Jim Byrnes | Everywhere West

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Blues: Juke Joint Blues Blues: St. Louis Blues Moods: Solo Male Artist
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Everywhere West

by Jim Byrnes

Jim Byrnes’ 4th album for Black Hen Music, finds Jim collaborating once again with producer Steve Dawson. Jim’s bluesiest album in years. “Everywhere West” includes raw and stripped-down takes on classic material and some originals by Jim himself.
Genre: Blues: Juke Joint Blues
Release Date: 

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  Song Share Time Download
1. Hot As A Pistol
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4:46 album only
2. Yield Not To Temptation
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4:11 album only
3. From Four Until Late
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3:14 album only
4. Black Nights
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4:44 album only
5. No Mail Blues
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4:07 album only
6. Walk On
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4:23 album only
7. You Can't Get That Stuff No More
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4:56 album only
8. Storm Warning
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3:18 album only
9. Take Out Some Insurance On Me
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4:25 album only
10. He Was A Friend of Mine
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4:44 album only
11. Bootlegger's Blues
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2:58 album only
12. Me and Piney Brown
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5:44 album only

ABOUT THIS ALBUM


Album Notes
Some music simply can’t be played in the background. The first note catches you as the rest of the world melts away and you’ve got no choice but to stop what you were doing and listen. Jim Byrnes’ new album, “Everywhere West” catches you that way. Listen closely and you can hear the wind blowing through the floorboards of long abandoned roadhouses. Wind that lifts up the dust ground down by the stomping feet of Saturday night dancers hurting, forgetting and testifying while Jimmy Reed hollered down the devil and ghosts of done me wrong romance. Open the door a little wider and some of that dust gets down your throat and all of that trapped passion and good time hurting becomes a part of you – just like the music of Jim Byrnes does.

For more than thirty years, Jim Byrnes has woven roots so deeply into the Northern Blues scene that it’s difficult to remember that this quintessentially Canadian icon was raised in St. Louis and that his instantly recognizable gruff as sandpaper, sweet as honey voice was not always an essential part of the country’s musical landscape.

“Everywhere West” marks the fourth collaboration between the multi Juno Award-winning Byrnes and musician and producer, Steve Dawson. Fans of their previous work can rest assured that the intricate acoustic melodies, dirty blues guitar, funky organ and passionate interplay that we’ve come to expect when the two men get together in the same room are here in spades. If anything, the conversation goes a little deeper this time around and the playing is more assured and trusting than it’s ever been before. Listening back to some of the tracks from the album, it’s obvious that Byrnes is thrilled with the results. “...with Steve, it’s so much fun making a record. It’s just a bunch of guys sitting together and playing the music we love – with the tapes rolling.”

As we’ve come to expect, the musicians who support Byrnes on this effort have been selected from the country’s best with Dawson studio regulars Keith Lowe and Geoff Hicks laying down a rock solid rhythm section while Jeanne Tolmie offers her usual heavenly back up vocals. Special guest Keith Bennett turns in some tasty harmonica parts while Canadian fiddle and horn legend, Daniel Lapp, blesses listeners with some absolutely inspired performances throughout the album.
Whether Byrnes is singing a Mississippi Sheiks chestnut like “Bootlegger’s Blues” or wailing his way through a stripped down banjo driven version of Bobby Bland’s “Yield Not To Temptation”, he effortlessly inhabits every syllable and corner of this music. Testifying with a poise and authority that few can muster, he adds weight and depth to a Dave Van Ronk inspired take of “He Was a Friend of Mine”. Three Byrnes originals round out the album – “Hot As A Pistol” – a passionate straight up blues rave, “Storm Warning” – a first take recording, and finally, “Me and Piney Brown” – a lovely ‘autobiographical dream tune’ that evokes an imaginary journey to Kansas City in 1938.

As Jim writes in his liner notes, “Everywhere West” is dedicated to ‘those who came before’, but this music doesn’t belong in a museum. As Byrnes notes, “Deep down, blues is an acceptance of life. You stand in front of life and life says, ‘that’s the way it is baby’. To play the blues, you take all the bullshit that’s been piling up and you channel it through your guitar and voice. You let the pain go and turn it into a good feeling. That’s the blues – pure and simple.”
Pure and simple doesn’t get any better than this. When you hear Jim Byrnes pour his whole soul into singing a line as simple as ‘One sunny day, I’ll be home to stay’, you’ll instantly know that this is the kind of music you’re going to want to listen to forever – and that nearly fifty years after first wondering ‘how blue can you get?’, Jim Byrnes has found his voice and is just hitting his stride.


Reviews


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Diard erick

La classe
« La classe!!! »
Oui, c’est la grande classe qui transpire de partout, qui suinte, qui dégouline de cette magnifique rondelle, dernier opus du sieur Jim Byrnes. Une régalade réalisée avec l’aide de son compère, le producteur Steve Dawson, avec qui il en a déjà fait trois, de rondelles. Des rondelles, que, à ma grande honte, je ne connais « ni de lèvres, ni des dents » (Coluche).
Jim Byrnes, un gars de St Louis, qu’a roulé sa bosse musicale un bon bout de temps du coté de Vancouver, nous sert une rondelle somptueuse, constituée à part égale, de reprises et d’originaux, des tunes de Lowell Folsom (un somptueux Black Nights), de Robert Johnson ou de Jimmy Reed, des traditionnels et des originaux naviguant avec autant de bonheur entre Blues, Rythm & Blues, folk Blues, Rocking blues voire même Jazz New Orléans. Des tunes soignées, peaufinées, mitonnées aux petits oignons, sans pour autant perdre le coté spontané que l’Tonton adore, normal l’enregistre s’est fait en live avec un minimum de « trafiqueries » ou autres bidouilles et avec des zicos de qualité supérieure.
Le gars Jim nous promène de partout en nous régalant de sa superbe voix rocailleuse, une voix sensuelle et profonde qui surfe sur les trilles magiques distillées par un Steve Dawson magistral sur sa (ses) guitares, acoustiques et électriques, banjo, dobro, etc….. Un Steve qui s’arrange les cuivres, tâte de la basse, un gars qu’est partout et on va pas s’en plaindre vain dieu…. Les autres gaziers assurant un nappage de sons et de rythmes total magique, du velours offert par Keith Lowe (contrebasse), Geoff Hicks (batterie) auxquels viennent se greffer, selon le style des tunes, Chris Gestrin, une bête sur son piano, Keith Bennett (harmo) et l’excellentissime Daniel Lapp (violon et trompette), pis d’autres encore….
Jim Byrnes nous offre une ballade au sein d’un trésor qu’on appelle Blues et nous en offre la quintessence….. avec classe et maestria.
Tonton Erick