Isadar | Active Imagination (solo piano)

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George Winston Keith Jarrett Liz Story

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United States - NY - New York City

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New Age: Solo Instrumental Jazz: Piano Jazz Moods: Featuring Piano
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Active Imagination (solo piano)

by Isadar

5th studio album (2nd solo piano project). The album concept was Inspired by the analytical psychologist Carl G. Jung's process of 'active imagination.' 8 songs become exercises of inner reflection. Contains a cover of Liz Story's "Wedding Rain."
Genre: New Age: Solo Instrumental
Release Date: 

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Tracks

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1. Active Imagination
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6:05 $1.29
2. Throwing the Dice
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4:41 $1.29
3. Where the Wild Things Are
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2:47 $1.29
4. Waiting
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4:36 $1.29
5. Wedding Rain (c. Liz Story)
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6:41 $1.29
6. Feu Follet (the "spook" light)
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5:11 $1.29
7. Uncertainty
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4:43 $1.29
8. Love Chaconne
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8:45 $1.29
9. Waiting II (Bonus Track)
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7:45 $1.29
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ABOUT THIS ALBUM


Album Notes
***Contains the Digital Bonus Track, "Waiting II," an extended and alternate studio take made during the album session.

"Active Imagination (solo piano)"
1999 / Mainya Music Entertainment
43'35"

I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially)successful within this broad genre. I would say that “Active Imagination” definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own. The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious. From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording. “Feu Follett (The ‘Spook’ Light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama. “Active Imagination” is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo! Also available as sheet music in songbooks as well as software for the Yamaha Disklavier player-piano.

Kathy Parsons
MainlyPiano.com
1999


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