Manno Charlemagne | Oganizasyon Mondyal

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Oganizasyon Mondyal

by Manno Charlemagne

A soulful yet brazen balladeer, he constantly challenged the status quo and used his acoustic guitar and tender baritone voice as weapons against brutal political regimes. After all these years, Manno Charlemagne remains as vibrant as ever.
Genre: World: Creole
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1. Manman
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4:16 $0.99
2. Zanmi
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4:02 $0.99
3. Malere
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3:57 $0.99
4. Transet Rekot Kafe
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3:56 $0.99
5. Poukisa w' Pa Pale Manman
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3:46 $0.99
6. Ayiti Pa Fore
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3:47 $0.99
7. Tet Kole
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3:40 $0.99
8. Ban m' On Ti Limye
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2:44 $0.99
9. Oganizasyon Mondyal
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3:05 $0.99
10. Enmi de Klas
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2:56 $0.99
11. Lan Male m' Ye
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4:46 $0.99
12. Gran Met
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ABOUT THIS ALBUM


Album Notes
Emmanuel Charlemagne


Manno Charlemagne has suffered greatly since the September 30, 2001, military coup against Haiti's president Jean-Bertrand Aristide. Jailed without charges, he was beaten by soldiers and his wife was forced into hiding. Released on October 18th, he was held in military custody for a week. Taking refuge at Haiti's Argentine embassy, he planed to meet his family in Guadalupe. Charlemagne's outspoken lyrics have gotten him into trouble before. Songs such as the anthem, "Fini Colonies" (The Colonies Are Finished) resulted in death threats. Charlemagne was sentenced to several brief jail sentences in the late '70s and he was forced into exile in 1980. He spent the next six years living in Canada, New York, Africa, and Paris. ~ Craig Harris, All Music Guide
Representative Albums:
Dganizasyon Mondyal, Les Inedits de Manno Charlemagne, Ayiti Pa Fore






Life
Born in 1948, Charlemagne grew up in the sprawling new suburb of Carrefour, to the south of the capital, where he was influenced as much by the songs of the peasants who moved into the area in search of a livelihood, as by his Catholic school choir. In the 1970s, he was part of the kilti libete or freedom culture movement that promoted popular culture, including acoustic, folk music. Charlemagne's writing drew on the twoubadou tradition, a guitar-based music that can trace its roots back both to the rural songs of the Haitian peasantry and to the Cuban influences brought back to Haiti by returning migrant sugar cane cutters in the early decades of the twentieth century.

The Jean-Claude Duvalier regime renewed the repression of political and cultural dissent in 1980, and Charlemagne was forced into exile. With the fall of the Duvaliers in 1986, he returned home, and was active in both political organising and the burgeoning roots or racines music scene. He formed a live group, Koral Konbit Kafou, which included drummers from a Voudou temple, and played concerts that provided a soundtrack for the popular mobilisation for political change in the late 1980s. Some of these songs can be heard on "Nou Nan Male ak Oganizasyon Mondyal", Kako Productions, 1988.

His support for the grassroots, popular movement frequently landed him in trouble with the Haitian military, and, after receiving death threats, he spent several years in semi-clandestinity. Charlemagne was a supporter of the Lavalas political movement of President Jean-Bertrand Aristide against whom the military launched a brutal coup d'état in September 1991. Charlemagne took refuge in the Argentine embassy and went into exile once again. During 1991-94, he played concerts in Miami, New York, and Montreal, where he rallied the expatriate Haitian communities in support of Haitian democracy. He released a recording, "La Fimen", Kako Productions, in 1994.

Following the United Nations intervention to restore the constitutional government in September 1994, Charlemagne returned to Haiti. In June 1995 he was elected mayor of the capital city, Port-au-Prince, defeating the incumbent, Evans Paul, but his term of office, which expired in early 1999, was beset with difficulties and controversy, and is not regarded as a success. His administrative responsibilities overshadowed his musical career, and one of his few public performances during that time was with the Haitian-American rap group, The Fugees, in Port-au-Prince in April 1997.

Music
As a singer, songwriter and political activist, Manno Charlemagne has been the vocal conscience of Haiti for over 30 years. A soulful yet brazen balladeer, he constantly challenged the status quo and used his acoustic guitar and tender baritone voice as weapons against brutal political regimes and the civilized indifference of the insulated upper-class.

The CD Les Inedits de Manno Charlemagne in Creole language is some of his most profound and provocative work. They are songs that for years were only performed in intimate settings, among close friends, and in front of those who were unafraid of how incendiary they could be. For to have performed them in public during the 1970s or 80s would have risked a great deal--arrest, harassment, and beyond.

With their cunning lyrics, they are the songs that the powers that be in Haiti did not want the Haitian people to hear. Intended to stir up resistance and bring about much-needed change in the country, they spoke the truth about corrupt governments and ruthless politicians, gave voice to the peasant class in Haiti, and captured the rawness and injustice of life in this country.

Although they sound like love songs to the non-Creole speaker, they are songs of protest aimed at the tools of oppression. And it is their unique juxtaposition of thorny words poured over gentle melodies that makes them so hauntingly beautiful.

Manno Charlemagne also appears in The Truth About Charlie, a movie by Jonathan Demme, one of his friends.



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