Road Work Ahead | Intersection

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by Road Work Ahead

The eclectic San Diego / NYC jazz quartet's latest outing imparting their sonic touch on jazz standards and originals.
Genre: Jazz: Progressive Jazz
Release Date: 

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  Song Share Time Download
1. Inchworm
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5:57 $0.99
2. The Very Thought of You
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5:26 $0.99
3. You Go to My Head
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4:36 $0.99
4. And I Love Her
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6:36 $0.99
5. Wall Street
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6:37 $0.99
6. Saudade De Voce
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5:14 $0.99
7. There's a Small Hotel
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4:39 $0.99
8. Estate
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5:23 $0.99
9. Wynton's Motif
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6:57 $0.99
10. Our Waltz
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5:48 $0.99
Available as MP3, MP3 320, and FLAC files.


Album Notes
The Road Work Ahead band intersects on a California tour in 2012. We rent a van and share new music and stories, concertizing from San Diego to Sebastopol. All sharpened up from the tour we head to the recording studio and document the sounds. Now we can share it with you. Enjoy the ride!

Road Work Ahead is:
Bill Mays — piano
Peter Sprague — guitar
Bob Magnusson — bass
Jim Plank — drums

Here are some insights into the tunes written or arranged by each of us.

"Inchworm" — composed by Frank Loesser, arranged by Bob Magnusson.
“Inchworm” was first sung by Danny Kaye in the 1952 Samuel Goldwyn film Hans Christian Andersen. The original version had two counterpoint melodies. This arrangement opens with the piano playing the first melody that the children sing; then the guitar states the well-known Danny Kaye theme. This simple melody has always had special meaning for my family. My wife Janet and I sang it to our children when they were little, and now we enjoy singing it to our grandchildren.

"The Very Thought of You" — composed by Ray Noble, arranged by Bill Mays.
“The Very Thought Of You” has a haunting melody and great changes to solo on. With some slight harmonic alteration the open, straight-8th feel on this arrangement is inspired by the beauty and simplicity of the lyrics ("The very thought of you and I forget to do, those little ordinary things that everyone ought to do"...)

"You Go To My Head" — composed by J. Fred Coots, arranged by Bill Mays.
“You Go to My Head” is most often heard as a ballad but I enjoy playing it up tempo. We engage in some simultaneous improvisations and phrase-trading before finally stating, in the last chorus, the written melody.

"And I Love Her" — composed by Lennon and McCartney, arranged by Peter Sprague.
This is one of my favorite Beatles tunes ever. I love the bass line figure that is so iconic to this gem. The band treats the song perfectly— the original vibe of the song is still there even though the harmony and feel has been changed. Bob takes a great solo on the ending vamp.

"Wall Street" — composed and arranged by Peter Sprague.
I wrote this tune for the group and as I was in the process of composing it became clear to me that I ought to call the song “Wall Street.” It starts with some high-tension educated notes leading to a riff that embodies the smirky swagger of someone who just got away with something.

"Saudade de Voce" — composed and arranged by Peter Sprague.
The inspirations for this song are the gentle sounds of Brasil’s Antonio Carlos Jobim mixed in with the stark lonely beauty of Chopin. Two different worlds sharing the similar story of longing.

"There's a Small Hotel" — composed by Rogers and Hart, arranged by Bill Mays.
"There's a small hotel, with a wishing well, I wish that we were there together" — so the happy lyric goes. I wanted this 1936 pop song to have an off-kilter "edge" to it. I once stayed at this very hotel; I was uneasy--there was a bit of a strange undercurrent to it and I tried to capture it in this chart. I thought it'd make a great vehicle for Jim Plank's inventiveness, and an oblique statement of the theme with only the drums soloing.

"Estate" — composed by Martino and Brighetti, arranged by Jim Plank
I only suggested this title, Peter and Bill made it what you hear. Because of the many years RWA has been together, developing ideas for new music is always influenced by the knowledge of each person's playing. I think this recording reflects that element.

"Wynton’s Motif" — composed and arranged by Bob Magnusson.
This is a dedication to the late, great pianist Wynton Kelly. Years ago I transcribed his piano solo from a blues entitled “Pot Luck” from the 1960 Vee Jay recording, Kelly at Midnight. In this arrangement I included excerpts from his solo over a new harmonic progression and recurring rhythmic pattern. When we arrive at the faster tempo, in unison Bill and Peter quote the first four choruses of Wynton’s blues solo.

"Our Waltz" — composed by David Rose, arranged by Jim Plank.
As a young person in the 1950's, I heard David Rose's music on radio and television. "0ur Waltz" is the definitive David Rose composition in my mind. I wanted to give the outer sections a different character, while at some point pay tribute to the original composition.

Produced by Road Work Ahead
Recorded at SpragueLand Studios, Encinitas, CA / April, 2012
Recorded, mixed and mastered by Peter Sprague at SpragueLand Studios
Photos by Dwight Harrington
Art direction and design by RixGraphix
Bob Magnusson plays Thomastik Strings

CD released in January, 2013


to write a review


Bill Mays is my favorite pianist and the reason why I bought the CD. Road Work Ahead is new to me and a marvel. It's a pleasure to here a group play with such finesse, imagination and empathy. The choice of songs reflects the kind of versatility that only seasoned players such as Bill Mays, Peter Sprague, Bob Magnusson and Jim Plank have.

Juerg Sommer

One of the best Jazz CDs ever!
"Intersection" is an absolutely fantastic recording, a true masterwork by a supergroup of four world-class jazz artists. The 10 recorded tunes in a wide stylistic range are no less than a masterwork, i.e. a reference recording in the field of timeless contemporary tonal jazz. Exciting and always surprising arrangements, beautiful tunes, gorgeous interplay, stellar improvisations. And the recording, mastering and engineering by Peter Sprague in his studio is simply masterful!