The Juggernauts | You Mean We Get Paid for This?

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Bob Wills Dan Hicks The Mills Brothers

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juggernautjugband.com

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United States - Kentucky

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Jazz: Swing/Big Band Folk: Jug Band Moods: A Cappella
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You Mean We Get Paid for This?

by The Juggernauts

They specialize in tunes from the 1920's, 30's, & 40's representing swing, blues, and novelty with the occasional ballad, classical & original tune thrown in.
Genre: Jazz: Swing/Big Band
Release Date: 

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1. You Mean We Get Paid for This?
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4:07 $0.99
2. Whoa Babe
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2:13 $0.99
3. Let's Misbehave
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2:55 $0.99
4. Old Fashioned Love
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2:39 $0.99
5. Nagasaki
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2:30 $0.99
6. My Four Reasons
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3:02 $0.99
7. Fiddlin' Joe
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3:29 $0.99
8. Take It Slow and Easy
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4:02 $0.99
9. Big Bad Bill
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3:49 $0.99
10. Emily
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3:06 $0.99
11. Get With It
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3:15 $0.99
12. Sittin' On Top of the World
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4:59 $0.99
13. My Window Faces the South
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3:59 $0.99
14. Sabre Dance
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2:57 $0.99
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ABOUT THIS ALBUM


Album Notes
Cd number seven the jug boys. Some folks say it's an acquired taste. Maybe it's something like a rare bourbon, mellow with age, reminiscent of happier times. If you ask the jugs why they stay the course of this musical whimsy and craziness, the answer is simple - they love what they do. Life may have its serious moments, but for these guys, music should always be fun. They do what they do, and hang it out there for whoever likes it. They're just wacko existentialists when you get down to it. Well, here's your chance to get down with them. CD number seven.

REVIEW:
Louisville Music News, -Kory Wilcoxson

The JJB should be granted landmark status. Not only has the Louisville group put out seven incredibly entertaining albums, but they are keeping alive the innocent playfulness of jugband music. If there were a Mount Rushmore for jugband music, I would nominate these guys, although seeing their faces that large could cause psychological damage to children.
There's no damage done on their latest CD,"You Mean We Get Paid for This?" The band brings their "skewed point of view" to a new collection of oldies, goodies, and the title track, an original from band member Mr. Fish
That song stands out, not only because it upholds the JJB's standard of excellence, but is also the only explicit laugh-getter on the CD. In the past, the JJB has usually included a few chucklers on each album, but on 'Paid for This?' the band has taken a step in a more serious direction.
That's neither a criticism nor a complaint. While previous albums have drawn more attention to the lyrics of the songs, on this latest effort the words are only background scenery for the true star of the show, which is the stellar musicianship of the band. While the sound of a jug or a slide whistle might invite the word "novelty act", make no mistake: the JJB are accomplished musicians and makers of art.
Everything from the guitar to the washboard to the noseflute are used on 'Paid For This?' and the band has never sounded better. They even tackle their first
classical piece, "Sabre Dance", and improve upon the original as only a jugband can.

Louisville Eccentric Observer
Review From LEO, -Kevin Gibson

More fun from a group of guys who have been making upbeat, traditional jug music for the better part of three decades, You Mean We Get Paid For This? is dominated by jazz and country swing covers from the early half of the 20th century.
This crisply produced local effort leads off with the original title track that details life on the road in a modern jug band — what more could one want in a four-minute song?
Interestingly, Mr. Fish, Roscoe Goose and their talented bandmates have chosen three covers from the Mills Brothers’ 1930s catalog for this 14-song collection, and added a Russian folk composition for good measure.
While the selections differ from past efforts, like silly sendups of “Black Dog” and “People Are Strange,” the Juggernauts once again remind us just how far washboards, kazoos, slide whistles and incredible vocal harmonies can go in the right hands. These guys are true professionals. The fact that they know how to have a damn good time (ask them for a rubber chicken keychain and see what happens) doesn’t hurt a bit.

REVIEW:
Sing Out magazine

If you love jug band music, swing, or just hot music, this album means good times ahead. These old masters bridge the jug band/swing era with a set of exciting, energetic tracks. As usual, they freely adopt songs popularized by a wide range of others: here, Ikey Robinson, Merle Haggard, Bob Wills, the Mills brothers, and even Aram Khachaturian.
For anyone unfamiliar with the Juggernauts, any description is likely to sound strange.
Cole Porter’s “Let’s Misbehave” begins with a tasteful washboard pushing a swing vocal; this moves into a slightly wandering slide whistle solo of the melody; other voices gradually emerge beneath the vocal, and the song ends with a jazz guitar solo. The effect is usually not zany enough to evoke memories of the Hoosier Hotshots, and is far smoother than classic jug band music. Perhaps the best comparison, still not apt, is the Red Clay Ramblers gone jug band.
This said, several tracks (“Whoa Babe”, “Get With It”, “My Window Faces the South” etc.) are simply good swing covers. But it’s hard to imagine any other band doing Khachaturian’s “Sabre Dance” in a version featuring slightly out of tune, nose-thumbing percussion, and a voice periodically interjecting “lookadat, lookadat, lookadat!”
The band swings furthest out on the Ikey Robinson “My Four Reasons”. Plectrum banjo, and percussion power this energetic version, with interjections by jug, kazoo, scat singing, bird whistles, train whistle, and god knows what else. Here and on other tracks, Roscoe Goose provides wonderful jug; here, a mile-a-minute.
That kind of energy and spirit has powered the Juggernauts since their founding in the 60’s; this album shows them hotter than ever. --SL


Reviews


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RadioIndy.com

Fun-Filled Swing Album!
"We Get Paid for This" by The Juggernauts is quite a thrill to the ears. Taking sounds from the 20's, 30's and 40's, The Juggernauts not only produce an attention-grabbing musical atmosphere, but also hook listeners with their witty and creative lyrics. Listeners are sure to smile and groove their way through this entire voyage. The instrumentation on this CD is of top-notch quality, and exhibits great diversity. One standout track is the fun-filled, upbeat "Let's Misbehave.” The only thing this song is missing is a naughty giggle. The slide flute solo is simply priceless. "Nagasaki" is downright wacky, as you can imagine, and features some scatting and overall vocal nuttiness. "My Window Faces the South" is a down-home-number that features some nice fiddlin'. If you like a little twang mixed with a little fun and a little boogie, you will surely enjoy this one.

Fred Glock

You Mean We Get Paid for This?
The Amazing Mr Fish needs to start writing more music! I love the title track and the very appropriate arrangement and execution. Kick’s everything off on the right note. The other tracks and the way they are organized on the CD are great. The Mills Brothers selections and the mouth horns are a fine addition to the repertoire. Adding the Sabre Dance instrumental was also inspired. I was pleased to see that everyone got lead vocal time (with so many good voices in the band, it would be a shame not to toss the bouquet around). In all, it was a tour de farce! Er, tour de force! ANOTHER album to love!

RadioIndy.com

Congratulations on GrIndie Award
RadioIndy is proud to present The Juggernauts a GrIndie Award for their CD "You Mean We Get Paid for This?." A GrIndie Award is RadioIndy's stamp of approval that this CD is an excellent quality CD. Please join us in congratulating this artist on this accomplishment.