Pitch Black | Frequencies Fall

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Electronic: Electronica Electronic: Dub Moods: Mood: Sex Music
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Frequencies Fall

by Pitch Black

Pitch Black is a combination of musical journeys, with a distinctive sound that ranges from organic ambient beginnings and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds the
Genre: Electronic: Electronica
Release Date: 

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Tracks

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1. Lost in Translation (International Observer Remix)
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5:05 $0.99
2. Freefall (Friends Electric Remix)
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5:57 $0.99
3. Elemant Turn (Switch & Pz Remix)
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5:19 $0.99
4. Freefall (Minuit Remix)
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7:04 $0.99
5. Flex (Son.sine Remix)
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6:10 $0.99
6. Big Trouble Upstairs (Hummel Remix)
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4:44 $0.99
7. Freefall (Ithz Remix)
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6:16 $0.99
8. The Random Smiler (Dj Flix & Red Star Remix)
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6:21 $0.99
9. Lost in Translation (Youth Remix)
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6:40 $0.99
10. Empty Spaces, Missing Units (Module Remix)
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7:26 $0.99
11. Ape to Angel (Bluetech Remix)
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7:19 $0.99
12. Flex (Peak_shift Remix)
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5:38 $0.99
13. Freefall (Alucidnation Remix)
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5:13 $0.99
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ABOUT THIS ALBUM


Album Notes
Pitch Black are award winning multimedia artist Michael Hodgson and Salmonella Dub producer Paddy Free. Having pumped their way through New Zealand’s electronic music scene since their inaugural performance at the annual Gathering New Year's eve festival in 1997, they have spent the last eleven years rousing dance floor punters, generating rave reviews, winning awards and gaining thousands of fans across the world.

Hard to box into a single audio 'genre', Pitch Black is a combination of musical journeys. Their sound is distinctive; ranging from organic ambient beginnings and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds their sound together. One critic has described them as like "Orbital meets King Tubby, or Rhythm and Sound in Technicolor".

Their debut album, Futureproof, was released in September 1999 and rose to the top of the New Zealand electronic charts, despite no marketing or advertising. Electronomicon followed in August 2000, and led to a sell out 30-date tour of New Zealand and Australia. Both albums spawned remix projects, featuring mixes by local luminaries such as International Observer, Epsilon Blue and Downtown Brown.

Their third baby, Ape to Angel, was released in New Zealand on October 4th 2004 to critical acclaim. The Ape tour was the biggest yet, with 42 shows across the world, including their debut performances in America. The album was then released in Europe thru Dubmission in July and in America on Waveform in August 2005, with a Japanese release in May 2006.

Their last album, Rude Mechanicals, came out in New Zealand and Australia in August 2007 and the rest of the world two months later. Possibly their most accessible album to date, it ranges from chilled out dubs to trancefloor grooves and ambient drum and bass, and was lauded by veritable music institution Q Magazine as “the sound of the future”!

It is their live show that really makes Pitch Black stand out from the rest of the crowd, both sonically and visually. Their tracks take on an added dynamism and their performances reveal the dialectic behind the band - Paddy wants to do it for the crowd, Michael wants to do it to the crowd. Visually they are in another dimension due to Mike's cutting edge visuals, which he manipulates at the same time as mixing the sound! Not for nothing have they been hailed as the "Hexstatic of New Zealand" and have been warmly embraced by England's Big Chill community - playing 3 times at their annual festival.

They have toured the world relentlessly for the last seven years, playing everywhere from Amsterdam to Zagreb and the streets of Las vegas to the Australian outback, supporting acts such as Coldcut, Easy Dub All Stars and System 7 along the way.

Over the years they have also found favour among many DJs, both radio and club, including John Peel (Radio One/BBC), Nick Luscombe (Xfm), Greg Roberts (Dreadzone) and Pete Lawrence (Big Chill). Their music has been used in fashion shows, computer games and films, including the Oscar nominated Whale Rider.


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