taught him the basics of playing clarinet and he discovered how multifaceted the player can express himself on this instrument. During his math studies Helmut Eisel played in various jazz bands, where he enhanced his competence in improvising. Decisive was the meeting and friendship with Giora Feidman with whom Helmut Eisel has now been working together since 1989. Feidman made him familiar with klezmer music and its spiritual impact. It became an inspiration for his own improvisations – Eisel’s “Talking Clarinet” was born.

“I do not make music. Music is already here, in every moment. First, I hear it inside myself, then I transmit it to my clarinet to share it with my audience. It comes into existence in the here and now, in the spirited encounter with someone vis-à-vis. Music is a language and it says even more than words.“ Helmut Eisel. - Just like Feidman Eisel uses his clarinet as a human voice and seeks the intensive contact with his audience. By using improvisation, spontaneous dialogues develop – between Eisel and his co-musicians as well as with the listeners.


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