Matt Munisteri | The Lost Music of Willard Robison, Vol. 1: Still Runnin' Round in the Wilderness

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Jazz: Jazz Vocals Folk: Folk-Jazz Moods: Type: Improvisational
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The Lost Music of Willard Robison, Vol. 1: Still Runnin' Round in the Wilderness

by Matt Munisteri

A virtuosic guitarist, a high-lonesome jazz singer, and a songwriter with a "pre-war heart" (The NewYorker), Matt Munisteri has dug up a treasure trove of compositions by the largely-ignored, but remarkable American singer-songwriter Willard Robison.
Genre: Jazz: Jazz Vocals
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1. We'll Have a New Home in the Morning
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4:25 $0.99
2. I'll Have the Blues Until I Get to California
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6:37 $0.99
3. Still Runnin' 'round in the Wilderness
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5:27 $0.99
4. Revolving Jones
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3:12 $0.99
5. Truthful Parson Brown
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7:00 $0.99
6. Little High Chairman
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4:18 $0.99
7. 'taint So, Honey 'taint So
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6:12 $0.99
8. Hurry Sundown (and Let Tomorrow Come)
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2:48 $0.99
9. Heard a Mockingbord Singing (in California)
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6:39 $0.99
10. Moonlight Mississippi
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3:48 $0.99
11. A June of Long Ago
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3:54 $0.99
12. A Cottage for Sale
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6:59 $0.99
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ABOUT THIS ALBUM


Album Notes
“It’s tempting to describe guitarist and singer Matt Munisteri’s new album ‘Still Runnin Round in The Wilderness” as a sure bet for any year-end best-of lists, but the world has been waiting for at least a generation for such a perfect collection of Robinsonia”
- Will Friedwald in The Wall Street Journal, July 5th 2012

During the mid 1920′s Willard Robison was working as a pianist and arranger with many of the stars of the new jazz vanguard when he went into the studio and recorded a string of startling recordings which almost certainly made him the prototype for the American 20th century’s most abundant and everlasting artistic archetype: The singer/songwriter. Before the deluge – before there was Hoagy, or Johnny Mercer, or Randy Newman, or Mose Allison, or Brian Wilson, or Van Dyke Parks – Willard Robison wrote, orchestrated, conducted, and sang his own utterly unclassifiable music and lyrics in a series of pioneering and timeless recordings between 1924 and 1930. His songs told of odd rural loners, wild open landscapes, revival camp meetings, preachers, and the devil (always the devil) and employed a complex and surprising harmonic and melodic language which, while referencing the new jazz – along with classical, ragtime, blues, and even old time country music – emerged at once as a fully realized and completely original American voice.

Yet, in the years since 1930, and in the 42 years since Robison’s death, not one of these ground-breaking recordings has ever been commercially re-issued after its initial release as a 78 record. Robison is virtually alone among seminal and much-recorded American musical innovators: the LP era passed him by; the CD era passed him by; the digital download era has thus-far passed him by. As Robison slipped deeper into alcoholism and an increasingly itinerant life the big companies who owned his music subsequently shelved these strange “unmarketable” works to the vaults, where they remain to this day. But this could soon change, and Matt Munisteri’s new CD “Still Runnin’ ‘Round in The Wilderness” may prove a catalyst for a long overdue interest in this timeless body of work.

Lauded for his fiery guitar chops, literate humor, and “pre-war heart” (The New Yorker), the likewise unclassifiable ace guitarist, singer, and songwriter, Matt Munisteri has spent over a decade hunting down, transcribing, and performing these lost masterworks, refracting them through his own individual prism of 20th century American music. In the process he has not only finally brought these tunes to light, but has imbued them with an organic and riveting beauty in which jazz improvisation, folk traditions, and popular song co-mingle.

Recognizing a rare kindred spirit, Munisteri became obsessed with Robison’s music around 2000, and the hunt for old 78s, worn tapes, acetates, and sheet music over the past decade has produced as many remarkable stories as the songs themselves tell. With a crew of top NYC musicians he has re-imagined Robison’s songs, culled from their original recordings, as a body of work rightfully freed from the trappings of era or idiom.

The music was recorded live over two days, with all the musicians in a 15X18 foot room, and with precious little isolation, by John Kilgore – this is truly “live” live, with nowhere to hide, and the resultant interplay among these master improvisers is only the listener’s gain. The musicians include: Matt Munisteri – guitar, vocals, banjo; Ben Perowsky – drums; Danton Boller – bass; Matt Ray – piano; Scott Robinson – C melody sax, clarinet; Jon-Erik Kellso – trumpet; Will Holshouser – accordion; Rachelle Garniez – guest vocals.


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