Nicholas Van Slyck | Judgement in Salem plus solo piano music

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Classical: Opera Classical: Piano solo Moods: Featuring Piano
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Judgement in Salem plus solo piano music

by Nicholas Van Slyck

An opera scene, based on a Longfellow play, about the Salem Witch Trials. Scored for vocal quartet, piano and snare drum. Also on the same CD, three pianists playing music of Nicholas Van Slyck for solo piano.
Genre: Classical: Opera
Release Date: 

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  Song Share Time Download
1. Judgement in Salem, opera scene for vocal quartet, piano and snare drum, 1974
John d'Armand, Jerry Hadley, Pamela Gore, Gretchen d'Armand
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22:09 $4.00
2. Gardens of the West, for piano: No.1, Fantasie. Lento
Margarita Nuller
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9:10 $0.99
3. Gardens of the West, for piano: No.2, Spirit of Busoni. Allegro precipitato
Margarita Nuller
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2:37 $0.99
4. Gardens of the West, for piano: No.3, Elegy for Electric Piano Lento, rubato
Margarita Nuller
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4:20 $0.99
5. Gardens of the West, for piano: No. 4, Meditation on the Art of Fugue. Rubato e moderato con moto
Margarita Nuller
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3:31 $0.99
6. Gardens of the West, for piano: No. 3, Elegy for Electric Piano (digital piano performance)
Trudi Van Slyck
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5:03 $0.99
7. Seven Short Mysteries,for piano: No. 4, Will-O-the-Wisp
David Witten
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2:36 $0.99
8. Three Capriccios for piano: No. 3, Jazz Tempo
David Witten
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3:53 $0.99
9. Six Ritornelles for piano: No.4, Winter Scene
Trudi Van Slyck
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1:38 $0.99
10. Three Capriccios for piano: No. 2, Reflection in December, Sostenuto
Trudi Van Slyck
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3:19 $0.99
11. Ice-Light , piano solo: Moderato, con moto
Trudi Van Slyck
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4:58 $0.99
Available as MP3, MP3 320, and FLAC files.

ABOUT THIS ALBUM


Album Notes
Judgement in Salem review

Nicholas Van Slyck’s piano pieces require a light touch; even the most exclamatory passages of the four-movement Gardens of the West involve intricate passages. “Spirit of Busoni” (II) is an extremely spirited and fast-paced piece with clusters, continuous motion, and staccato runs.
The chamber opera for four voices, piano, and percussion, “Judgement in Salem”, is adapted from Act IV, Scene II of Longfellow’s “Giles Corey of the Salem Farms”. As a fan of the well-known story, I was enthralled. The pleading rhythms of Martha Corey’s defense were accentuated by highly chromatic accents in the piano’s upper register in the 22 minute work.—American Record Guide, December 2009

Judgement in Salem review

It is an excellent piece of music, dramatically enthralling, vocally graceful and crafted with the structural integrity that holds it's 25 minutes of music together convincingly.
This piece really should be picked up and produced by public television for a national audience.--Washington Post, 1976


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