Lawton Hall | Spirits of the Age

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Electronic: Folktronic Avant Garde: Avant-Americana Moods: Type: Experimental
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Spirits of the Age

by Lawton Hall

Immersive, nostalgia-tinged micro-soundscapes creating using vintage electronics and any other toys at hand.
Genre: Electronic: Folktronic
Release Date: 

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Tracks

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1. Angel Chimes 1
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8:02 album only
2. Spirits of the Age 1
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4:27 album only
3. The Future Forest
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7:43 album only
4. Angel Chimes 2
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4:10 album only
5. Spirits of the Age 2
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6:53 album only
6. Nostalgia
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3:05 album only
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ABOUT THIS ALBUM


Album Notes
This album is an exploration/excavation of memories and nostalgia.

It is an attempt to come to terms with my own fondness for outdated electronic equipment (specifically, 35mm slide projectors), and an attempt to understand how these machines (and the images and sounds they produce) can have an emotional affect on me, even though I never lived during a time when these machines were commonly used.

It is an attempt to understand the constant mining of the past to fuel the present and the perpetual recycling of the old that is so characteristic of my generation’s “thrift shop culture.”

Spirits of the Age is electronic music that tries to capture the tactility of an era when “electronics” did not refer to the tame, polite digital cinema of laptops and iPhones, but rather the palpable movement of electrons through solenoids and motors, creating noisy multisensory experiences.

Spirits of the Age is shattered, fleeting, and distant.

This album was released for the opening of the installation of Cyclic Histories (for M.L.), an intermedia exploration of memory and nostalgia at Sensorium, Milwaukee, in January 2013.

“And since every age contains in itself the germ of all future ages as surely as the acorn contains the future forest, a knowledge of our own age is the fountain of prophecy–the only key to the history of posterity. It is only in the present that we can know the future; it is only through the present that it is in our power to influence that which is to come.”

- John Stuart Mill


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