Scott F. Hall | Scultura Sana 8

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Avant Garde: Sound Sculpture Avant Garde: Sound Art Moods: Featuring Bass
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Scultura Sana 8

by Scott F. Hall

Described as: moving pictures in sound. On this CD, Hall presents 25 pieces created on electric bass, dan bau, whamola, Indian harmonium, sampler, several unique instruments, and in field recordings made in Florida and Scotland.
Genre: Avant Garde: Sound Sculpture
Release Date: 

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  Song Share Time Download
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1. Spin Up
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0:29 album only
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2. Primacy of the Plectrum
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2:04 album only
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3. Mandrake
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3:39 album only
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4. Shuffle
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1:22 album only
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5. Shooting Star
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0:40 album only
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6. Blue & Seven
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0:55 album only
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7. Life in Your Pocket (Invictus, Part 1)
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1:40 album only
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8. Bhaskara's Wheel Slowly
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0:46 album only
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9. Fingerdance (Invictus, Part 2)
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1:43 album only
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10. Clocks of 445
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0:31 album only
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11. Bone Erosion
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1:44 album only
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12. Bhaskara's Wheel Quickly
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0:45 album only
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13. Old Settlement Road
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3:46 album only
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14. Three Black Domes
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1:05 album only
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15. PsycheDelius
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3:53 album only
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16. Ten for Seven Meditation
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3:36 album only
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17. Original Member
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1:35 album only
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18. Horizontal North (Invictus, Part 3)
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0:40 album only
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19. Chinese Medicine
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1:00 album only
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20. No Reply Needed (Invictus, Part 4)
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1:26 album only
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21. Flash of Green
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1:17 album only
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22. Broken Spring (Invictus, Part 5)
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1:20 album only
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23. The Talk in Glasgow
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8:54 album only
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24. Aegean She
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2:54 album only
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25. Spin Down
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0:40 album only

ABOUT THIS ALBUM


Album Notes
Includes: 1 unlimited edition CD autographed by the artist in handwriting, printed paper liner notes, and CD case.

On this CD, "Scultura Sana 8" [Sound Sculpture 8], Hall presents 25 audio works with a duration of over 48 minutes. Several tracks are stereo field recordings--"sound prints" of particular events in time and place. Several others are live recordings incorporating the sounds of some of his original instruments. Most often here, Hall uses sound itself as a sculptural material, gradually building up rich layers of precise harmony, melody, and rhythm with electric bass, dan bau, whamola, Indian harmonium, and digital percussion sampler. He thereby creates his intricate works which are vividly pictorial in their impact upon the ear and the mind of the listener.

"The sounds that Scott F. Hall lures from his various instruments and occasional field recordings resonate with a deeply internal, thoughtful sensibility. The intensity with which he creates, plays, and composes reveals a freedom of expression and ultimately a real pleasure in making sound. The artist always succeeds in focusing a listener's attention to the sounds created, the present moment, the instruments--in short, the act of listening. His explorations go beyond a definition of 'music' or 'song' and allow us to experience sound in a new way by providing a new context in which to hear it. There is a layering and a mystery, a manipulation of instruments and recorded sound, and a rock energy which allows the listener to expand our scope of what art can be as well as what music can be. Hall reveals his sound work slowly, patiently, and with great finesse."

--Peter Hayes, San Francisco Bay Area gallerist/artist

"Scott’s work in acoustic design combined with traditional fabrication techniques cross the disciplines of music and visual arts, creating a truly unique combination of sculpture and sound.”

--Charlie Abraham, Associate Director, School of Visual Arts & Design, University of Central Florida

"...Hall is a conceptualizer and inventor of musical instruments. Although a bassist and multi-instrumentalist since his teens in the late 1970s, Hall invented his unique "monobaribasitar" structure [mono-stringed baritone/bass guitar] recently--in 2012. He is, at present, the only player [first virtuoso] on this entirely new instrument form. Hall performs continuously for up to twenty minutes employing a two-handed tapping technique, his fingers on both hands working simultaneously as both percussive hammers and plucking picks. Though monophonic, the rapid-fire musical notes he produces convince listeners that polyphonic music is occurring: a broad range of emotional responses are evoked in listeners by chords laced throughout Hall's rhythmic fugues. The original compositions Hall produces on monobaribasitar are detailed, intricate, and pleasing to the ear of western music listeners: each note he plays, after all, can be found on any piano keyboard. Hall's performance is simultaneously minimal and maximal: through the most reductive means--a single fretless string--he succeeds in creating music equivalent in its complexity and detail to that of the Spanish classical guitar."

--excerpt from a press release


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