Michael William Gilbert | The Call

Go To Artist Page

Album Links
Official website MySpace page

More Artists From
United States - Mass. - Western

Other Genres You Will Love
Jazz: World Fusion Electronic: Experimental Moods: Type: Improvisational
There are no items in your wishlist.

The Call

by Michael William Gilbert

"Michael Gilbert's version of third-stream music is unpretentious and attractive, relying not merely on simple thematic materials and insistent rhythms but also on a sturdy improvisational quality."
Genre: Jazz: World Fusion
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
just a few left.
order now!
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Adele's Dance/Streams/Nightsong
Share this song!
7:27 album only
2. The Call
Share this song!
6:45 album only
3. Earthrite
Share this song!
6:44 album only
4. Traces
Share this song!
3:50 album only
5. There Shall Come Soft Rains I
Share this song!
4:01 album only
6. There Shall Come Soft Rains II
Share this song!
4:35 album only
7. There Shall Come Soft Rains III
Share this song!
5:48 album only
Available as MP3, MP3 320, and FLAC files.


Album Notes
Michael William Gilbert - Synthesizers, wood flute, voice, bass & percussion
Tim Moran - Flutes (1,2), alto sax (2), soprano sax (3)
Royal Hartigan - Drums & percussion (3)
Bob Rosser - Electric guitar (3)
Charlie Miller - Conga drums (3)
Salvatore Macchia - Acoustic basses (4)
David Moss - Solo & misc. percussion (5)

"I find much contemporary and electronic music suffers from a coldness or soullessness; as a result, I have tried to make mine a more human music, a fusion of synthesized, instrumental, and natural sounds. When composing, I electronically orchestrate each piece into a soundscape. The music is not just a simple mixture, but a genuine synthesis of pan-cultural musical styles. Above all, I want to make my music sing!"

Michael William Gilbert grew up in Connecticut and Brussels, Belgium. It was while living in Europe that he first encountered the music of Varese and Pierre Henry, as well as the musics of India, Africa, and Japan. After studying electrical engineering at MIT, he continued studies in music at the Boston School of Electronic Music, where he later worked as a teacher and designer of custom synthesis systems. He graduated with a degree in music from Hampshire College and shortly thereafter became the technical director of electronic music at Amherst College, Smith College, Hampshire College, and the University of Massachusetts/Amherst. He has taught electronic music at the University of Massachusetts and at Holyoke Community College.

Gilbert has been composing and recording actively since the 1970's. In 1978 he released his first recording, "Moving Pictures", on the GIBEX label. "Moving Pictures" takes a step towards humanizing electronic music with prominent use of wooden flutes, percussion, and voice to complement the synthesized textures of the compositions. "The Call", Gilbert's second album, is a more mature realization of his goal to create a more human music. It grew out of the desire to set new jazz influenced solo parts against a background of drone, percussion, and environment evocative of Eastern musics."The Call" marked Gilbert's first collaboration with multi-wind and reed player Tim Moran, avant-garde percussionist/vocalist David Moss, and bassist Salvatore Macchia. "In the Dreamtime", initially released on the Palace of Lights label, is a refinement of work begun on the first two records. This album uses the theme of dream imagery, exploring and merging the distinctions between electronics, new jazz, and world music, and also features collaborations with Moran, Moss, and Macchia.

His first releases on CD, "The Light in the Clouds" and "Point of Views", bridge the gaps between diverse world musics. A collaboration with master percussionist Tony Vacca, acoustic bassist Salvatore Macchia, and synthesist Roy Finch, "The Light in the Clouds" brings together African, Jewish, Christian, and Shinto musical traditions and melds them with crystal clear sounds and rhythms into one music. "Point of Views" is a stunning solo recording realized within a MIDI based studio, weaving elements of jazz, world, electronic and new musics into "an ethereal and beautiful blend!" "Point of Views" received 4 stars in Downbeat Magazine. It successfully creates the sound of an ensemble of players yet is a purely solo work, with a collaboration by Tony Vacca on one track. Gilbert signed a recording contract with PENTA DISC Recordings in Canada (distributed by WEA) for release of music from this repertoire as well as additional new compositions. Gilbert's music has been played in concerts and festivals in North America and abroad and has been used by choreographers in conjunction with modern dance works. Among these choreographers are Susan Waltner, Valerie Feit, Jan Wodynski, and Paula Josa-Jones. Gilbert has also scored films by independent filmmakers, and recently worked on music for "The Nightingale Princess" http://www.thenightingaleprincess.com/ , a film by Chris Dreisbach, Owen Granich-Young, and Daniel Gilbert.

Michael William Gilbert is currently a computer research analyst at the University of Massachusetts/Amherst, where he is engaged in investigating internet media technologies, streaming protocols, multimedia, and supporting the Office of Information Technologies' provision of Internet service to the campus and UMass community. He has a current CD, "Other Voices", which features both unreleased works with contributions by Tony Vacca and Roy Finch, and more recent new compositions. He is also currently remastering and releasing his first three LP recordings, "Moving Pictures", "The Call", and "In the Dreamtime" on CD.


to write a review