Satoko Fujii | Indication

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Avant Garde: Modern Composition Jazz: Free Jazz Moods: Featuring Piano
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Indication

by Satoko Fujii

Top 10 CDs (Reissue) of 2005 — Michael Rosenstein “Indication affords the listener ample opportunity to hear Fujii's minimalist style, her use of space and silence. Fujii's intros are stately and her approach frequently meditative.
Genre: Avant Garde: Modern Composition
Release Date: 

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Tracks

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1. Itsuki no komoriuta
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6:00 album only
2. Vague
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4:32 album only
3. 210
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7:08 album only
4. Tsuki no sabaku
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9:20 album only
5. Haru yo koi
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5:51 album only
6. Indication
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4:49 album only
7. I haven't seen you since then
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3:38 album only
8. Autumn
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2:44 album only
9. Ballad
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6:07 album only
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ABOUT THIS ALBUM


Album Notes
Satoko Fujii

Critics and fans alike hail pianist and composer SATOKO FUJII as one of the most original voices in jazz today. Sheユs メa virtuoso piano improviser, an original composer and a band-leader who gets the best collaborators to deliver," says John Fordham in The Guardian. In concert and on nearly 40 albums as a leader or co-leader, the Tokyo resident synthesizes jazz, contemporary classical, avant-rock and Japanese folk music into an innovative music instantly recognizable as hers alone. Since she burst onto the scene 11 years ago after earning her graduate diploma from the New England Conservatory of Music, Fujii has led some of the most consistently creative ensembles in modern improvised music. Her trio with bassist Mark Dresser and drummer Jim Black has released five CDs, all of which earned places in criticsユ year-end Top 10 lists. In 2001, she debuted an electrifying avant-rock quartet featuring Takeharu Hayakawa, Tatsuya Yoshida, and Natsuki Tamura, and their high-energy CDs were hailed by listeners worldwide. Fujii has also established herself as one of the worldユs leading composers for large jazz ensembles. Since 1997, she has released a steady stream of acclaimed releases for large ensemble, culminating in 2006 when she simultaneously released four big band albums: one from her New York ensemble, and one each by three different Japanese bands. In addition to playing accordion in her husband trumpeter Natsuki Tamuraユs Gato Libre quartet, she also performs in a duo with Tamura, as an unaccompanied soloist, and in ad hoc groupings with musicians working in different genres. She tours regularly appearing at festivals and clubs in the U.S., Canada, Japan, and Europe. Her ultimate goal: メI would love to make music that no one has heard before.モ


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