Kim Robertson | Love Song to a Planet

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United States - Wisconsin

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New Age: Celtic New Age Folk: Gentle Moods: Instrumental
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Love Song to a Planet

by Kim Robertson

Celtic Harp Music with Flute
Genre: New Age: Celtic New Age
Release Date: 

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  Song Share Time Download
1. New World
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5:40 album only
2. Vivo
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2:02 album only
3. L'Espoir
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1:55 album only
4. Mist Covered Mountains
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4:52 album only
5. Voices From Tibet
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2:25 album only
6. Love Song for the Water Planet
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8:09 album only
7. Day of the Dolphin
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5:38 album only
8. Dancing Gaia
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5:48 album only
9. Shanti
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5:01 album only
10. The Dark Island
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3:02 album only
11. Amazing Grace
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4:01 album only


Album Notes
This recording stands unique from the other flute and harp releases because of the masterful arrangements and performances of Bettine Clemen and Kim Robertson. A collection of original, folk and classical pieces, "Love Song to a Planet" is a celebration of two innovative artists uniting their creative visions.
"On this project, the beauty of both Kim Robertson's Celtic Harp and Bettine Clemen's flute acquire an unearthly vividness in presence and tonal color...Together, they have created an energetic, precision new age chamber music including cello, percussion, bass flute and Tibetan flute, with sounds harvested from nature: birds, wolves, waves and crickets. Like a beautiful fragrance, the feeling of "Love Song to a Planet" lingers long after the last vibrating breath of music is heard." - FOLK HARP JOURNAL

Kim Robertson's name has become synonymous with the gentle but powerfully evocative Celtic harp, an instrument which for a thousand years held within its strings and wood the spiritual heartbeat and poetic breath of the Celtic race. Kim Robertson's remarkable ability to reach into its strings and pull from it hidden treasures has made her one of the most popular harpists performing today.

Combining the authentic traditions of the Celtic Harp with a dynamic flair for world rhythms and on-the-edge improvisation, Kim Robertson has stretched the boundaries of the harp. This daring redefinition of harp music is at its most vibrant in her concert appearances. Remarking on her greatest love, live performance, she says, "That's where the magic is...between the audience and the performer...that's when I truly express myself. Without that experience, I don't think I could make meaningful recordings. Not only can I see how people are responding, but I take more chances playing live."

Kim Robertson's repertoire includes timeless Celtic melodies, classical, Renaissance and medieval works, and original compositions which, since the release of her 1991 album, Angels in Disguise, also feature her beautiful lyrics and vocals.

Born and raised in Wisconsin, Kim Robertson began studying piano at age eight, continuing on into college as a piano major. I was in Kim Robertson's senior year of high school that Kim first began to learn the pedal or orchestral harp. "I was never a very good pedal harp student since I was not interested in a symphonic career. I found it fascinating only as a sideline."

Kim Robersons introduction to improvisation early on by a jazz pianist enlarged her musical vision, freeing her from the need for written music. This freedom influenced both her piano and classical harp training, building trust in her own creative instincts and allowing many future innovations in her style.

In the mid-70's, Kim Robertson discovered the Celtic harp. This quickly evolved into a profound love for the instrument and set her upon the original path of exploration for which she is renowned. In 1979, she moved to the California coast where she was approached by Invincible Music.

The first recording session turned into her debut recording Wind Shadows with producer Liv Singh Khalsa, a rich blend of old Irish melodies and original compositions whose success projected Kim Robertson onto the vanguard of the new acoustic scene.

Kim Robertson's love affair with Celtic music has blossomed into a highly visible performing, recording, and teaching career. Her work encompasses 18 recording projects including Tender Shepherd, Love Song to a Planet, and her 1993 appearance on the Sugo harp anthology Harvest Moon. Kim Robertson has published nine volumes of harp arrangements and two instructional videos and pursues an international itinerary of concerts, workshops, and retreats. Through the prism of the Celtic harp, one of the world's oldest and most loved instruments, Kim Robertson has found and focused her artistic vision to create an intimate and universal chamber music of the heart.


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