Mignarda, Donna Stewart & Ron Andrico | Vergine Bella

Go To Artist Page

Recommended if You Like
Dead Can Dance I Fagiolini Monserrat Figueras

Album Links
"Unquiet Thoughts" - Mignarda's blog Mignarda's web site Mignarda on YouTube

More Artists From
United States - NY - Upstate NY

Other Genres You Will Love
Classical: Medieval Classical: Early Music Moods: Type: Lyrical
There are no items in your wishlist.

Vergine Bella

by Mignarda, Donna Stewart & Ron Andrico

Guillaume DuFay’s (1397-1474) radiant setting of the poetry of Francesco Petrarch (1304-1374). Our unique performance prompted one fan to say, "One of the finest voices in interpreting late Medieval/early Renaissance music I have ever heard: exquisite!"
Genre: Classical: Medieval
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
available for download only
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Vergine Bella
Mignarda, Donna Stewart & Ron Andrico
Share this song!
X
3:50 $0.99
Available as MP3, MP3 320, and FLAC files.

ABOUT THIS ALBUM


Album Notes
Guillaume DuFay’s (1397-1474) Vergine bella, che di sol vestita is among the earliest surviving musical settings of the poetry of Francesco Petrarch (1304-1374).

While the 3-part musical setting may be performed with some tampering by adding text to the lower parts, there is a sufficient degree of authority to support an instrumental rendering of the tenor and contratenor lines, which are mostly untexted in all sources. Instrumental performance presents a challenge when arranged for one person to play on the lute, due to parts that cross and frequent differences of rhythmic distribution as they do so, but entirely possible if done with sensitivity to line, articulation and rhythmic accent. Our performance is in accordance with the original clef designations from Bodleian Library ms. Canonici 213 with the untexted lower parts played on the lute.

Interpretively, we were entirely uninfluenced by other musical approaches and, while informed by the commentary and analysis of Alejandro Planchart and Margaret Bent, our interpretation is unique. As is typical of his music, DuFay obviously had a formal scheme of proportion in his time signatures for this sectional piece, but we assign a larger value to the basic pulse and shape the time changes in accordance with the rhetorical devices inherent in the text.

While we take all the steps necessary to consider historical performance practice, in the end, we are convinced that a flexible and communicative musical approach surely trumps a rigid and academic performance: We are performing expressive music, not doing dry math.

For more information about this single and our music, please visit our website and our blog, Unquiet Thoughts, both linked in the left sidebar of this page.


Reviews


to write a review