Michael Chikuzen Gould | Shakuhachi: Floating Clouds

Go To Artist Page

Recommended if You Like
Taniguchi Yoshinobu Watazumi-do Yokoyama Katsuya

Album Links
Official Website

More Artists From
United States - Ohio

Other Genres You Will Love
World: Japanese traditional New Age: Meditation Moods: Solo Instrumental
There are no items in your wishlist.

Shakuhachi: Floating Clouds

by Michael Chikuzen Gould

The sound of Zen: Traditional Japanese meditation music
Genre: World: Japanese traditional
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
cd in stock order now
Share to Google +1

Tracks

Available as MP3, MP3 320, and FLAC files.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

Sorry, there has been a problem playing the clip.

  song title
share
time
download
1. Bosatsu
Share this song!
X
15:55 $0.99
2. Ukigumo
Share this song!
X
5:21 $0.99
3. Tamuke
Share this song!
X
5:55 $0.99
4. Daha
Share this song!
X
5:15 $0.99
5. Sokkan
Share this song!
X
7:03 $0.99
6. Nezasa Shirabe
Share this song!
X
3:47 $0.99
7. San Ya
Share this song!
X
8:02 $0.99
8. Honshirabe
Share this song!
X
3:51 $0.99
9. San An
Share this song!
X
7:26 $0.99
preview all songs

ABOUT THIS ALBUM


Album Notes
This compact disc consists of 9 Honkyoku songs recorded by Michael Gould in 1997. Honkyoku are the songs which were created by mendicant Zen monks during the middle ages. These monks wandered the Japanese countryside playing the shakuhachi during their pilgrimages, wishing to be delivered from earthly desires. Many titles of the songs created by the Zen monks bear natural titles: Three mountains, Three Valleys, Floating Clouds, A Mountain Waterfall, Crane Calls, The Distant Cry of the Deer, and so forth.

The shakuhachi came to Japan in the seventh century from China, and was a six-holed flute used in imperial court music. Later, in the middle ages, it evolved into the five-holed flute played today.

The capacity of the shakuhachi is huge, not only as a musical instrument due to its variety of colors and special sounds, but even more so as a link or bridge between the essential nature (soul) of human beings and the essential nature (spirit) of the cosmos. The ability of the shakuhachi to reach into people and touch something deep inside, to stir up something in a place that is not often used, is evidenced by the large number of people attracted to it who express such an experience.

The three songs, Bosatsu, Ukigumo, and Tamuke are a tonal trilogy used to view the metaphysical landscape of life on Earth, then the freedom from worldly greed and desire, and, finally, the compassion born of such freedom.

Daha: The full title is Daha no Kyoku, or "Pounding Wave Piece". The title conveys the incessant striving involved in spiritual practice.

Sokkan: The performer here must lose him/herself in contemplation of breath or soul until it appears in the mind's eye.

Nezasa Shirabe: The breathing technique employed here imitates the sound of the wind blowing across the leaves a bamboo grove.

San Ya: Three Valleys. One of many songs of similar titles coming from different areas and different schools of shakuhachi.

Honshirabe: Basic Melody. This piece actually contains most of the basic elements of all honkyoku. It is said that this song was the only one practiced during the entire lives of some of the Zen monks.

San An: Prayer for a Safe Birth. Long ago, when one's wife went into labor for childbirth, the husband would let grains of rice flow through the shakuhachi, then, while cooking the rice he would play this song as a prayer for safe birth, and then give the cooked rice to his wife after she bore the child.

Michael Chikuzen Gould lived in Japan from 1980 to 1997 and studied shakuhachi under renowned masters Taniguchi Yoshinobu and Yokoyama Katsuya. Gould earned a “Shihan” (Master of Shakuhachi) in 1987 and was given the name “Chikuzen.” In 1994, he became one of only a handful of non-Japanese to hold the title of “Dai Shihan” (Grand Master of Shakuhachi). After returning to the U.S., Chikuzen taught Zen Buddhism and Shakuhachi at the University of Michigan, Oberlin College, and Wittenberg University.

One of the most prolific performers outside of Japan, Chikuzen has presented over 500 solo concerts and has also played with traditional Japanese music ensembles, Taiko drumming groups, Chinese harp and pipe organ. He appeared in the world premiere of the opera “Madame Butterfly” using Japanese instruments, performed Karl Jenkins’ “Requiem” with the Metropolitan Detroit Chorale, and provided the music for the prestigious Dance Company of Ann Arbor at the University of Michigan in a presentation of the works of Mary Cassatte. Chikuzen is also a shakuhachi instructor at the annual Shakuhachi Camp of the Rockies in Loveland, Colorado.


Reviews


to write a review