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New Age: Solo Instrumental Jazz: Piano Jazz Moods: Featuring Piano
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by Ken Elkinson

Introspective original solo piano - a mix of jazz, classical and new age.
Genre: New Age: Solo Instrumental
Release Date: 

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1. Link
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4:17 $0.99
2. Homecoming
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3:15 $0.99
3. Juniper
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4:39 $0.99
4. Dry Lake Bed
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5:00 $0.99
5. Sunlight Through Trees
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3:46 $0.99
6. Doubt
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3:52 $0.99
7. House At Dusk
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4:22 $0.99
8. 1:14 AM / Nothing
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4:46 $0.99
9. Awakening
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3:29 $0.99
10. Tide
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4:02 $0.99
11. Sway
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3:56 $0.99
12. Later
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ABOUT THIS ALBUM


Album Notes
Ken Elkinson saw his musical dreams come to fruition when he released his debut CD of original piano solos in March, 1997. Entitled Midnight Conversation, Ken’s CD finds its roots in Pennsylvania at Muhlenberg College. It was at Muhlenberg that he found many comforts and sources of inspiration; its artistically-minded, close knit community and close proximity to New York City helped shape Ken’s outlook and composition. After a short stint with a college rock band, Ken began paving the way for his solo career during his junior year. He attributes much of his initial determination and songwriting success to his college’s musical facilities. "I never had to wait to play a beautiful baby grand piano, and this certainly kept the creative process flowing," recalls Ken.

A New Jersey native, Ken selected Tullen Sound Recording in Morristown, New Jersey to begin the initial steps of the recording process in the summer of 1994. Soon after these sessions, he moved to Atlanta, Georgia, which became his home for the next three years. Ken spent nearly a year in post-production both planning and saving to finance his release. "On a whim, I asked the popular New York illustrator, Dave Cutler, to paint my album cover. With paintings starting in the tens of thousands, I never thought that he would consider me, with my shoestring budget. Luckily, he listened to my music and believed in the opportunity to help create my artistic image," explains Ken. He also tapped New York-based Edie Altschull to contribute to his identity with her cover calligraphy. Ken then sought the assistance of some local Atlanta artists to complete his project including: recording/mastering engineer Glenn Matullo, manufacturing coordinator Kris Larsson and graphic artists Mike Weikert and Paula Staska. Meanwhile, Ken called upon his business background in creating August Son Productions, his own full service production company. Registered in 1997, ASP encompasses Far Blue Music, a publishing company, August Son Productions, the record label, and August Son Films, a film production company. In 1999, Midnight Conversation sold out its initial pressing.

Born August 28, 1972 in Cedar Grove, New Jersey, Ken has always considered the greater New York area his home. After playing in several Atlanta bars and restaurants, he decided to move to New York City in August, 1997 to further his career and exposure. Since the 1997 release of Midnight Conversation, Ken’s music has received airplay on hundreds of radio stations, websites, satellite music and in-flight audio programs spanning the globe. Midnight Conversation is currently distributed in the United States by The Orchard, DeVorss & Company and Follett Audiovisual.

Internationally, the following distributors market the CD: Life Now Books & Sound (Canada), margen (Spain), Musea (France) and Universal (Philippines). In December, 1999, Musicmine Records released Midnight Conversation in Korea under a licensing agreement. In addition, Hong Kong, Germany and The Netherlands are candidates for distribution in the coming months.

In November, 2000, Ken released his second CD of piano solos entitled Revelry. Featuring cover art from world renown pop artist, Romero Britto – the CD features twelve new original compositions along with a solo piano rendition of Jimi Hendrix’s “Little Wing.” Like its predecessor, Revelry hit the top 20 charts of over 70 radio stations, as well as the New Age Voice Top 100 Worldwide Airplay Chart for several months. Tracks from Revelry were featured internationally in several documentaries and commercials, as well as on over 40 inflight audio programs. Revelry was listed on noted music reviewer Kathy Parson's Top 10 Piano CD's of 2000.

Ken and his wife moved to Los Angeles, California in late 2003, where he released his third CD of solo piano entitled Opal. Part publicity stunt, part for trailblazing online downloadable music, Ken decided to release Opal in its entirety for free at his website www.kenelkinson.com in early 2004. Featuring cover art by Aspen, Colorado based painter Brigitte Center, Opal contained ten introspective tracks that lean more towards jazz than classical. The CD was mastered by Mike Fossenkemper at Turletone Studio in New York City, who has worked with Madonna, Sting and PM Dawn among others.

Opal was a tremendous success, and in 2004 it was ranked #93 out of over 3,000 New Age releases in total radio airplay. Thousands of people took advantage and downloaded free tracks from Opal, which as of mid 2006 is still available for free download at kenelkinson.com. In 2005 Ken released a version of Opal with revised artwork which can be purchased through this website as well as at all major retailers and web music stores.

In May of 2006 Ken released his fourth CD of solo piano entitled Cue. This time around, Ken decided he wanted to add a vocal track. Luckily for the fans, Ken will not be doing the singing. The critically acclaimed Tom Freund has lent his vocals as well as his song “Beautiful Sadness” – which Ken re-worked for piano and voice. In addition to “Beautiful Sadness,” Cue contains 11 original solo piano compositions. Tom has recorded with Ben Harper and Victoria Williams among others – and his original music has received accolades from many places including The New York Times, MSNBC, KCRW-FM and the Washington Post. Tom’s music can be found at www.tomfreund.com

2008 was a busy year from Ken that first saw the release of digital-only Borrowed Tracks – his covers album in July and then Generations of Yuletide – his Christmas offering in October.

Ken is still shaking things up by working on original film scores, electronic and vocal tracks. He is also finishing the recording and mastering of his seventh CD of solo piano, which will be ready for release in Spring 2009. As always, he is enjoying all the plastic surgery, botox, collagen and abundant sunshine Los Angeles has to offer.


Reviews


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REVIEWS NEW AGE

El fondo musical perfecto para realizar cualquier tarea!.
El séptimo álbum de solos de piano del productor y pianista californiano Ken Elkinson lleva como título, Link. Compuesto por doce originales tracks, este mantiene un carácter tranquilo, sin sobresaltos, que crea un ambiente muy relajado. Un álbum altamente apropiado para mantener la mente concentrada en la realización de tareas como leer, estudiar, pasear... Perfecto para meditar después de un duro y largo día.

"Link" es la pieza que abre el álbum y la que da título a este trabajo. Un continuo marcado de acordes por la mano izquierda, alternado con un toque de notas bajas son el acompañamiento para la mano derecha que dibuja un melodía entrecortada. Un ritmo que se mantiene hasta el final creando una pieza nostálgica y misteriosa, de carácter hipnótico.

Con nostalgia, Ken nos presenta "Homecoming" una dinámica pieza a la que da vida un vaivén de notas bajas que van siguiendo a la sutil melodía que dibuja la mano derecha. Un tema que tiene una melodía principal muy pegadiza, fácil de recordar. Una de mis preferidas!.

"Juniper" es la pieza que más me gusta de este trabajo y está inspirada, creo, en un tipo de conífera del mismo nombre que crece en todo el mundo. La pieza es misteriosa en su comienzo, tornando a un estado poderoso y enérgico en su cenit que transmite una gran fuerza al oyente. Bellísima pieza!.

Una de las piezas relajadas de este álbum, y también la más extensa, se titula "Dry Lake Bed", un fluir lento de notas de la mano derecha son acompañadas por un delicado golpe de acordes que crean un estado de plena quietud en el oyente. La escucha de este tema es perfecto para quienes después de un día intenso no consiguen desconectar, idóneo para conciliar el sueño!.

"Sunlight Through Trees" nos presenta el lado más dulce y tierno de este trabajo. Una pieza optimista que hace rememorar los más cariñosos recuerdos. Risueña, la pieza tiene como voz principal a la grácil mano derecha que es acompañada por delicadas notas y progresiones que dibuja la mano izquierda. Otra de mis favoritas!.

"Doubt es dolorida, misteriosa. Los acordes tristes que golpea la mano izquierda son la principal melodía de esta pieza, que con dolor, se va abriendo camino sin alterar lo más mínimo su melodía. En ocasiones, algunas notas furtivas de la zona alta del piano hacen su aparición respondiendo a los profundos acordes. Triste pieza.

De nuevo, en "House At Dusk" acordes profundamente intensos acompañan a una melodía nostálgica y dolorida. El toque continuado de acordes se prolonga hasta el final de la pieza. Un tema abatido que crea un espacio desconcertante para el oyente.

"1:14 AM / Nothing" podría ser perfectamente la continuación del tema anterior. El marcado de acordes es constante y acompañan a la nostálgica melodía a la que da vida la mano derecha. Una vez más, Ken nos ofrece una pieza introspectiva, perfecta para un momento en soledad, acompañado sólo por nuestros pensamientos.

Con "Awakening" volvemos a un mundo optimista, emocionante. La melodía, que aunque posee un tempo lento, posee un carácter risueño y acogedor, perfecta para comenzar con fuerza un nuevo día. Sencillamente emocionante y otra de mis favoritas!.

"Tide" es esperanzadora, con aires de libertad, fresca, hermosa. El vaivén de notas reproducidas por la mano izquierda, recuerda al ir y venir de la marea. Un hermosa pieza que trae calma y paz al oyente. Pura belleza, me encanta!.

"Sway" es una sosegada pieza que posee un carácter hipnotizador con el entrecortado sonido de su melodía principal, un pasaje que fluye lento, con dificultad creando un momento propicio para reflexionar.

Desconcertante y bella es "Later", donde golpes de acordes acompañan a una bella y simple melodía que queda grabada en la memoria. Un tema perfecto para dar fin a este fascinante trabajo. Otro de mis favoritos!.


Link consigue que afloren fuertes sentimientos. Cada uno de los temas que componen este trabajo posee una fuerte personalidad, en la que se pueden distinguir, dependiendo del track, un fuerte optimismo, alegre, risueño o la más pura de las nostalgias. Temas, que sin ser excesivamente elaborados, poseen una gran belleza, creando el fondo musical perfecto para descansar, meditar o realizar cualquier otra tarea, favoreciendo a mantener la concentración en todo momento. Recomendado!. reviewsnewage.com 30/05/10