Latimore | Henry Stone's Best  of Latimore

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Urban/R&B: Rhythm & Blues Urban/R&B: Soul Moods: Solo Male Artist
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Henry Stone's Best of Latimore

by Latimore

Featuring 15 of the best tracks from 1968 to 2012 hand-picked by the legendary Henry Stone, including “Let’s Straighten It Out”.
Genre: Urban/R&B: Rhythm & Blues
Release Date: 

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Tracks

Available as MP3, MP3 320, and FLAC files.

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1. Let's Straighten It Out
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4:57 $0.99
2. Around the World
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4:35 $0.99
3. My Give a Damn Gave Out
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4:03 $0.99
4. Take Me to the Mountaintop
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4:02 $0.99
5. Big Ol' Pretty Girl
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5:05 $0.99
6. Bow Wow (I'm an Ol' Dog)
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4:51 $0.99
7. 'nanna Puddin'
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4:37 $0.99
8. Keep the Home Fires Burnin'
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3:18 $0.99
9. I Pity the Fool
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3:14 $0.99
10. Edna Mae
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4:30 $0.99
11. Love Hit Me
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5:58 $0.99
12. The Power and the Glory
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3:10 $0.99
13. Wake Up America
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6:13 $0.99
14. Cat Got My Tongue
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4:51 $0.99
15. Stormy Monday
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5:33 $0.99
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ABOUT THIS ALBUM


Album Notes
Born in Charleston, TN in 1939, Benny Latimore was influenced by country music, his Baptist church choir, and the Blues. WLAC, via the strong evening signal from Nashville, was a favorite in Latimore’s youth.

Benny Latimore, who was produced by Steve Alaimo, describes “The Miami Sound” as a kind of combination of R&B and Jazz.

In a career spanning over 35 years and beginning with recordings in the1960s for Miami music legend Henry Stone, the gems on this CD were cut on the Dade label long before Benny’s success on the Glades/T.K. label. These early recordings for Dade are solid deep soul, graced by Latimore’s deep, sultry voice.

Included on this disc are the much sought after 1965 hits, “I Can’t Go On Anymore” and “Rain From the Sky”, originally recorded on Stone’s Blade label. These are treasures that until now only a few collectors were lucky enough to have. Today we bring them to you for the world to hear.

“Sensational” really is the best word to describe Latimore.

Henry Stone, founder and owner of famed TK Records, and Latimore, of “Let’s Straighten It Out” fame, are back together and have created the new LatStone Record Label.

The new label venture came about in mid-2006 while Henry Stone was working on the latest Gwen McCrae album in “Chocolate” Perry’s South Florida recording studio. Coincidentally, Latimore was also working on his newest album project in the same studio.

Stone and Latimore have a rich history together in the music business. Although they had been apart for some years, they have always remained good friends.

On breaks during the recording sessions, Latimore expressed his interest in working with Stone again. They struck a deal to launch the new LatStone Record Label. The first release would be Latimore’s new album BACK ‘ATCHA. This was the first time that Latimore would have full creative control on his work since he had last been with Stone.

Stone and Latimore began their working relationship in the late sixties when keyboard player and singer Latimore was brought to Stone’s attention by Steve Alaimo. Stone arranged a recording session for Latimore and they had quite a few successful records.

In late 1973, they hit pay dirt when they recorded a remake of the old blues classic “Stormy Monday” which was released on Stone’s Glades label. The single charted high on the Billboard R&B charts. After this single, Benny Latimore dropped his first name and forever more went by Latimore.

In September of 1974, Latimore recorded his self-penned “Let’s Straighten It Out” which hit Gold with a #1 single on the Billboard R&B charts, as well as crossing over to the Pop charts.

Latimore’s always smooth, rich, full vocals and masterful keyboard performances, along with Stone’s unique approach of guidance and top recording industry pros, like George “Chocolate” Perry on bass, percussion, state of the art audio recording and mix engineering skills, as well as true grassroots Blues guitar man, Warren ”Roach” Thompson, perform the soulful Blues grooves with a style and drive that is unstoppable.

The melodies, the riffs and the rhythms, will reach deep down into that place that makes you close your eyes and bob your head. It is that, “Oooh! It sounds so good, I can feel it in my chest,” that puts that easy blues look on your face. You know the one! When you don’t care who is watching or what you’re doing, it just grabs ahold of you and makes you groove!


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