Hanna Richardson & Phil Flanigan | Live at the Fleece

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United States - NY - Upstate NY

Other Genres You Will Love
Jazz: Traditional Jazz Combo Jazz: Jazz Vocals Moods: Featuring Guitar
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Live at the Fleece

by Hanna Richardson & Phil Flanigan

Hanna and Phil on tour in England with Chris Flory on guitar. Classic, swinging, American music.
Genre: Jazz: Traditional Jazz Combo
Release Date: 

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Tracks

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1. Learnin' the Blues
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6:04 album only
2. Intro to Track 3
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0:59 album only
3. How'dja Like to Love Me
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4:06 album only
4. I Gotta Right to Sing the Blues
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4:54 album only
5. Cheatin' On Me
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5:51 album only
6. Doncha Go 'way Mad
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5:23 album only
7. Visitation (instrumental)
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5:54 album only
8. He Ain't Got Rhythm
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3:21 album only
9. The Nearness of You
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5:07 album only
10. Intro to Track 11
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0:33 album only
11. I Get the Neck of the Chicken
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5:01 album only
12. Close Your Eyes (instrumental)
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6:53 album only
13. If I Were a Bell
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5:07 album only
14. Wrap Your Troubles in Dream
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4:31 album only
15. It Don't Mean a Thing (if It Ain't Got That Swing)
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3:56 album only
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ABOUT THIS ALBUM


Album Notes
"Hanna Richardson summons up her instigator, Rosemary Clooney, and also Maxine Sullivan. She has their easy swing and their reverence for diction. And she has a voice--no reediness, no whispering, no dullness. And Flanigan has some of the 'listen' quality of Jimmy Blanton." (Whitney Balliett)


On the road in England with Hanna on vocals, Phil on bass, and Chris Flory on guitar. In their third year on tour in the UK, they turned on the recording machine at The Fleece, a charming pub in Boxford, Suffolk that features mainstream jazz (and fabulous food!) year-round. Here's what one reviewer had to say about the trio:

"The seamless, straight ahead vocalising of Richardson is a rare delight. The perfect tone blending between voice, double bass and guitar is achieved, I suspect, by Phil Flanigan using a microphone as opposed to an amplifier, considered almost compulsory today. Chris Flory’s guitar is amplified but the sound they produce is as one and they swing like crazy in all tempos." (Sheila Tracy, The Stage/UK)


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