Flow | Wooden Elephants

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United States - North Carolina

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Jazz: Traditional Jazz Combo Jazz: Jazz quartet Moods: Featuring Saxophone
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Wooden Elephants

by Flow

Jazz quartet featuring 10 original compositions in traditional and modern jazz styles.
Genre: Jazz: Traditional Jazz Combo
Release Date: 

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  Song Share Time Download
1. Wooden Elephants
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8:52 $0.99
2. Hope
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6:27 $0.99
3. Unique Experience
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9:04 $0.99
4. Decision Time
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7:30 $0.99
5. Big Little Sister
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5:51 $0.99
6. Winston
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4:36 $0.99
7. Mediterranean Sunset
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7:06 $0.99
8. Rosemary's Waltz
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6:05 $0.99
9. The Legend
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5:00 $0.99
10. Waiting
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8:56 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
Member Info:
Seth Carper is a freelance saxophonist based in Charlotte, NC. He performs on all Saxophones (soprano, alto, tenor and baritone), Flute, Clarinet and Bass Clarinet. After receiving his B.M. in Music Education/Saxophone from Appalachian State University, Boone, NC, Seth was director of bands at Holmes Middle School in Eden, NC. After three years of public school teaching, he decided to pursue his already expanding performance career. Having shared the stage with such jazz greats as Ernie Watts, Vincent Herring, Maynard Ferguson, Antonio Hart, Chris Murrell, Allen Vizutti, Eddie Daniels, and Duffy Jackson, Seth has been in high demand as an improvising and reading musician. Seth has also performed with many popular & classical artists, including Grammy winning groups The Temptations and The Four Tops, Lou Christie, The Drifters, Black and Blue, The Piedmont Wind Symphony of NC, The Greensboro Symphony Orchestra, as well as The Reduced Opera Co. of London. Seth now resides in Charlotte, NC where he leads his groups, the Seth Carper Quartet and The Piedmont Jazz Collective, a modern big band. He is a regular member of the Brian Sullivan Trio, the Christian Tamburr Quartet, Vector Erector, the Schnefel Five, Flow, and is an adjunct faculty member Davidson College, where he teaches saxophone, and jazz improvisation. Find out more online at www.sethcarper.com .


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