Robert Kramers | On the Block

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Jazz: Jazz-Funk Jazz: Smooth Jazz Moods: Featuring Bass
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On the Block

by Robert Kramers

'On The Block' is Robert Kramers’s first solo album which style can be described as 'Smooth Funky-R&B-Jazz’. On this album he had the privilege to work with a group of international musicians (instrumentalists and vocalists)
Genre: Jazz: Jazz-Funk
Release Date: 

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1. Back to Now
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5:13 $0.99
2. Wond'ring 'bout You
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5:16 $0.99
3. Can't Live Like This
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4:24 $0.99
4. Black or White
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5:10 $0.99
5. Sand Mountain Joy
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3:29 $0.99
6. Take Off
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5:44 $0.99
7. Omage
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4:34 $0.99
8. Balaton Beauty
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5:46 $0.99
9. Gimme the Beat
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5:41 $0.99
10. Stars
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3:52 $0.99
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ABOUT THIS ALBUM


Album Notes
Robert Kramers

Robert’s bass career started at the age of 15. During his College years, he founded with some friends the very popular funk & soul cover band "Jam Square". For more than 10 years, "Jam Square" played on parties and festivals in the Netherlands as well as abroad.
In November 2008, Robert joined the Dutch band "Alderliefste", a well known band in Holland. Two of their songs are listed in The Dutch Top 2000 (Een Mooi Verhaal/ Une Bellle Histoire and Laat me/ Vivre). The last song was made in collaboration with Ramses Shaffy, one of Holland's most famous singers, who passed away in 2010. Alderliefste also wrote the song ‘luistert er iemand’, the title song for the audiobook version of ‘Mr Finny’, a children’s book, written by Princess Laurentien of the Netherlands.
For 5 years Robert has worked on and off on his first solo album, titled ‘On The Block’. In this album he shows himself as a writer, producer and musician who not only plays the bass but also raps and sings. On this album he had the privilege to work with a variety of international musicians who inspired him during the many live concerts he did over the years.

Review:

Robert Kramers – On the Block : You have to respect a jazz-funk album featuring bass that also has some very listenable rap. Robert pulls all this off and more in this tasty offering. It’s got a little bit of everything, and Robert’s truly impressive playing doesn’t hurt a bit. Funk it up.

http://wrylifemusic.com/wryblog/?p=51


Reviews


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Mark Berbiers

The Dutch Marcus Miller
Sometimes I'm not proud to be a Dutchman but this is different cake, now I'm proud as a chicken with seven cocks. May I introduce to you an other fellow Dutchman Robert Kramers. Robert Kramers is an outstanding bass player and writer as well producer. Kramers just released his first solo album 'On The Block' on his own independent label 'Robert Kramers'. The album consist of ten tracks which he all produced. The styles on this album are Smooth Jazz, Jazz Funk, Rap, Soul.

Robert was inspired by bands like 'Earth Wind And Fire', 'Commodores', 'George Benson', Motown Bass Legend 'James Jamerson' and an other old school bass hero 'Marcus Miller'. When you hear Robert play he just sounds like Miller and that is a very big compliment and i really mean it. That's why I'm so proud. The album sounds very fresh because the mastering is very good, sounds like an American production.

The opening track 'Back To Now' is a killer instrumental smooth jazz tune. Superb bass play, check the bridge. On top of the bass you hear beautiful strings. It has a nice melody and some great 'seventies/blaxploitation' sounds like the organ and synths. What a track.

The same is also valid for the instrumental 'Wond'ring 'Bout You'. The bass is not that present but it's exchanged for the Alto Saxophone, beautifully played by Rick Alexander. When you hear this track for the first time then you probably think it's George Howard, or Najee.

The soul track 'Can't Live Like This' is a vocal track done by Christina Garai. The bridge/bass line (2:06) has some influences of 'Settle Down' by 'Lillo Thomas'. Robert must create an extended version of it;-)

'Black Or White' sounds very seventies. This sound is created by the Organ play of Henne Reijs, and by the chants of the different Horns (James Brown). Robert Raps on top this what creates a nice blend of new and old school music.

On track five 'Sand Mountain Joy' Robert Plays on his fretless Bass, no other instruments are presents.

He continues with the next track 'Take Off' in the same style as the opening track. Fabulous bass work with great strings, fender Rhodes and nice background chants. Also a killer instrumental smooth jazz track.

The Latin influenced track 'Omage' with great percussion work with great 'Spanish' guitar play by Zsolt Rimes, who also wrote this song.

The down-tempo smooth jazz track 'Balaton Beauty' is indeed a beauty. Very deep bass with on top the sax, hmm this sounds like more. The last track on this album is 'Gimme The Beat'. It starts with the beat followed by that pumpin' bass of Robert. The vocals of L. Koster finish the song.

This album is worth every penny. Great Job Robert, go for the next one ;-)

Mark Berbiers SOULANDFUNKMUSIC.COM

Nienke van Ketel

Play that funky music, white boy!
I bought Robert Kramers' first solo album and am happy I did, even though ususally I don't listen much to smooth jazz or funk. However, I don't know any music lingo... so in this review you won't read how This is kick-4ss bass line, or That riff is heavenly (in fact I had to google to learn a few words in bassguitarese), nor do I know any of the bassplayer legends so have no one to compare Robert to. What I do know is how music makes mefeel and the pictures it makes me see. Welcome to the tour.
The first track, "Back to Now" ironically takes me away from now and backto the TV shows of the seventies and early eighties. I can just see TomSelleck, aka Magnum PI, slide his sunglasses up his nose, jump into his nifty lil' red Ferrari and cruise down the Hawaiian coast. Without his shirt on.
"Wond'ring 'bout you" shows me the New York night skyline and scenes from
"Moonlighting" - up to the 03.27 mark where Robert picks up the phone and calls his lady love. This changes the feel of the track from wiseguy private detective-y to a mellow beach partyish.
"Can't live like this" - play on headphones! All elements fit perfectly.
Christina Garai's performance is amazing, she has a very rich, multi-faceted voice. I expected her to be an African-American soul singer
in her thirties but no, ladies and gentlemen, she's Hungarian and 23 years old. However, imho the lyrics don't really fit the fullness of her voice and the maturity of the instrumentals - full of teenage angst and
existential insecurity. A good song that would have been a great song but for the lyrics.
"Black and White" reminded me of Prince and the New Power Generation. Go figure. Now, "Sand Mountain Joy" is my absolute favorite. It's one of two tracks that doesn't have that late seventies/early eighties feel to it. You know how there are songs that just seep into your soul, make you forget about the world for a while, and you just sit and stare out the window - this is one of those songs. It's simply stunning.
Oh all right, I can't resist. The riff in "Take Off" is heavenly. Miami Vice this time - shiny white motor boats filmed from a bird's eye view
with scantily clad ladies on board, sipping cocktails, Don Johnson in his pastel pink jacket at the helm.
"Omage" - the other odd one out. A butt-wiggle happy dance catchy tune. White beaches, blue seas, stiff drinks in coconuts, musicians in white tuxedos with pencil moustaches... you get the picture.
"Balaton Beauty" is a funky lovesong and an amazing duet between the sax and the bass.
"Gimme the Beat" starts out as a typical come-hither song with Christina Garai inviting her man to rock with her all night long. Melody is danceable and catchy - so far, so good. And then Robert steps in and takes the song to a higher level with a hilarious rap, giving advice to the guy who is invited to rock with his lady all night long... Awesome.
"Stars" is a collaboration with another female vocalist, Lizzy Koster.
Nice and mellow, a perfect final song.
Throughout the songs one thing is perfectly clear: Robert and the other musicians' shared passion for music. Some artists make me feel like their music is the soundtrack to their egos but Robert has the gift of getting out of the music's way. Music is played through him, not by him, which takes a lot of talent and a lot of hard work. It makes for an amazing album.

Lynda DiVito

Amazing artist and incredible CD!
Robert Kramers is easily one of the grooviest, funkiest bass players out there. This CD is everything I wanted it to be from
Robert, soulful, funky, jazzy and groovy. All the things he does best rolled into one cd.
Robert Kramers is simply the bomb!!