John Marco, Astrid Schween, Gary Hammond | Brahms: Sonatas Op.120 for clarinet and piano Trio Op. 114 for clarinet, cello and piano

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Astrid Schween, cellist Gary Hammond, pianist John Marco, clarinetist

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United States - Wisconsin

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Classical: Brahms Classical: Chamber Music
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Brahms: Sonatas Op.120 for clarinet and piano Trio Op. 114 for clarinet, cello and piano

by John Marco, Astrid Schween, Gary Hammond

In this recording we have three of Brahms' final chamber works, among his deepest music. In them, he makes very personal statements with the lucidity of a great master.
Genre: Classical: Brahms
Release Date: 

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Tracks

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1. Trio in A minor, Op. 114, I. Allegro John Marco, Astrid Schween, Gary Hammond
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7:35 album only
2. Trio in A minor, Op. 114, II. Adagio John Marco, Astrid Schween, Gary Hammond
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7:36 album only
3. Trio in A minor, Op. 114, III. Andatino grazioso John Marco, Astrid Schween, Gary Hammond
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4:11 album only
4. Trio in A minor, Op. 114, IV. Allegro John Marco, Astrid Schween, Gary Hammond
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4:38 album only
5. Sonata in F minor, Op. 120, No.1: I. Allegro appassianato John Marco, Gary Hammond
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7:39 album only
6. Sonata in F minor, Op. 120, No.1: II. Andante un poco adagio John Marco, Gary Hammond
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5:00 album only
7. Sonata in F minor, Op. 120, No.1: III. Allegro appassianato John Marco, Gary Hammond
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4:14 album only
8. Sonata in F minor, Op. 120, No.1: IV. Vivace John Marco, Gary Hammond
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4:59 album only
9. Sonata in E flat, Op. 120, No. 2: I. Allegro amabile John Marco, Gary Hammond
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7:50 album only
10. Sonata in E flat, Op. 120, No. 2: II. Allegro appassianato John Marco, Gary Hammond
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5:16 album only
11. Sonata in E flat, Op. 120, No. 2: III. Andante con moto John Marco, Gary Hammond
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6:54 album only
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ABOUT THIS ALBUM


Album Notes
"…This is a fantastic release, with performances at or near the top of the list. The sound is warm and rich, guaranteed to take the edge off the chilliest disposition. What jumps out at you from the speakers is a tone that is almost palpable in its feeling. The performances are faultless, extraordinarily attuned to the romantic idiom and to Brahms’s personal permutations of it. I simply can’t think of any other recording, aside from the one mentioned, that I would prefer to this one for the sonatas or the trio.
… Do search out this recording – it is outstanding."
AMERICAN RECORD GUIDE


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