The Phoenix Jazz Project | When Lights Are Low

Go To Artist Page

Recommended if You Like
Cannonball Adderley Count Basie Tierney Sutton

Album Links
Official Website Our MySpace Page

More Artists From
United States - Pennsylvania

Other Genres You Will Love
Jazz: Jazz Vocals Jazz: Modern Big Band Moods: Type: Instrumental
There are no items in your wishlist.

When Lights Are Low

by The Phoenix Jazz Project

This CD is a testament to original, creative jazz in a wide variety of styles.
Genre: Jazz: Jazz Vocals
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
available for download only
Share to Google +1

Tracks

Available as MP3, MP3 320, and FLAC files.

To listen to tracks you will need to either update your browser to a recent version or update your Flash plugin.

Sorry, there has been a problem playing the clip.

  song title
share
time
download
1. When Lights Are Low
Share this song!
X
7:25 $0.99
2. Blue In Green
Share this song!
X
10:32 $0.99
3. I Mean You
Share this song!
X
4:17 $0.99
4. Never Will I Marry
Share this song!
X
3:43 $0.99
5. How Insensitive
Share this song!
X
8:29 $0.99
6. Oncallogy
Share this song!
X
3:58 $0.99
7. Tenderly
Share this song!
X
9:57 $0.99
8. Dialogue
Share this song!
X
6:06 $0.99
preview all songs

ABOUT THIS ALBUM


Album Notes
The Phoenix Jazz Project was born from a desire to perform more original material. Formed in 2004, we went through many personnel changes as most bands do in their infancy. What Jessie and I wanted were musicians who were willing to sacrifice their time and energy to rehearse original music. I did not want to just go onstage and call standards. I wanted our music to be fresh and inventive. We finally found those musicians in Jason, Bob, and Curtis. Eventually, Mike Sakash was added to mix on alto and soprano.

The process for this particular project began with a mini tour to Eastern Europe with the Traverser Saxophone Quartet, a group of musicians in Western Pennsylvania and Northern West Virginia. Traverser was formed to explore and perform new saxophone music. The group has premiered numerous works by several composers and arrangers around the country. Having been invited to join them on tour, I decided to arrange two pieces for both groups to perform together. It turned out to be a good idea, as it helped bring each show full circle.

It was for that tour that the arrangements for "Tenderly" and "How Insensitive" were written. Tenderly is a melody that Jessie just loves, as it is one of her all time favorites. I had written a five horn arrangement of it as a project in graduate school. Remembering that project inspired me to take it to another level for the sax quartet. How Insensitive is one of my favorite tunes of all time and I had always wanted to do something special with it. There's something about the combination of melody, harmony, and bass movement that has a sensuousness about it. A beauty that is hard to describe.

After the tour Curtis Johnson and Mike Sakash contacted me with the prospect of doing an entire cd of my arrangements. It was because the first two arrangements worked out so well on tour that I decided to continue the project. Traverser plays at such a high level and blends so well together, I really didn't need much coaxing. The biggest challenge of the entire project for me was incorporating a vocalist. This was something I had never done before. The difficulty lies in finding a balance among the vocalist, saxes, and soloists.


Most of the basis for the quintet's music lies in traditional jazz. But the group prides itself in creating and performing good music regardless of genre. From the traditional styles of originals "Halfway Out" and "Billy or Bud" to the modernized arrangements of classics "If I Only Had a Brain" and "Softly As a Morning Sunrise," The Phoenix Jazz Project provides a wide variety of entertaining music. Having only been in existence for a few years, The Phoenix Jazz Project has already wowed audiences from Pittsburgh to Russia. A June 2005 tour to Eastern Europe including Budapest's Cotton Club and Vienna's Jazzland produced standing ovations and rave reviews. That tour also included stops in Prague, Czech Republic, Brataslava, Slovakia and Krakow, Poland where the band performed and conducted clinics. A December 2005 tour to Belgium yielded more performances, clinics, and standing ovations. And an October 2008 tour to Russia yielded even more praises. This new Pittsburgh band already has the locals raving about their "New York Sound." Their current project has pianist/composer/arranger Thomas Glovier writing and arranging classics for a collaboration cd with The Traverser Saxophone Quartet.

With influences ranging from Herbie Hancock, McCoy Tyner & Keith Jarrett (pianist, Tom Glovier); to John Coltrane, Cannonball Adderley, & Earth Wind and Fire (saxophonist, Curtis Johnson); to Eric Dolphy and Charlie Parker (saxophonist, Mike Sakash); to Kim Nazarian, Tierney Sutton, Ella Fitzgerald & Dianne Reeves (vocalist, Jessie Glovier), The Phoenix Jazz Project performs its material with excellence. Jason Birch (drums) and Bob Insko (bass) provide a fresh, creative approach that is the perfect compliment to the rest of the group.



"REAL arrangements played by a REAL ensemble------REAL music that requires active listening!! This project is a true musical dialogue between a sax quartet, piano features and vocal highlights. It's a swingin' showcase of classic jazz standards treated with sophistication------mature tempos, a variety of styles, and dynamic range. This CD is a creative treasure of riches--------Enjoy the honesty, attitude and fun of Phoenix!....."

Kim Nazarian
2 time Grammy Award Winner
and founding member of NY Voices


"....Tom was bringing it all together with some of the most moving arrangements I've ever heard or had the pleasure to record. I believe every piece on this CD will captivate you with their depth of artistry, sensitivity, and pure beauty. They have created a musical set that will take you on a most marvelous journey."

George Heid
Heid Studios
Aspinwall, PA


"The Phoenix Jazz Project can do what so many jazz bands can't. It can give an all-too-familiar song new life. On "When Lights Are Low," the Pittsburgh-area band even successfully tackles one of the most difficult covers in jazz: "Blue in Green."...the Project, led by pianist Tom Glovier and his wife, Jessie, does a version that stays true to the haunting beauty while also adding something else -- saxophone lines by Traverser Saxophone Quartet. Jessie Glovier's voice sometimes sounds like an imitation of Miles' muted horn. The Project and the saxes also do a great job on Thelonious Monk's "I Mean You" while Jessie Glovier takes her voice in a completely different direction on "Never Will I Marry." Besides doing such works, the title track and "Tenderly," the crew also offers "Oncallogy" by Tom Glovier and "Dialogue" by saxophonist Mike Sakash. This is a total success."

-- The Pittsburgh Tribune-Review


Reviews


to write a review

RadioIndy.com

Congratulations on GrIndie Award
RadioIndy is proud to present The Phoenix Jazz Project a GrIndie Award for their CD "When Lights Are Low." A GrIndie Award is RadioIndy's stamp of approval that this CD is an excellent quality CD. Please join us in congratulating this artist on this accomplishment.

Diane and the RadioIndy.com Reviewer Team

Excellent collection of jazz/big band tracks with a great chemistry between musi
“When Lights Are Low,” the latest album by The Phoenix Jazz Project, reaches well beyond its roots of jazz/big band styles. One may consider jazz to be one of the most technically challenging styles of music, but this group has cohesively crafted the art. The chemistry between the musicians is unbelievably tight and consistent. One such example of this bond is the sax quartet interpreting the harmonies through a series of voicings on “I Mean You.” Listeners will hear outstanding vocals, as they are polished and demonstrate maturity while never faltering on these complex melodies. The piano gracefully glides across the ivories with a true jazz feel on “Oncallogy,” while a smooth swing tempo is performed with soft brushes on the drums and a silky walking bass line. Fans of Count Basie, Cannonball Adderley, or modern big band sounds will really enjoy The Phoenix Jazz Project’s refreshing jazz album “When Lights Are Low.”